Volverse público. Las transformaciones del arte en el agora contemporanea

In the essays that make up Becoming Public, Boris Groys describes various aspects of this radical transformation of the field of art, from its embryonic manifestations in the projects of avant-garde artists such as Duchamp, Kandinsky or Malevich to the present day, in which artistic activity no longer seems to be an exclusive destiny but a weak gesture, a task that we assume on a daily basis in the new media agora.