This publication is the result of an investigation into the postulates of Modernism in the field of artistic photography. Based on a selection of images taken from security cameras, which can be accessed remotely over the internet, a tour of different cities around the planet is made, following the rotation of the Earth, to capture the sunset, when the sun crosses the plane of the horizon and passes from the visible to the non-visible hemisphere.
These images, of low resolution, dubious framing and unknown author, announce the exhaustion of the project of modernity. The resulting publication debates the history of the photographic medium and does so by reappropriating existing manifestations but placing them in a new context that allows the author to decode the existing precepts postulated by the Postmodern crisis.
