{"id":8420,"date":"2021-03-01T11:22:15","date_gmt":"2021-03-01T11:22:15","guid":{"rendered":"https:\/\/artslibris.cat\/artslibris-arcolisboa-2019\/"},"modified":"2021-03-01T11:22:16","modified_gmt":"2021-03-01T11:22:16","slug":"artslibris-arcolisboa-2019","status":"publish","type":"page","link":"https:\/\/artslibris.cat\/en\/artslibris-arcolisboa-2019\/","title":{"rendered":"ArtsLibris ARCOlisboa 2019"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"8420\" class=\"elementor elementor-8420 elementor-8374\" data-elementor-post-type=\"page\">\n\t\t\t\t\t\t<section data-dce-background-color=\"#EFEFEF\" class=\"elementor-section elementor-top-section elementor-element elementor-element-5a607fa8 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"5a607fa8\" data-element_type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-61d43b4b\" data-id=\"61d43b4b\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-464cf202 elementor-widget elementor-widget-heading\" data-id=\"464cf202\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\">ArtsLibris ARCOlisboa<br>2019<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-19df7b4e elementor-widget elementor-widget-text-editor\" data-id=\"19df7b4e\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><span lang=\"en\" tabindex=\"0\">After the consolidation of the project in ARCOMadrid and the traditional edition in Barcelona, during the week of Sant Jordi, ArtsLibris expands its borders and will be present in the next edition of\u00a0<\/span><a href=\"http:\/\/www.ifema.es\/arcolisboa_01\/\" target=\"_blank\" rel=\"noopener\"><span lang=\"en\" tabindex=\"0\">ARCOLisboa<\/span><\/a><span lang=\"en\" tabindex=\"0\">\u00a0that begins on Thursday.<\/p>\n<p>With more than 40 international exhibitors and two activities coordinated by the curator Horacio Fern\u00e1ndez, the International Book Fair of Artist and the most important Foto Book in southern Europe is present at the meeting between collectors and professionals that celebrates the Portuguese city of 16 to may 19.<\/span><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-7780d24 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"7780d24\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-a6157cc\" data-id=\"a6157cc\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-4013244 elementor-pagination-position-inside elementor-widget elementor-widget-image-carousel\" data-id=\"4013244\" data-element_type=\"widget\" data-settings=\"{&quot;slides_to_show&quot;:&quot;1&quot;,&quot;navigation&quot;:&quot;dots&quot;,&quot;autoplay&quot;:&quot;yes&quot;,&quot;pause_on_hover&quot;:&quot;yes&quot;,&quot;pause_on_interaction&quot;:&quot;yes&quot;,&quot;autoplay_speed&quot;:5000,&quot;infinite&quot;:&quot;yes&quot;,&quot;effect&quot;:&quot;slide&quot;,&quot;speed&quot;:500}\" data-widget_type=\"image-carousel.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-image-carousel-wrapper swiper\" role=\"region\" aria-roledescription=\"carousel\" aria-label=\"Image Carousel\" dir=\"ltr\">\n\t\t\t<div class=\"elementor-image-carousel swiper-wrapper swiper-image-stretch\" aria-live=\"off\">\n\t\t\t\t\t\t\t\t<div class=\"swiper-slide\" role=\"group\" aria-roledescription=\"slide\" aria-label=\"1 of 5\"><figure class=\"swiper-slide-inner\"><img decoding=\"async\" class=\"swiper-slide-image\" src=\"https:\/\/artslibris.cat\/wp-content\/uploads\/2021\/03\/ArtsLibris-ARCOllisboa2019-2.jpg\" alt=\"ArtsLibris-ARCOllisboa2019-2\" \/><\/figure><\/div><div class=\"swiper-slide\" role=\"group\" aria-roledescription=\"slide\" aria-label=\"2 of 5\"><figure class=\"swiper-slide-inner\"><img decoding=\"async\" class=\"swiper-slide-image\" src=\"https:\/\/artslibris.cat\/wp-content\/uploads\/2021\/03\/ArtsLibris-ARCOllisboa2019-3.jpg\" alt=\"ArtsLibris-ARCOllisboa2019-3\" \/><\/figure><\/div><div class=\"swiper-slide\" role=\"group\" aria-roledescription=\"slide\" aria-label=\"3 of 5\"><figure class=\"swiper-slide-inner\"><img decoding=\"async\" class=\"swiper-slide-image\" src=\"https:\/\/artslibris.cat\/wp-content\/uploads\/2021\/03\/ArtsLibris-ARCOllisboa2019-4.jpg\" alt=\"ArtsLibris-ARCOllisboa2019-4\" \/><\/figure><\/div><div class=\"swiper-slide\" role=\"group\" aria-roledescription=\"slide\" aria-label=\"4 of 5\"><figure class=\"swiper-slide-inner\"><img decoding=\"async\" class=\"swiper-slide-image\" src=\"https:\/\/artslibris.cat\/wp-content\/uploads\/2021\/03\/ArtsLibris-ARCOllisboa2019-5.jpg\" alt=\"ArtsLibris-ARCOllisboa2019-5\" \/><\/figure><\/div><div class=\"swiper-slide\" role=\"group\" aria-roledescription=\"slide\" aria-label=\"5 of 5\"><figure class=\"swiper-slide-inner\"><img decoding=\"async\" class=\"swiper-slide-image\" src=\"https:\/\/artslibris.cat\/wp-content\/uploads\/2021\/03\/ArtsLibris-ARCOllisboa2019.jpg\" alt=\"ArtsLibris-ARCOllisboa2019\" \/><\/figure><\/div>\t\t\t<\/div>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t<div class=\"swiper-pagination\"><\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-5074319b elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"5074319b\" data-element_type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-no\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-1c9cf3a0\" data-id=\"1c9cf3a0\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-4d6ee1d elementor-widget elementor-widget-heading\" data-id=\"4d6ee1d\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Activities<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-f6e6234 elementor-widget elementor-widget-accordion\" data-id=\"f6e6234\" data-element_type=\"widget\" data-widget_type=\"accordion.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-accordion\">\n\t\t\t\t\t\t\t<div class=\"elementor-accordion-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-2581\" class=\"elementor-tab-title\" data-tab=\"1\" role=\"button\" aria-controls=\"elementor-tab-content-2581\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon elementor-accordion-icon-left\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-closed\"><i class=\"fas fa-chevron-down\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-opened\"><i class=\"fas fa-chevron-up\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-accordion-title\" tabindex=\"0\">Saturday, 18.05.2019 | P\u00e1tio Nascente <\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-2581\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"1\" role=\"region\" aria-labelledby=\"elementor-tab-title-2581\"><div class=\"panel-heading\" role=\"tab\">\n<div class=\"\" data-toggle=\"collapse\" data-target=\"#collapseBcn2\" aria-expanded=\"true\">\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\"alignnone size-medium wp-image-8392\" src=\"https:\/\/artslibris.cat\/wp-content\/uploads\/2021\/03\/2019SC-ARCOlisboa-600x400.gif\" alt=\"\" width=\"600\" height=\"400\" srcset=\"https:\/\/artslibris.cat\/wp-content\/uploads\/2021\/03\/2019SC-ARCOlisboa-600x400.gif 600w, https:\/\/artslibris.cat\/wp-content\/uploads\/2021\/03\/2019SC-ARCOlisboa-300x200.gif 300w, https:\/\/artslibris.cat\/wp-content\/uploads\/2021\/03\/2019SC-ARCOlisboa-768x512.gif 768w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/p>\n<p>15.15 &#8211; 16h.\u00a0<strong>\u201cEther \/ Vale tudo menos tia olhos: uma galeria inesquec\u00edvel\u201d<\/strong><\/p>\n<p>Com: Ant\u00f3nio J\u00falio Duarte (photographer), Horacio Fern\u00e1ndez (historian and curator), Susana Louren\u00e7o Marques (historian and publisher), Mariano Pi\u00e7arra (historian and art critic).<\/p>\n<p>17.15 &#8211; 18h.\u00a0<strong>\u201cUm debate sobre o fotolivro em Portugal\u201d<\/strong><\/p>\n<p>Com: Horacio Fern\u00e1ndez (historian and curator), Susana Louren\u00e7o Marques (historian and publisher), Jose Luis Neves (historian and art critic), Filipa Valladares (specialized bookseller).<\/p>\n<\/div>\n<\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section data-dce-background-color=\"#FFFFFF\" class=\"elementor-section elementor-top-section elementor-element elementor-element-1a419079 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"1a419079\" data-element_type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-no\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-659c204c\" data-id=\"659c204c\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-58f60bff elementor-widget elementor-widget-heading\" data-id=\"58f60bff\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">ArtsLibris ARCO Lisboa Online Edition 10\/6<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-177ee29 elementor-widget elementor-widget-text-editor\" data-id=\"177ee29\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h1>Differences and complementarity of paper and digital in documentation<\/h1>\n<p><div class=\"ast-oembed-container \" style=\"height: 100%;\"><iframe title=\"Diferencias y complementariedad del papel y lo digital en la documentaci\u00f3n. Joan Gil Gregorio\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/Rc8_RVfWQcE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div><\/p>\n<p>In this video, Joan Gil Gregorio, historian, art critic and curator, talks about the importance of the document and its preservation to keep it alive. In this sense, far from seeing the digitization of recent years as something opposed to physical documents, Joan Gil Gregorio proposes to understand it as a complementary archiving process.<\/p>\n<h2>News from the publishers participating in ArtsLibris ARCOlisboa Online Edition<\/h2>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/www.per-r-ucho.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Per(r)ucho<\/a>, Valencia<br \/>\n<strong>Title<\/strong>: Race to the moon<br \/>\n<strong>Author<\/strong>: Jaime Ortega<br \/>\nA laughing odyssey to the moon. We began this project intrigued by the graphic consequences of the space race. The incredible illustrations by Tekhnika Molodezhi in the Soviet Union and Popular Mechanics in the USA as well as an old 19th century astronomical manual called Smith Illustrated. The risographical translation of these graphic sources served as a trigger for the exploration of a story less known than it could be supposed, the obsession with the moon and, what is more interesting, the sudden abandonment, in the 70s, of an illusion that had been building a certain image of man since the 19th century.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/lauralio.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">PEZPLATA<\/a>, Madrid<br \/>\n<strong>Title<\/strong>: Caminando memoria y deseo<br \/>\n<strong>Author<\/strong>: Laura Lio<br \/>\nSingle book. Traces of silver ink, black paper and wooden cover. Pezplata Ediciones is a publisher of artist&#8217;s books created in 2015, based at the NavEstudio Laura Lio. Its editorial line is drawn on the edge between image and word and is characterized by its diversity of formats, with publications ranging from artist&#8217;s books to posters and postcards.<\/p>\n<p><a href=\"https:\/\/www.pierrevonkleist.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Pierre Von Kleist<\/a>, Lisboa<br \/>\n<strong>Title<\/strong>: Caf\u00e9 Bissau<br \/>\n<strong>Author<\/strong>: Juli\u00e3o Sarmento<br \/>\nJuli\u00e3o Sarmento has been taking photographs for more than forty years. From early on, his technical and lyrical control of the medium allowed him to develop a personal style. His photographs cover a wide variety of interests: people, places, gatherings, travels, animals in or out of \u00a0zoos, cars, experiments on light&#8230;<em>Caf\u00e9 Bissau<\/em>\u00a0is Juli\u00e3o Sarmento&#8217;s most ambitious photobook to date, an ambitious journey into the artist&#8217;s atlas.<\/p>\n<p><a href=\"https:\/\/www.pierrotlefou.pt\/\" target=\"_blank\" rel=\"noopener noreferrer\">P<\/a><a href=\"https:\/\/www.pierrotlefou.pt\/\" target=\"_blank\" rel=\"noopener noreferrer\">ierrot Le Fou<\/a>, Porto<br \/>\n<strong>Title<\/strong>: Burning dinosaur bones<br \/>\n<strong>Author<\/strong>: Pedro Magalh\u00e3es<br \/>\n&#8220;(&#8230;) In this series, the elimination of the figurative and the dissipation of the referent, goes against a conceptualization of the surface, tested in an adjacent plane, where the painting appears tired, without brightness and without depth &#8211; to emphasize the abstraction and to reinvent the unique spatiality created by this machine. By burning the dinosaur bones we can intuit other images and obsessions, such as the crashed cars photographed by Mateo P\u00e9rez Correa in Siniestros (2015), the (un)inhabited car interiors of Mateo Casteel, the badly repaired cars (2016) of Ronny Campana, or in Karma (2014) about privacy that Oscar Monz\u00f3n interrupted and illuminated, for five years, at the traffic lights of Madrid. In all of them, the vehicle that Roland Barthes compared to a great Gothic cathedral no longer represents the conquest of speed or gives shape to acceleration, is neither a fetish object nor a symbol of the counterculture, but surrenders to the paradox of immobility that photography has imposed on it, monumentalizing the reflection of its consumption, valuing its uniqueness instead of equivalence and recording what remains after the glory. (&#8230;)&#8221; Susana Louren\u00e7o Marques, 2019<\/p>\n<p><a href=\"https:\/\/www.rainalupa.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Ra\u00ed\u00f1a Lupa\/RocioSantaCruz<\/a>, Barcelona<br \/>\nTitle: Fr\u00e1gil es la llama<br \/>\nAuthor: Francesc Torres<br \/>\n&#8220;You&#8217;re already on the other side of the image, you&#8217;ve already pierced the negative and, quicksilver intact, the mirror of your life reflects nothing but the absence of yourself.&#8221; Unpublished text and three photographs by Francesc Torres, composed by hand in Bodoni lead typography, by the MGC Group of the Polytechnic University of Valencia, on 250 gr. Black and white baryta-insulated photographs.<\/p>\n<p><a href=\"http:\/\/www.redfoxpress.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Red Fox Press<\/a>, Ilha de Achill &#8211; Irlanda<br \/>\n<strong>Title<\/strong>: Franticham&#8217;s Assembling Box Nr. 45 \/ Visual Poetry And Works Inspired By Fluxus<br \/>\n<strong>Author<\/strong>: AA.VV.<br \/>\nRed Fox Press produces artist&#8217;s books production and art screenprinting in Achill Island in the West of Ireland. A5 box with contributions from 25 invited artists from 9 countries. Visual poetry, collages, prints, multiples and objects. 40 copies signed and numbered<\/p>\n<p><a href=\"http:\/\/www.rosersales.es\/\" target=\"_blank\" rel=\"noopener noreferrer\">Roser Sales Noguera<\/a>, Barcelona<br \/>\n<strong>Title<\/strong>: ICE-LAND<br \/>\n<strong>Author<\/strong>: Roser Sales Noguera<br \/>\nThe artist&#8217;s book presented this year is\u00a0<em>ICE-LAND<\/em>, this is the result of a trip to Iceland in the year 2018. Following a recurrent way in my work, to travel, collect and find objects such as stones, algae, pieces of lava, feathers &#8230; that they are finding me in the treks along the island. It is through these objects, which as a trigger take me to the moments, places and emotions of the road.\u00a0<em>ICE-LAND<\/em>\u00a0is presented in the same format as previous years, a wooden box containing the artist&#8217;s book, in this case photographed with his texts.<\/p>\n<p><a href=\"https:\/\/www.rubenbarroso.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Rub\u00e9n Barroso<\/a><a href=\"https:\/\/www.rubenbarroso.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">,<\/a>\u00a0Sevilla<br \/>\n<strong>Title<\/strong>: Anarchy<br \/>\n<strong>Author<\/strong>: Rub\u00e9n Barroso<br \/>\nAnarchy is part of a collection of artist&#8217;s books, unique pieces, drawn, about ways of life and vital attitudes, qualified as &#8220;objects of thought&#8221;. Unique piece, drawn artist&#8217;s book, 50 pages on 300 gr. cotton paper.<\/p>\n<p><a href=\"https:\/\/rvculturaearte.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">RV Cultura e Arte<\/a>, Salvador de Bahia<br \/>\n<strong>Title<\/strong>: Marear<br \/>\n<strong>Author<\/strong>: Taygoara Aguiar<br \/>\nMarear is an affective cartography composed of images of fishing boats and routes of the ports of Plataforma, Solar do Unh\u00e3o, Barra and Ilha de Mar\u00e9, located in All Saints Bay, in Salvador\/BA (Brazil). Its structure of wood and special papers, at the same time is and houses boats and cyanotypes on cotton paper, inviting the invention of possible narratives and stories of the fiber or wood boats, saveiros and trawlers that make up the landscape of much of the city&#8217;s coast, while representing intimate spaces of the emotional memories built by the artist Taygoara Aguiar. The graphic project begins with photographs of the ships, their respective names and locations, a three-dimensional graphic investigation expressed in the textures, tones and typographies present in the registered ships themselves.<\/p>\n<p><a href=\"http:\/\/stet-livros-fotografias.com\/?lang=en\" target=\"_blank\" rel=\"noopener noreferrer\">STET Libros &amp; Fotograf\u00edas<\/a>, Lisboa<br \/>\n<strong>Title<\/strong>: Handbook of the Spontaneous Other<br \/>\n<strong>Author<\/strong>: Aikaterini Gegisian<br \/>\nIn\u00a0<em>Handbook of the Spontaneous Other<\/em>, Aikaterini Gegisian brings together a diverse range of found photographic material produced in Western Europe and the USA during the 1960s and 1970s. Composed of a series of 59 collages, the book playfully recontextualises images from popular culture that Gegisian has sourced \u2014 from pornographic magazines, tourist catalogues and National Geographic spreads \u2014 in order to subvert the way that the body, nature and pleasure have been represented in Western capitalist fantasies. Divided into nine chapters that follow a metaphysical narrative of colour and sensation, the book ultimately seeks to locate a \u2018spontaneous other\u2019; a notion of the self and of pleasure that exists beyond the confines of popular culture and its dominant modes of representation.<\/p>\n<p><a href=\"http:\/\/www.textem.de\/\" target=\"_blank\" rel=\"noopener noreferrer\">Textem Verlag<\/a><a href=\"http:\/\/www.textem.de\/\" target=\"_blank\" rel=\"noopener noreferrer\">,<\/a>\u00a0Hamburgo<br \/>\nTitle: Album<br \/>\nAuthor: Achim Hoops<br \/>\n49 large-format digital drawings based on motifs from TV news, as well as a brochure with an essay by the artist. When it comes to television news, it is striking how much the images shown are always similar, even though they deal with current and unique events. This similarity was unintentionally or deliberately provoked by aesthetic means. As &#8220;only&#8221; visual constellations, the images can be made similar to each other, even if the objects represented in them are very different. As in a dream, the properties and meanings of various objects are combined in our arsenal of remembered images.<\/p>\n<p><a href=\"https:\/\/www.gravat.com\/ca\" target=\"_blank\" rel=\"noopener noreferrer\">Tinta Invisible Edicions<\/a>, Barcelona<br \/>\n<strong>Title<\/strong>: Filigranas y Mamporros<br \/>\n<strong>Author<\/strong>: Carlos Pazos<br \/>\nTinta Invisible has just released a deluxe edition of 30 copies of\u00a0<em>Filigranas y Mamporros<\/em>\u00a0by Carlos Pazos, with a felt shirt. It is a &#8220;diary&#8221; structured by the author&#8217;s thoughts, which with a similar tone to his two previous works, immerses us in the evolution of his own existence. This story, marked by brilliant speculation, guides us through an infinite number of theories about art, time, style and life. Even the most cowardly of us would like to adopt (sometimes) as a vital mantra some of his reflections since, always with elegance, he seems to verbally caress the darkest aspects of being. And in his own words &#8220;opting for cynicism and irony rather than bowing down, forced by the harsh joke of the world&#8217;s inflexible deception. Mercis Rossetti<\/p>\n<p><a href=\"http:\/\/www.tristanbarbara.com\/es\/\" target=\"_blank\" rel=\"noopener noreferrer\">Tristan Barbar\u00e1<\/a>, Barcelona<br \/>\n<strong>Title<\/strong>: Notas para el final de un siglo\u2026<br \/>\n<strong>Author<\/strong>: Jose Ney<br \/>\nThe book shows the author&#8217;s interest in human beings. People immersed in everyday life, in public spaces and their unconscious relationship with the environment. Seeking in spontaneity the anthropological value as a reflection of those visual experiences that can evoke a dreamlike or irrational appreciation, without losing the interpretation of the supposed reality. With the visual narrative, the author refers to everything: the world and its inhabitants, their illusions, their sadness, beliefs and love; in an instant of hallucinations in convergence with our imaginary spaces.<\/p>\n<hr \/>\n<p><img decoding=\"async\" class=\"fr-dii fr-draggable\" src=\"https:\/\/artslibris.cat\/storage\/app\/media\/uploaded-files\/Captura%20de%20pantalla%202020-06-10%20a%20las%2011.31.28.png\" data-result=\"success\" \/><\/p>\n<p><a href=\"https:\/\/www.uqeditions.com\/edicoes\" target=\"_blank\" rel=\"noopener noreferrer\">UQ! Editions<\/a><a href=\"https:\/\/www.uqeditions.com\/edicoes\" target=\"_blank\" rel=\"noopener noreferrer\">,<\/a>\u00a0Lisboa<br \/>\n<strong>Title<\/strong>: Gram\u00e1tica do Instante e do Infinito<br \/>\n<strong>Author<\/strong>: Jos\u00e9 Eduardo Agualusa<br \/>\nA book more than a book. A real work of art. In fact, the first one with original photographs of Jos\u00e9 Eduardo Agualusa and his poetry. A limited edition, 116 copies, in which each book-object is a masterpiece of graphic art: all printed in Fine Art with the text on bamboo paper and the photographs on rice paper, finishing off the mark of UQ&#8217;s artisan excellence! Editions. Format 37 x 52 cm. Each copy sold will have 30% of the income reverted to the Pykor\u00e9 Indigenous Association of the Meb\u00eang\u00f4kre-Kayap\u00f3 people of the Amazon. Here below we leave you a video of the author presenting his book.<\/p>\n<p><div class=\"ast-oembed-container \" style=\"height: 100%;\"><iframe title=\"Jos\u00e9 Eduardo Agualusa presentando Gram\u00e1tica do Instante e do Infinito\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/ogMIOgvxaXw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.valuemanifesto.ch\/\" target=\"_blank\" rel=\"noopener noreferrer\">Value Manifesto<\/a>, Basel<br \/>\nThe Value Manifesto is the first crypto multiple in the history of art. The symbolic bearer of the manifesto is a manufactured display with state-of-the-art nixie tubes and IoT technology. Those machines\u2019 only purpose is to display the currently highest real-time value of the crypto edition in Swiss Francs.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section data-dce-background-color=\"#FFFFFF\" class=\"elementor-section elementor-top-section elementor-element elementor-element-65c9775f elementor-section-full_width elementor-section-height-default elementor-section-height-default\" data-id=\"65c9775f\" data-element_type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-no\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-2e88dd89\" data-id=\"2e88dd89\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-d8da905 elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"d8da905\" data-element_type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-5e04e7f4 elementor-section-stretched elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"5e04e7f4\" data-element_type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;,&quot;stretch_section&quot;:&quot;section-stretched&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-no\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-450891a4\" data-id=\"450891a4\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-2d1a70e9 elementor-widget elementor-widget-heading\" data-id=\"2d1a70e9\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Exhibitors<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<section class=\"elementor-section elementor-inner-section elementor-element elementor-element-115c0501 elementor-section-full_width elementor-section-height-default elementor-section-height-default\" data-id=\"115c0501\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-inner-column elementor-element elementor-element-1691d42d\" data-id=\"1691d42d\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-4ada8685 elementor-widget elementor-widget-text-editor\" data-id=\"4ada8685\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><a href=\"http:\/\/www.55sp.art\/\" target=\"_blank\" rel=\"noopener\">55SP<\/a>, S\u00e3o Paulo |\u00a0<a href=\"http:\/\/october.artslibris.cat\/en\" target=\"_blank\" rel=\"noopener\">Ad Hoc<\/a>, Bilbao |\u00a0<a href=\"https:\/\/www.afriqueinvisu.org\/\" target=\"_blank\" rel=\"noopener\">Afrique in Visu<\/a>, Paris |\u00a0<a href=\"http:\/\/www.artphilein-editions.org\/\" target=\"_blank\" rel=\"noopener\">Artphilein Editions<\/a>, Lugano |\u00a0<a href=\"http:\/\/www.artslibris.cat\/\" target=\"_blank\" rel=\"noopener\">ArtsLibris<\/a>, Barcelona | Atelier Concorde, Lisboa, www.atelierconcorde.org |\u00a0<a href=\"http:\/\/www.bonitoeditorial.com\/\" target=\"_blank\" rel=\"noopener\">Bonito Editorial<\/a>, Bilbao |\u00a0<a href=\"http:\/\/www.cca.qc.ca\/\" target=\"_blank\" rel=\"noopener\">Canadian Centre for Architecture<\/a>, Montreal |\u00a0<a href=\"http:\/\/www.captures-editions.com\/\" target=\"_blank\" rel=\"noopener\">Captures \u00c9ditions<\/a>, Valence |\u00a0<a href=\"http:\/\/www.%20carmenalonsolibros.com\/\" target=\"_blank\" rel=\"noopener\">Carmen Alonso Libros<\/a>, Santander |\u00a0<a href=\"http:\/\/www.cendeac.net\/\" target=\"_blank\" rel=\"noopener\">CENDEAC<\/a>, M\u00farcia |\u00a0<a href=\"http:\/\/www.chucheriasdearte.com\/\" target=\"_blank\" rel=\"noopener\">Chucher\u00edas de Arte<\/a>, Madrid |\u00a0<a href=\"http:\/\/www.danilomontanari.com\/\" target=\"_blank\" rel=\"noopener\">Danilo Montanari Editore<\/a>, Ravena |\u00a0<a href=\"http:\/\/www.printbook-e2-barcelona\/\" target=\"_blank\" rel=\"noopener\">E2<\/a>, Barcelona |\u00a0<a href=\"http:\/\/www.aliaseditorial.com\/\" target=\"_blank\" rel=\"noopener\">Alias<\/a>, Cidade do M\u00e9xico |\u00a0<a href=\"http:\/\/www.ggili.com\/\">Editorial Gustavo Gili<\/a>, Barcelona |\u00a0<a href=\"http:\/\/www.corraini.com\/\" target=\"_blank\" rel=\"noopener\">Edizioni Corraini<\/a>, M\u00e3ntua |\u00a0<a href=\"http:\/\/www.gabineteeditions.com\/\" target=\"_blank\" rel=\"noopener\">Gabinete Editions<\/a>, Lisboa |\u00a0<a href=\"http:\/\/www.ghost.pt\/\" target=\"_blank\" rel=\"noopener\">Ghost Editions<\/a>, Lisboa |\u00a0<a href=\"http:\/\/www.hangar.com.pt\/\" target=\"_blank\" rel=\"noopener\">Hangar Books<\/a>, Lisboa |\u00a0<a href=\"http:\/\/www.instantesgraficos.com\/\" target=\"_blank\" rel=\"noopener\">Instantes Gr\u00e1ficos<\/a>, Buenos Aires |\u00a0<a href=\"http:\/\/www.juannaranjo.eu\/\" target=\"_blank\" rel=\"noopener\">Juan Naranjo Galer\u00eda de Arte &amp; Documentos<\/a>, Barcelona |\u00a0<a href=\"http:\/\/www.arengario.it\/\" target=\"_blank\" rel=\"noopener\">L\u2019Arengario Studio Bibliografico<\/a>, Gussago &#8211; Brescia |\u00a0<a href=\"http:\/\/www.libreriaelastillero.com\/\" target=\"_blank\" rel=\"noopener\">Librer\u00eda El Astillero<\/a>, Colindres \u2013 Cant\u00e1bria |\u00a0<a href=\"http:\/\/www.livrariamadalena.com.br\/\" target=\"_blank\" rel=\"noopener\">Livraria Madalena<\/a>, S\u00e3o Paulo |\u00a0<a href=\"http:\/\/www.louis-charlestiar.com\/\" target=\"_blank\" rel=\"noopener\">Louis-Charles Tiar<\/a>, Madrid |\u00a0<a href=\"http:\/\/www.meelpress.com\/\" target=\"_blank\" rel=\"noopener\">MeelPress<\/a>, Lisboa |\u00a0<a href=\"http:\/\/www.naranjalibreria.com\/\" target=\"_blank\" rel=\"noopener\">Naranja Librer\u00eda &amp; Editorial<\/a>, Santiago de Chile |\u00a0<a href=\"http:\/\/www.per-r-ucho.com\/\" target=\"_blank\" rel=\"noopener\">Per(r)ucho<\/a>, Valencia |\u00a0<a href=\"http:\/\/www.photosai.com\/\" target=\"_blank\" rel=\"noopener\">Photosai<\/a>, Madrid |\u00a0<a href=\"http:\/\/www.pierrevonkleist.com\/\" target=\"_blank\" rel=\"noopener\">Pierre von Kleist Editions<\/a>, Lisboa |\u00a0<a href=\"http:\/\/www.redfoxpress.com\/\" target=\"_blank\" rel=\"noopener\">Redfoxpress<\/a>, Ilha de Achill \u2013 Irlanda |\u00a0<a href=\"http:\/\/www.rubenbarroso.com\/\" target=\"_blank\" rel=\"noopener\">Rub\u00e9n Barroso<\/a>, Sevilha |\u00a0<a href=\"http:\/\/www.rvculturaearte.com\/\" target=\"_blank\" rel=\"noopener\">RV Cultura e Arte<\/a>, Salvador de Bahia |\u00a0<a href=\"http:\/\/www.stet-livros-fotografias.com\/\" target=\"_blank\" rel=\"noopener\">STET \u2013 Livros &amp; fotografias<\/a>, Lisboa |\u00a0<a href=\"http:\/\/www.textem.de\/\" target=\"_blank\" rel=\"noopener\">Textem Verlag<\/a>, Hamburgo |\u00a0<a href=\"http:\/\/www.gravat.com\/\" target=\"_blank\" rel=\"noopener\">Tinta Invisible<\/a>, Barcelona, \u00a0|\u00a0<a href=\"http:\/\/www.uqeditions.com\/\" target=\"_blank\" rel=\"noopener\">UQ! Editions<\/a>, Lisboa<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>ArtsLibris ARCOlisboa2019 After the consolidation of the project in ARCOMadrid and the traditional edition in Barcelona, during the week of Sant Jordi, ArtsLibris expands its borders and will be present in the next edition of\u00a0ARCOLisboa\u00a0that begins on Thursday. With more than 40 international exhibitors and two activities coordinated by the curator Horacio Fern\u00e1ndez, the International [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":101,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-8420","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>ArtsLibris ARCOlisboa 2019 - ArtsLibris<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/artslibris.cat\/en\/artslibris-arcolisboa-2019\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"ArtsLibris ARCOlisboa 2019 - ArtsLibris\" \/>\n<meta property=\"og:description\" content=\"ArtsLibris ARCOlisboa2019 After the consolidation of the project in ARCOMadrid and the traditional edition in Barcelona, during the week of Sant Jordi, ArtsLibris expands its borders and will be present in the next edition of\u00a0ARCOLisboa\u00a0that begins on Thursday. 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