{"id":7885,"date":"2021-02-21T10:52:23","date_gmt":"2021-02-21T10:52:23","guid":{"rendered":"https:\/\/artslibris.cat\/artslibris-barcelona-2018\/"},"modified":"2021-02-21T10:52:24","modified_gmt":"2021-02-21T10:52:24","slug":"artslibris-barcelona-2018","status":"publish","type":"page","link":"https:\/\/artslibris.cat\/en\/artslibris-barcelona-2018\/","title":{"rendered":"ArtsLibris Barcelona 2018"},"content":{"rendered":"\t\t
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ArtsLibris Barcelona
2018<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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ArtsLibris,\u00a0<\/strong><\/span>International Fair of Artists’ Books\u00a0<\/strong>and Contemporary Edition<\/strong>, holds its 9<\/span>th\u00a0<\/span><\/sup>edition from April 21st to 23rd at Arts Santa M\u00f2nica.\u00a0<\/span><\/p>\n

The ArtsLibris Barcelona 2018 program includes the 5<\/strong><\/span>th International Symposium on Editions and Collecting\u00a0<\/strong><\/span>and the\u00a0<\/span>Speakers’ Corner\u00a0<\/strong><\/span>presentations, as well as the\u00a0<\/span>exhibitions Biblioteques ins\u00f2lites<\/em><\/strong><\/span>, curated by Gl\u00f2ria Picazo, and Nova York en fotollibres<\/em><\/strong>, curated by Horacio Fern\u00e1ndez; the presentation of the fourth book of the\u00a0<\/span>AL Series<\/strong><\/span>, by Wilfredo Prieto,<\/span>\u00a0<\/strong><\/span>and several workshops. Besides, as every year, the\u00a0<\/span>ArtsLibris\u2013Banc Sabadell Foundation\u00a0<\/strong><\/span>Award\u00a0<\/strong><\/span>will be granted.<\/span><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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SPEAKERS' CORNER 2018<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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ArtsLibris 2018 provides a dynamic and flexible space for debate, discussion, and exchange between authors, publishers and the general public. It holds a continuous program over the three days of the fair, with presentations of projects, dialogues and talks by artists and publishers, chaired by Gl\u00f2ria Picazo.<\/strong><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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6 pm<\/strong><\/p>\n

Manuel Olveira<\/strong>, director of MUSAC (Le\u00f3n), presents The Book of Letters<\/em>, by Jos\u00e9 Luis Castillejo<\/strong> (Seville\u2013Houston), a facsimile edition brought out on occasion of the exhibition TLALAATALA. Jos\u00e9 Luis Castillejo y la escritura moderna<\/em>, at the MUSAC.<\/p>\n

7 pm<\/strong><\/p>\n

Manuel Segade<\/strong>, director of CA2M Centro de Arte Dos de Mayo (M\u00f3stoles), presents the centre\u2019s editorial line and its most recent publications: No sab\u00edamos lo que hac\u00edamos. Lecturas para una educaci\u00f3n situada<\/em>; Allan Kaprow. Comfort Zones<\/em>; Miguel Trillo. Doble exposici\u00f3n<\/em>; Coreografiar exposiciones; Cuerpo pol\u00edtico negro\u00a0<\/em>and Julia Sp\u00ednola. Lubric\u00e1n<\/em>.<\/p>\n

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8 pm<\/strong><\/p>\n

Artist\u00a0Ana Garcia-Pineda\u00a0<\/strong>(Barcelona) presents an extended reprint of her book M\u00e1s M\u00e1quinas y Maquinaciones<\/em> in conversation with Amanda Cuesta\u00a0<\/strong>(Barcelona), freelance art critic, curator and publisher.<\/p>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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5 pm<\/strong><\/p>\n

Agust\u00ed Alcoberro<\/strong> (Pals) and Ramon Sicart<\/strong> (Lloren\u00e7 del Pened\u00e8s) talk art and politics for the presentation of their book 3 Octubre \u2013<\/em>\u00a0155 reaccions per a una Rep\u00fablica<\/em>, published by Sic\\Art Edicions<\/strong>.<\/p>\n

6 pm<\/strong><\/p>\n

Consonni<\/strong> presents El arte de la mediaci\u00f3n<\/em>,\u00a0<\/strong>by researcher and curator\u00a0Oriol Fontdevila\u00a0<\/strong>(Barcelona), who is in conversation with Javier Pe\u00f1afiel<\/strong> (Zaragoza).<\/p>\n

7 pm<\/strong><\/p>\n

Re-imaginando y re-activando el libro<\/em><\/strong>: Natasha Christia\u00a0<\/strong>(Barcelona), freelance curator, in conversation with David Solo<\/strong> (American photography and photo book collector) and Annakarin Quinto<\/strong> (French photographer and director of leboudoir.02, an experimental projects platform revolving around books and their intersection with photography, experience in real time and the human condition).<\/p>\n

8 pm<\/strong><\/p>\n

Photographer Eugeni Gay\u00a0<\/strong>(Barcelona) presents his new book Desde la isla cu\u00e1ntica<\/em> (Ediciones An\u00f3malas<\/strong>), in conversation with publisher Montse Puig<\/strong>.<\/p>\n

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12.30 pm\u00a0<\/strong><\/p>\n

Presentation of the\u00a0Centenari Tharrats<\/em> activities in celebration of the centennial of Joan Josep Tharrats<\/strong>\u2019 birth, organized by the Fundaci\u00f3n Tharrats d\u2019Art Gr\u00e0fic and Ajuntament de Pineda de Mar, with Xavier Amor\u00a0<\/strong>(mayor of Pineda de Mar), M. \u00c0ngels Torras\u00a0<\/strong>(director of SS. TT. Barcelona, Departament de Cultura of the Generalitat de Catalunya), Joan Tharrats\u00a0<\/strong>(Joan Josep Tharrats\u2019 son), Arnau Puig\u00a0<\/strong>(philosopher and art critic), Llu\u00eds Ivern\u00a0<\/strong>(curator and coordinator) and Ricard Mas<\/strong> (curator of the main exhibition).<\/p>\n

1 pm<\/strong><\/p>\n

Awarding of the Art Byblio<\/strong> Prize of the Llotja Escola Superior de Disseny i Art.<\/p>\n

4 pm\u00a0<\/strong><\/p>\n

Alfredo Mateos Paramio<\/strong>, editor of Photosai<\/strong>, presents the art publication Semimaru<\/em>, a special interpretation by Dar\u00edo \u00c1lvarez<\/strong> (Valladolid) of the eponymous piece of Noh<\/em> theatre by Zeami Motokiyo, as well as an original libretto in Japanese, translated into Spanish and showing drawings and stage designs by the artist. With the presence of Menene Gras<\/strong>, director of Culture and Exhibitions at Casa Asia.<\/p>\n

4.30 pm<\/strong><\/p>\n

Renato Della Poeta<\/strong> and Cristina L\u00f3pez Morcuende<\/strong> present the exhibition catalogue of Ernesto Neto<\/strong> (Rio de Janeiro) for the Blueproject Foundation,<\/strong> Um dia todos fomos peixes,<\/em> in conversation with Laura Olea\u00a0<\/strong>(Barcelona).<\/p>\n

5 pm<\/strong><\/p>\n

Curator\u00a0Horacio Fern\u00e1ndez\u00a0<\/strong>(Madrid) presents a selection of Editorial RM<\/strong>\u2019s most recent titles on the photo book: Fen\u00f3meno Fotolibro<\/em>, New York en fotolibro<\/em>, Miserachs<\/em> and Fotos & Libros. Espa\u00f1a 1905-1977<\/em>.<\/p>\n

6 pm<\/strong><\/p>\n

Presentation of the latest issue of the Concreta review (Concreta 11<\/em>) by Pep Benlloch\u00a0<\/strong>(Valencia), with Jos\u00e9 D\u00edaz Cuy\u00e1s\u00a0<\/strong>(Valencia), guest editor of Concreta 10<\/em>.<\/p>\n

7 pm<\/strong><\/p>\n

Wilfredo Prieto<\/strong> (Sancti Sp\u00edritus, Cuba) presents Loophole<\/em>, fourth title of the AL Series<\/strong>, prefaced by Gl\u00f2ria Picazo<\/strong>. Announcement of the name of the artist chosen to produce the series\u2019 fifth title.<\/p>\n

https:\/\/www.youtube.com\/watch?v=659XOQAAUqQ&feature=youtu.be<\/a><\/p>\n

8 pm<\/strong><\/p>\n

Artist Gonzalo Elvira\u00a0<\/strong>(Argentina\/Barcelona) presents his project 12 canciones concretas<\/em>, published on vinyl for the CRU\u00a0<\/strong>collection, with text by Jos\u00e9 Luis Coraz\u00f3n Ardura, design by Alex Gifreu and music by Gr\u00f6sso<\/strong> (Argentina\/Barcelona), who accompanies him in the presentation and does a demonstration.<\/p>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Activities and workshops<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Over the three days that the fair lasts, there are a range of workshops for the general public that require no prior knowledge.<\/p>\n

Bookbinding workshop\u00a0<\/strong><\/p>\n

Given by students of Book Art from the Escola Llotja of Barcelona.<\/p>\n

In this workshop participants are familiarised with French link stitching through the creation of two small books with covers made of different materials.<\/p>\n

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La biblioteca sense llei (\u201cThe lawless library\u201d)<\/strong><\/p>\n

Activity by artist Ant\u00f2nia del R\u00edo<\/p>\n

Activity aimed at families in which books provide the material with which to explore the concept of the library through different actions. We look beyond their actual contents and discover the possibilities books afford as objects for building and play. Activity recommended for children aged 3 and up.<\/p>\n

This activity is part of the Art en Obert de Experimetem amb l’ART project. Espai d’educaci\u00f3 art\u00edstica i creaci\u00f3 contempor\u00e0nia, 2014.<\/p>\n

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Diccionario Exquisito<\/em><\/strong>\u00a0<\/strong><\/p>\n

Workshop given by Marta Salarich Bardia<\/p>\n

Workshop exploring the classic form of dictionary through a technique called the \u2018exquisite cadaver\u2019, with the aim of collectively transforming it to create a new thematic dictionary \u2013 a book where everyone can express their ideas on the concept put forward for the occasion: festivity. This workshop is for anyone who is sensitive to words and interested in paper and the book as a medium for expression.<\/p>\n

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Collage workshop<\/strong><\/p>\n

By Carmen Hurtado P\u00e9rez<\/p>\n

Brief introduction to the history of collage followed by the workshop in which three collages are made using different techniques.<\/p>\n

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Cl\u00ednica de libros de artista (\u201cClinic for artists\u2019 books\u201d)<\/strong><\/p>\n

With Carla Rey, artist, publisher and curator specialising in artists\u2019 books.<\/p>\n

The artist\u2019s book is innovation and experimentation: the choice of paper, the typography, the presentation, design, binding, colophon, materials and format\u2026 They all combine to offer an ample array of possibilities. The workshop provides a space for exchanging ideas, presenting samples of books and discussing the best ways of translating ideas and concepts into an artist\u2019s book. In the manner of a clinic, open debate gives participants the necessary information to design their own publications and future projects.<\/p>\n

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Demonstration of screen printing<\/strong><\/p>\n

The ephemeral image in screen printing using unconventional inks<\/em><\/strong><\/p>\n

By Oslo Graphic Barceloneta<\/p>\n

In this workshop we look at an unconventional way of printing, which makes use of wallpaper paste, which is colourless. After printing, the image becomes visible when it is covered with various types of pigments. Once the printed area is dry, any direct alteration makes the pigment fall away from the paper and, depending on the kind of paper used, leaves one trace or another. The aim of the workshop is to reflect on the durability of the reproduced image. The public takes part and are allowed to take home the piece of paper that has been printed on as a souvenir.<\/p>\n

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Storytelling and activities<\/strong><\/p>\n

With Sabrina Kraus, author of the book Jane Goodall \u2013 An Inspiring Story<\/em><\/p>\n

Through the true story of Dr. Jane Goodall, primatologist and messenger of peace, the writer looks at the themes of trust, self-awareness and professions. Under the motto \u201cDream\u201d, participants can draw, colour in and let their creativity run free. Activity recommended for girls and boys aged 6 to 10.<\/p>\n

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Workshop Animaladas<\/em>\u00a0<\/strong><\/p>\n

By Moreno&Soria<\/p>\n

Drawing inspiration from \u201cMundo Animal\u201d, a book by Jos\u00e9 Antonio Soria, participants of this workshop create their own artist\u2019s book to take home. In the form of a Leporello, or folded leaflet, they are able to print animal heads from stamps and create different scenes by converting them into new characters or personalised animals.<\/p>\n

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OPL\u00c1<\/strong><\/p>\n

Workshop on pop-ups given by DoubleBrain (Roberta Bridda and Jani Lunablau)<\/p>\n

Practical introduction to the techniques used to create moving 3D books and pop-up cards.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Exhibition at l\u2019Arts Santa M\u00f2nica Improbable Libraries <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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mprobable Libraries<\/strong><\/em><\/p>\n

Curated by Gl\u00f2ria Picazo<\/p>\n

Artists: Ignasi Aball\u00ed \/ ALIAS \/ Clara Boj\/Diego D\u00edaz \/ Fernando Bryce \/ I\u00f1aki Bonillas \/ Ant\u00f2nia del Rio \/ Enric Farres-Duran \/ Dora Garcia \/ Javier Pe\u00f1afiel \/ Juan P\u00e9rez Agirregoikoa \/ Francesc Ruiz \/ Oriol Vilanova<\/strong><\/p>\n

Arts Santa M\u00f2nica and ArtsLibris, in collaboration with La Casa Encendida, are pleased to present the exhibition Improbable Libraries<\/em>, curated by Gloria Picazo. The basic premise of this show is the role of the library as a place that has been and remains a repository of the knowledge gathered and stored by human beings through the centuries.<\/p>\n

We see the library as the story of a chimera, an illusion, a pipe dream, for if we view it as a container capable of holding the whole memory of the world, it will always end up being an “unattainable utopia”. Yet there are many possible variations on that idea of the total library, and we can find them in libraries which, according to the rules and conventions long held sacred by library science professionals, would be considered personal, diverse, subjective, anarchical and uncommon.<\/p>\n

Improbable Libraries<\/em> is a single project that combines the idea of the “infinite library”\u2014insatiable, ever-changing and always open to knowledge of every kind\u2014with the contributions of contemporary artists who, from the late 1960s to the present day, have revised the notion of libraries, archives and books as inexhaustible sources of knowledge. The artists included in this project were chosen based on their profound interest in books and artist’s editions, a creative format which, despite its apparent marginality, figures prominently in their aesthetic discourses.<\/p>\n

If we consider the library as the space where all knowledge is concentrated, as the quintessential hub of culture and democracy since public libraries first began to appear in the mid-19th century, then we must inevitably explore this theme from a variety of different angles: the importance of the library as a physical, architectural space, the singularity of its bibliographic collections, but also the possibility of seeing it as a mental space, as envisioned by Jorge Luis Borges, a space where knowledge overflows and we are overwhelmed by doubts when confronted by the idea of that “infinite library”, as old as time itself. Legendary libraries like that of Alexandria, private, subjective libraries like Michel de Montaigne’s, utopian libraries like the 18th-century architectural projects of \u00c9tienne-Louis Boull\u00e9e, and even the acceptance and questioning of the “cloud”, that massive archive which gathers the mind-boggling amount of data generated by today’s society, comprise the thought-provoking landscape that underpins this exhibition.<\/p>\n

The selected artists present their complete corpus of artist’s editions in this show, and each has been assigned a different exhibition space depending on how they want spectators to read and observe their editions. The project features a selection of “personal libraries” containing artist’s editions, classic books, drawings and personal belongings\u2014something similar to what we might find in our own libraries.<\/p>\n

In middle of the exhibition itinerary, visitors find our own particular “restricted reading room”, the place where rare, valuable or forbidden books were once kept, visited only by bibliophiles. The “reading room” of\u00a0Improbable Libraries<\/em>\u00a0contains publications by artists whose inventions gave new meaning to the concept of special editions in the 1960s and 70s, a genuine “bibliophile treasure trove”.<\/p>\n

Besides the exhibition at Arts Santa M\u00f2nica, Improbable Libraries<\/em> has two outside interventions:<\/p>\n

– At the Ateneu Barcelon\u00e8s (C\/ de la Canuda, 6) by Enric Farr\u00e9s.
\n– At ELISAVA Escola Universit\u00e0ria de Disseny (Rambles, 30-32) by Francesc Ruiz.<\/p>\n

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The AL Series, a publishing project by ArtsLibris, works in collaboration with the Fudanci\u00f3 Banc Sabadell and honours its annual commitment of releasing a limited edition of an artist\u2019s book. This year\u2019s publication is by Wi<\/strong>lfredo Prieto<\/strong> (Sancti Sp\u00edritus, Cuba, 1978), entitled\u00a0Loophole<\/em><\/strong>.<\/em><\/p>\n

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ArtsLibris Limited Edition 2018 <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Wilfredo Prieto and Ignasi Aball\u00ed<\/strong><\/p>\n<\/div>\n<\/div>\n

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ArtsLibris has two projects of limited editions: the AL Series, a collection of artists’ books produced with the support of Fundaci\u00f3 Banc Sabadell, and the limited edition of tote bags and gloves, sponsored this year by Blueproject Foundation and designed by Ignasi Aball\u00ed.<\/p>\n<\/div>\n<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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V International Symposium ArtsLibris<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The V International Symposium on Artists\u2019 Books addresses the subject of collecting. Gl\u00f2ria Picazo<\/strong> chairs a discussion with guest speakers Jo\u00e3o Fernandes,\u00a0<\/strong>Deputy Director of Museo Nacional Centro de Arte Reina Sof\u00eda; Anne Thurmann-Jajes\u00a0<\/strong>(Centre for Artists’ Publications \u2013 Weserburg-Museum f\u00fcr moderne Kunst), Mela D\u00e1vila<\/strong> (freelance curator) and Sergio Rubira<\/strong> (Assistant Director of Collection and Exhibitions at the IVAM).<\/p>\n

This new edition of the international symposium ArtsLibris puts forward a discussion on the collection of artists\u2019 books, understood in the broadest sense. It is clear that in the last two decades artists\u2019 publications have gained considerable ground. No longer the marginal or complementary materials of a purely documentary nature they used to be, internal museum departments, like \u2018Collection\u2019 and \u2018Library and Documentation Centre\u2019, now squabble over who gets to custody them. And this is due, without doubt, to their well-deserved recognition following the redefinition of artistic discourses over recent decades. Further proof of this is that they are now a common feature in exhibitions, and increasingly even the main feature, and thereby contributing to a new outline of artistic, social and \/ or political contexts.<\/p>\n<\/div>\n<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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The Universe (which others call the Library).\u00a0<\/em><\/p>\n

Private documentary collections in Europe<\/em><\/p>\n

Mela D\u00e1vila<\/strong><\/p>\n

Freelance curator<\/p>\n

Just as museums and institutional libraries have increasingly recognised the value of the document in recent years, both in the context of their own patrimony and in relation to art collections, so too have some (a few) private collections made the document \u2013 the book or any other documentary format \u2013 the centre and the origin of their raison d’\u00eatre. Mela D\u00e1vila looks at two of Europe\u2019s most prominent examples: the Lafuente Archive, in Santander, and the Vanguardia Archive, built up by the Berlin-based Italian collector Egidio Marzona.<\/p>\n

https:\/\/www.youtube.com\/watch?v=4Y8hknhod_E&feature=youtu.be<\/a><\/p>\n

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12.00 pm*<\/strong><\/p>\n

The Act of Collecting.\u00a0<\/em><\/p>\n

Artists\u2019 Books in the Centre for Artists\u2019 Publications<\/em><\/p>\n

Dr. Anne Thurmann-Jajes<\/strong><\/p>\n

Director of the Centre for Artists\u2019 Publications at the Weserburg Museum<\/p>\n

Dr. Anne Thurmann-Jajes\u2019s presentation gives an overview of the mission and work of the Centre for Artists\u2019 Publications with regards to artists\u2019 books. The observations revolve around the conceptual artist\u2019s book and its characteristics, beginning with a few words about the Centre for Artists\u2019 Publications\u2014its history and its present activities. The archival and collection inventories characterise the Centre for Artists\u2019 Publications and provide the foundation for its work. They represent the material basis for the presentation of the collections and for exhibitions, as well as for both current and future research projects. As such, they serve as a point of reference for the research conducted by the Centre and for external research. The inventories are distinguished by their unique research infrastructure available to scholars throughout the world. Collecting, safeguarding and maintaining are the primary tasks associated with collection supervision, serving to protect and sustain the archival and collection inventories and also to augment them in coherence with related research. One of the most recent exhibition and research project is Artists\u2019 Books for Everything<\/em>.<\/p>\n

1.30 pm<\/strong><\/p>\n

Artists\u2019 books and their circumstances<\/em><\/p>\n

Jo\u00e3o Fernandes<\/strong><\/p>\n

Deputy Director of Museo Nacional Centro de Arte Reina Sof\u00eda<\/p>\n

After Mallarm\u00e9, artists redefined the concept of the book and its possibilities. Artists\u2019 books have been one of the freest mediums of expression in terms of the creation and circulation of an artwork. From self-publication and artist-led distribution circuits to the current situation where artists\u2019 books depend more and more on the dictates of markets and institutions, we reflect on the state of affairs of artists\u2019 publications today.<\/p>\n

4.30 pm<\/strong><\/p>\n

Rooms of a library-museum, display-bookcase<\/em><\/p>\n

Sergio Rubira<\/strong><\/p>\n

Assistant Director of Collection and Exhibitions at the IVAM<\/p>\n

What happens to books when they enter a museum? When do they turn into something more than just books? What happens if they end up locked in a display cabinet? Are they artworks or certifying documents? Do they complement or complete discourse? Drawing from his experience at the IVAM, Sergio Rubira discusses how books shape the formation of a collection.<\/p>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Participating Exhibitors ArtsLibris BARCELONA 2018<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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3 en blanc<\/strong><\/a>\u00a0<\/strong>(Barcelona) |\u00a013L, edicions<\/a><\/strong> (Barcelona) | Alias<\/strong><\/a> (Mexico) | Antonio Freiles_Spazio libro d’Artista<\/strong><\/a> (Messina) \u00a0| Apart Edicions<\/strong><\/a>\u00a0<\/strong>(Barcelona) | Art Deal project<\/strong><\/a> (Barcelona) | Arte-blogarte<\/strong>\u2028<\/a> (Buenos Aires) | Artika<\/strong><\/a> (Barcelona) | Avarie<\/strong><\/a> (Paris) | Bernard Gabriel Lafabrie \/ Imprimerie d\u00b4Alsace-Loz\u00e8re<\/strong><\/a> (Paris) | Bizco Books<\/strong><\/a> (Valencia) | Blueproject Foundation<\/strong><\/a> (Barcelona) | Bom Dia Boa Tarde Boa Noite<\/strong><\/a> (Berlin) | CA2M Centro de Arte Dos de Mayo<\/strong><\/a> (M\u00f3stoles) | Ca l’Isidret Edicions<\/strong><\/a>\u00a0<\/strong>(Barcelona) | C\u00e0nem Galeria<\/strong><\/a> (Castell\u00f3n de la Plana) | Carmen Hurtado<\/strong><\/a>\u00a0<\/strong>(Barcelona) | Carmen Segovia<\/strong><\/a> (Barcelona) | Carrete<\/strong><\/a> (Barcelona) | Casa das Peritas<\/strong><\/a> (Fisterra) | Casa de Vel\u00e1zquez<\/strong><\/a> (Madrid) | CCCB<\/strong><\/a> (Barcelona) | CENDEAC<\/strong><\/a> (Murcia) | Centre d’art la Panera<\/strong><\/a> (Lleida) \u00a0| Chiquita Ediciones<\/strong><\/a> (Barcelona) | Consonni<\/strong><\/a> (Bilbao) | \u00a0Corraini Edizioni<\/strong><\/a> (Mantova) | Cuscusian*s<\/strong><\/a>\u00a0<\/strong>(Girona) | Danilo Montanari Editore<\/strong><\/a> (Ravenna) | DARDO<\/strong><\/a> (Santiago de Compostela) | Deep Edicions<\/strong><\/a> (Barcelona) | \u00a0De La Pulcra Ceniza<\/strong><\/a> (Barcelona) | DoubleBrain<\/strong><\/a>\u00a0<\/strong>(Barcelona) | Ediciones An\u00f3malas<\/strong><\/a> (Barcelona) | Ediciones Originales<\/strong><\/a>\u00a0<\/strong>(Barcelona) | Edicions 1010<\/strong><\/a> (Barcelona) | Editorial Concreta<\/strong><\/a> (Valencia) \u00a0| Editorial EXIT<\/strong><\/a> (Madrid) | Editorial Gustavo Gili<\/strong><\/a>\u00a0<\/strong>(Barcelona) | Editorial RM<\/strong><\/a>\u00a0<\/strong>(Barcelona, Mexico) | edRa, escola d’art i disseny de Rub\u00ed<\/strong><\/a> (Rub\u00ed) | El Naufraguito<\/strong><\/a> (Barcelona) | Els diccionaris<\/strong><\/a> (Barcelona) | Enciclop\u00e8dia Art<\/strong><\/a>\u00a0<\/strong>(Barcelona) | Escola d’Art la Industrial<\/strong><\/a>\u00a0<\/strong>(Barcelona) | Escola Massana<\/strong><\/a>\u00a0<\/strong>(Barcelona) | \u00a0Escola Superior de Disseny i Art Llotja<\/strong><\/a> (Barcelona) | Fundaci\u00f3 Antoni T\u00e0pies<\/strong><\/a> (Barcelona) | Fundaci\u00f3 Foto Colectania<\/strong><\/a> (Barcelona) | Fundaci\u00f3 Joan Mir\u00f3<\/strong><\/a> (Barcelona) | Fundaci\u00f3 Su\u00f1ol<\/strong><\/a>\u00a0<\/strong>(Barcelona) | Fundaci\u00f3 Tharrats<\/strong><\/a>\u00a0<\/strong>(Pineda de Mar) | Instantes Gr\u00e1ficos<\/strong><\/a> (Buenos Aires) | Galeria Sicart \u2013 Sic\\Art Edicions<\/strong><\/a> (Vilafranca del Pened\u00e8s) | Gallery \/ Bookstore Galerie&CO119<\/strong><\/a> (Paris) | Lalata<\/strong><\/a> (Albacete) | L’Arengario Studio Bibliografico<\/strong><\/a> (Gussago) | Librer\u00eda el Astillero<\/strong><\/a>\u00a0<\/strong>(Cantabria) |\u00a0<\/strong>Libros del Zorro Rojo<\/strong><\/a> (Barcelona) | MACBA<\/strong><\/a> (Barcelona) | Maga Books<\/strong><\/a> (Brooklyn) | Merc\u00e8 Soler<\/strong><\/a>\u00a0<\/strong>(Barcelona) | Minimae<\/strong><\/a> (Madrid) |\u00a0<\/strong>Moreno&Soria<\/strong><\/a> (Terrassa) | M\u00fcnster Studio<\/strong><\/a>\u00a0<\/strong>(Barcelona) | MUSAC<\/strong><\/a> (Le\u00f3n) | Museu Mol\u00ed Paperer de Capellades<\/strong><\/a> (Capellades) | Museu del Disseny<\/strong><\/a> (Barcelona) | Museu Picasso<\/strong><\/a> (Barcelona) | Natasha Christia<\/strong><\/a> (Barcelona) | noPRESENT editorial<\/strong><\/a> (Sevilla) | Onomatopee<\/strong><\/a> (Eindhoven) | Oslo Graphic Barceloneta<\/strong><\/a> (Barcelona) | Photosai<\/strong><\/a> (Madrid) | Poursuite<\/strong><\/a> (Arles) | Raffaele Filannino<\/strong> (Cuneo) | Roca Umbert F\u00e0brica de les Arts<\/strong><\/a>\u00a0<\/strong>(Granollers) | RocioSantaCruz<\/strong><\/a> (Barcelona) | Rub\u00e9n Barroso \u00c1lvarez<\/strong><\/a>\u00a0<\/strong>(Sevilla) | Sant Andreu Contemporani<\/strong><\/a> (Barcelona) | Studio Montespecchio<\/strong><\/a>\u00a0<\/strong>(Modena) | Taller de gravat Manera Negra<\/strong><\/a> (Barcelona) | Taschen<\/strong><\/a> (Cologne) | Tinta Invisible edicions<\/strong><\/a> (Barcelona) | Tristan Barbar\u00e0 editions<\/strong><\/a> (Barcelona) | Xilofera<\/strong><\/a> (Barcelona) |\u00a0Ximena Perez Grobet | Artists \u00b4 Books for artists\u00a0<\/strong><\/a>(Barcelona) | YAXS<\/strong><\/a> (Guatemala) | Zentrum f\u00fcr K\u00fcnstlerpublikationen \/ Centre for Artists’ Publications \u2013 Weserburg Museum f\u00fcr moderne Kunst<\/strong><\/a> (Bremen)<\/p>\n

 <\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

ArtsLibris Barcelona2018 ArtsLibris,\u00a0International Fair of Artists’ Books\u00a0and Contemporary Edition, holds its 9th\u00a0edition from April 21st to 23rd at Arts Santa M\u00f2nica.\u00a0 The ArtsLibris Barcelona 2018 program includes the 5th International Symposium on Editions and Collecting\u00a0and the\u00a0Speakers’ Corner\u00a0presentations, as well as the\u00a0exhibitions Biblioteques ins\u00f2lites, curated by Gl\u00f2ria Picazo, and Nova York en fotollibres, curated by Horacio […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":83,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-7885","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nArtsLibris Barcelona 2018 - ArtsLibris<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/artslibris.cat\/en\/artslibris-barcelona-2018\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"ArtsLibris Barcelona 2018 - ArtsLibris\" \/>\n<meta property=\"og:description\" content=\"ArtsLibris Barcelona2018 ArtsLibris,\u00a0International Fair of Artists’ Books\u00a0and Contemporary Edition, holds its 9th\u00a0edition from April 21st to 23rd at Arts Santa M\u00f2nica.\u00a0 The ArtsLibris Barcelona 2018 program includes the 5th International Symposium on Editions and Collecting\u00a0and the\u00a0Speakers’ Corner\u00a0presentations, as well as the\u00a0exhibitions Biblioteques ins\u00f2lites, curated by Gl\u00f2ria Picazo, and Nova York en fotollibres, curated by Horacio […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/artslibris.cat\/en\/artslibris-barcelona-2018\/\" \/>\n<meta property=\"og:site_name\" content=\"ArtsLibris\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/artslibris\/\" \/>\n<meta property=\"article:modified_time\" content=\"2021-02-21T10:52:24+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/artslibris.cat\/wp-content\/uploads\/2021\/02\/bcn_2018_1.jpg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@ArtsLibris\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"16 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/artslibris.cat\\\/en\\\/artslibris-barcelona-2018\\\/\",\"url\":\"https:\\\/\\\/artslibris.cat\\\/en\\\/artslibris-barcelona-2018\\\/\",\"name\":\"ArtsLibris Barcelona 2018 - 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