{"id":24840,"date":"2024-02-15T16:48:29","date_gmt":"2024-02-15T16:48:29","guid":{"rendered":"https:\/\/artslibris.cat\/artslibris-arcomadrid-2024\/"},"modified":"2026-02-03T15:18:18","modified_gmt":"2026-02-03T15:18:18","slug":"artslibris-arcomadrid-2024","status":"publish","type":"page","link":"https:\/\/artslibris.cat\/en\/artslibris-arcomadrid-2024\/","title":{"rendered":"ArtsLibris ARCOmadrid 2024"},"content":{"rendered":"\t\t
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ArtsLibris<\/strong>
ARCOmadrid - 2024<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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ArtsLibris was founded in 2009, 15 years ago, as a publishing fair project specialising in artist publications, photobooks, contemporary thought, desktop publishing and digital publications. It has three annual venues, ArtsLibris Barcelona, ArtsLibris ARCOmadrid and ArtsLibris ARCOlisboa.<\/p>\n

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In these fifteen years, ArtsLibris, renewing synergies and challenges, it has consolidated an international trajectory with its own identity, rooted in the Mediterranean and Latin American context. Dialogue and experimentation are the main hallmarks of ArtsLibris, whose fairs host curatorial projects, seminars, discussion forums, exhibitions, performances and interdisciplinary collaborations.<\/p>\n

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In its collaboration with ARCO, the project has established itself as a way of bringing contemporary art to the general public and especially to the new generations, encouraging collecting through a plural and rigorous editorial community, creating new meeting points between art and society through artist publications.<\/p>\n

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This edition brings together more than eighty publishers from twenty countries, reflecting the future possibilities for publications in these genres.<\/p>\n

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Since 2020 ArtsLibris has a digital bookshop<\/span><\/a><\/span> and a permanent, lively and innovative space, the ArtsLibris bookshop in Barcelona<\/a><\/span><\/span><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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LIST OF EXHIBITORS AT ARTSLIBRIS ARCOMADRID 2024<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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0. itemzero<\/b> (Espinho) \u00b7 42 L\u00edneas de Arte <\/b>(Oviedo) \u00b7 <\/b><\/span>AADR (Art Architecture Design research) (<\/b>Baunach) \u00b7 <\/b><\/span>Adverse<\/b>\u00a0 (Ch\u00e2tellerault) \u00b7 Adriana Eskenazi <\/b>(Barcelona) \u00b7 <\/b><\/span>Akal <\/b>\u00a0(Barcelona) \u00b7 <\/b><\/span>Alejandra Morales<\/b> (Barcelona) \u00b7 ALIAS <\/b>(Ciudad de M\u00e9xico) \u00b7 \u00c0friques Edicions <\/b>(Barcelona) \u00b7 <\/b><\/span>Al-Tiba9 Contemporary Art <\/b>\u00a0(Barcelona) \u00b7 Anna Roura <\/b>(Barcelona) \u00b7 <\/b><\/span>Animales de Lorca <\/b>\u00a0(Valencia) \u00b7 <\/b><\/span>ArchiveBooks <\/b>\u00a0(Berl\u00edn) \u00b7 <\/b><\/span>Arc\u00e0dia <\/b>(Barcelona) \u00b7 ArtsLibris Serie AL <\/b>(Barcelona) \u00b7 <\/b><\/span>Belleza Infinita <\/b>\u00a0(Bilbao) \u00b7 bonart <\/b>(Barcelona) \u00b7 <\/b><\/span>Caja Negra <\/b>\u00a0(Buenos Aires) \u00b7 Caniche <\/b>(Madrid) \u00b7 <\/b><\/span>Casa de Vel\u00e1zquez <\/b>\u00a0(Madrid) \u00b7 <\/b><\/span>CENDEAC\u00a0 (<\/b>Murcia) \u00b7 <\/b><\/span>Comisura <\/b>\u00a0(Madrid) \u00b7 <\/b><\/span>Consonni <\/b>\u00a0(Bilbao) \u00b7 <\/b><\/span>Dalpine <\/b>(Madrid) \u00b7 <\/b><\/span>Disko Books<\/b> (Copenhague) \u00b7 <\/b><\/span>Eacheve<\/b> (Guayaquil) \u00b7 <\/b><\/span>Ediciones del Bosc <\/b>(Barcelona) \u00b7 <\/b><\/span>Ediciones Puro Chile <\/b>\u00a0(Santiago de Chile) \u00b7 <\/b><\/span>Ediciones Vilaseco <\/b>\u00a0(A Coru\u00f1a) \u00b7 <\/b><\/span>Edizioni Casa Falconieri <\/b>\u00a0(Cagliari) \u00b7 <\/b><\/span>Editora Madalena <\/b>\u00a0(S\u00e3o Paulo) \u00b7 Editorial Entrelazando <\/b>(Bogot\u00e1)<\/span> \u00b7 <\/b><\/span>Editorial RM<\/b> (Barcelona \/ Ciudad de Mexico) \u00b7 <\/b><\/span>El Disparate<\/b> (Madrid) \u00b7 <\/b><\/span>EXIT Publicaciones <\/b>(Madrid) \u00b7 <\/b><\/span>Fabulatorio<\/b> (A Coru\u00f1a) \u00b7 <\/b><\/span>Fabra i Coats: Centre d’Art Contemporani <\/b>\u00a0(Barcelona) \u00b7<\/b><\/span> Fr\u00e9d\u00e9rique Destribats <\/b>(Par\u00eds) \u00b7 <\/b><\/span>Fontanar Ediciones <\/b>(Segovia) \u00b7 <\/b><\/span>Fundaci\u00f3 Vila Casas <\/b>\u00a0(Barcelona) \u00b7 Fundaci\u00f3 Joan Mir\u00f3 (Barcelona) \u00b7 <\/b><\/span>Fundaci\u00f3n Mar\u00eda Jos\u00e9 Jove <\/b>\u00a0(A Coru\u00f1a) \u00b7 Fundaci\u00f3n Ouka Leele <\/b>(Madrid) \u00b7 <\/b><\/span>Galer\u00eda Miguel\u00a0 Marcos<\/b> (Barcelona) \u00b7 <\/b><\/span>Greylock <\/b>(Madrid) \u00b7 <\/b><\/span>Heads Take Away <\/b>\u00a0(Pamplona) \u00b7 <\/b><\/span>Heidemarie von Wedel UNDEINS<\/b> (Sttutgart) \u00b7 Hopper&Fuchs <\/b>(Amberes) \u00b7 <\/b><\/span>Institut de Cultura, Ajuntament de Barcelona<\/b> (Barcelona) \u00b7 Irena Visa <\/b>(Barcelona) \u00b7 <\/b><\/span>IVAM<\/b> (Valencia) \u00b7 Jos\u00e9 Quintanar (<\/b>Rotterdham) \u00b7 <\/b><\/span>Karen Ghostlaw-Pomarico <\/b>(Nueva York) \u00b7 <\/b><\/span>Kit Can\u00edbal,<\/b> (Madrid) \u00b7 <\/b><\/span>La Capella, (<\/b>Barcelona) <\/b>\u00b7 Lanipsebooks <\/b>(Barcelona) \u00b7 <\/b><\/span>La Granja Estudio <\/b>(Madrid)\u00a0\u00b7 <\/b><\/span>La Virreina Centre de la Imatge <\/b>\u00a0(Barcelona) \u00b7 <\/b><\/span>LAMP.EG<\/b> (Madrid) \u00b7 <\/b><\/span>Las Ciervas \/ Rub\u00e9n Barroso<\/b> (Sevilla) \u00b7 La Z\u00faa Ediciones <\/b>(Cuenca) \u00b7 <\/b><\/span>Mia Mart\u00ed<\/b> (Barcelona) \u00b7 <\/b><\/span>MACBA <\/b>(Barcelona) \u00b7 Macaco Press <\/b>(Ourense) \u00b7 <\/b><\/span>MAKERMAKER<\/b> (Se\u00fal) \u00b7 <\/b><\/span>Metales Pesados<\/b> (Santiago de Chile) \u00b7 <\/b><\/span>MiraLookBooks<\/b> (Madrid) \u00b7 <\/b><\/span>Mousse Publishing (<\/b>Mil\u00e1n) \u00b7 <\/b><\/span>Museo Universidad de Navarra<\/b> (Pamplona) \u00b7 <\/b><\/span>multistudioBOOKS<\/b> (Barcelona) \u00b7 <\/b><\/span>Natalia Garc\u00eda Vilas<\/b> (Madrid) \u00b7 MACK <\/b>(Londres) \u00b7 <\/b><\/span>Ogami Press <\/b>(Madrid) \u00b7 <\/b><\/span>Ojos de Buey <\/b>(Barcelona) \u00b7 <\/b><\/span>per(r)ucho risograph <\/b>(Valencia) \u00b7 Puente editores <\/b>(Barcelona) \u00b7 <\/b><\/span>RAUM Editions <\/b>(Salamanca) \u00b7 <\/b><\/span>Ra\u00ed\u00f1a Lupa <\/b>(Barcelona) \u00b7 <\/b><\/span>RocioSantaCruz<\/b> (Barcelona) \u00b7 <\/b><\/span>Roga Ediciones <\/b>(Ciudad de M\u00e9xico)\u00a0 \u00b7\u00a0\u00a0<\/b><\/span>Sellen Botto <\/b>(Valencia) \u00b7 Stockmans Art Books <\/b>(Amberes) \u00b7 <\/b><\/span>Sud Sud <\/b>(Lisboa) \u00b7 <\/b><\/span>Tabletimes<\/b> (Barcelona) \u00b7 <\/b><\/span>TBA21 I Thyssen-Bornemisza ArtsContemporany <\/b>(Madrid \/ Viena) \u00a0\u00b7\u00a0 TEA Tenerife Espacio de las Artes <\/b>(Tenerife)<\/span> <\/b>\u00b7\u00a0<\/b><\/span>Temblores <\/b>(Ciudad de M\u00e9xico) \u00b7 Tejido ajado <\/b>(Madrid) \u00b7 <\/b><\/span>Terremoto <\/b>(Ciudad de M\u00e9xico) \u00b7<\/b><\/span> The Eyes Publishing<\/b> (Par\u00eds) \u00b7 <\/b><\/span>Tinta Invisible <\/b>(Barcelona) \u00b7 Tonini Editore <\/b>(Gussago) \u00b7 <\/b><\/span>Unika Books <\/b>(Madrid) \u00b7 <\/b><\/span>Universitat de Val\u00e8ncia <\/b>(Valencia) \u00b7 <\/b><\/span>Xavier Manrique <\/b>(Barcelona) \u00b7 <\/b><\/span>Zavod P.A.R.A.S.I.T.E.\u00a0 <\/b>(Ljubljana)<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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SPEAKERS\u2019 CORNER ARCOmadrid & ArtsLibris<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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A dynamic and flexible space for discussion, dissemination and exchange of authors, publishers and the general public.
This year we will have around thirty presentations and activities scheduled to take place in the\u00a0Speakers\u2019 Corner<\/strong>.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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SPEAKERS\u2019 CORNER<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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12:30 LAIA ABRIL<\/span>
\n<\/strong>Presents: On Rape<\/i><\/span>, Dewi Lewis Publishing.
\nWith: Laia Abril, author of the book.<\/p>\n

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Following the judicial and media failure in the case of La Manada, Abril decides to focus the second chapter of her long-term project A History of Misogyny<\/i><\/span> on rape. She approaches it from the perspective of institutional failure, searching for the origin of the laws and myths that underpin rape culture around the world.<\/p>\n

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13:00 FUNDACI\u00d3 VILA CASAS<\/span>
\n<\/strong>Presents: <\/span>Tenerse en pie
\n<\/i>With: Salvador Juanpere, artist, and Nat\u00e0lia Chocarro, curator of the exhibition.<\/p>\n

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Presentation of the publication of the exhibition Salvador Juanpere – Tenerse en pie<\/i><\/span>. Organised by the Fundaci\u00f3 Vila Casas and produced by the Centre Cultural-Llibreria Blanquerna in Madrid, Tenerse en pie<\/i><\/span> is both an exploration of the processes and methods of construction of the sculptural work and a meta-reflection on the profession itself.<\/p>\n

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13.30\u00a0 \u00a0 <\/span>ELLA CISNEROS
\n<\/strong><\/span>Presents: Ella soy yo, Editorial Funambulista.
\nWith: Ella Fontanals Cisneros and Wendy Guerra.<\/p>\n

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Wendy Guerra will conduct the event and will talk with the author about some details of the book, the circumstances that led her to write it, and the coincidences (or not) with the author’s own biography.<\/p>\n

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14:00 CENDEAC<\/span>
\n<\/strong>Presents:\u00a0 <\/span><\/span>Nico Munuera
\n<\/i>With: Nico Munuera, artist, and Manuel Cebri\u00e1n L\u00f3pez, director of the Instituto de las Industrias Culturales y las Artes (ICA).<\/p>\n

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This publication is part of the Naturae<\/i><\/span> project carried out in 2023 by Nico Munuera. The aim of this project has been to involve different agents that make up the art world throughout the creative process. Critics, designers, translators, photographers, artists, etc. with whom sharing sessions have been created in relation to the art world.<\/p>\n

14:30 GALERIA \u00c0NGELS, BARCELONA<\/strong><\/span>
Presents: Itziar Barrio, editorial Skira.
With: Itziar Barrio.<\/p>\n

15.00 CASA DE VEL\u00c1ZQUEZ
\n<\/strong><\/span>Presents: El libro de artista como v\u00ednculo entre lo inmaterial y lo f\u00edsico.
\nWith: Marta P\u00e9rez Campos, resident artist from the Casa de Vel\u00e1zquez<\/p>\n

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Marta P. Campos will present two of his artist’s books and a preview of the one she is currently working on as a resident artist. She will talk, on the one hand, about his interest in bringing the invisible into the real world, as in the case of 1914-2014: diccionario cementerio del espa\u00f1ol <\/i><\/span>and, on the other, about the virtual world with his projects Glitchonomicon and Goodbye, World!<\/i><\/span>\u00a0<\/span><\/p>\n

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15.30 FUNDACI\u00d3N MARA JOS\u00c9 JOVE
\n<\/strong><\/span>Presents: C\u00f3mo expandir un programa de residencias. La edici\u00f3n alternativa y el arte impreso como pr\u00e1ctica art\u00edstica, MACACO Press.
\nWith: Mela D\u00e1vila Freire and Sabrina Fern\u00e1ndez Casas, resident artist 2023.<\/p>\n

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Within the framework of the Fundaci\u00f3n Mar\u00eda Jos\u00e9 Jove, FMJJ – NORMAL Artist-in-Residence Programme in A Coru\u00f1a, we invited Sabrina Fern\u00e1ndez Casas to present the MACACO Press project and to discuss printed art and alternative editions, as well as their modes of circulation, with Mela D\u00e1vila Freire.<\/p>\n

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16:00 UNIVERSITAT DE VAL\u00c8NCIA
\n<\/span><\/strong><\/span>Presents: <\/span>Arte contra la violencia machista. Tantas mujeres en una misma<\/i>.
\n<\/span>With: Ester Alba, Vicerrectora de Cultura i Societat de la Universitat de Val\u00e8ncia, and Sem\u00edramis Gonz\u00e1lez, curator of this exhibition.<\/p>\n

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Based on a selection of works by 30 women artists (from the collections of the five Valencian public universities and private collections such as DKV, INELCOM and the New Pilar Citoler Collection), the exhibition establishes a resounding narrative against gender violence.<\/p>\n

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16.30 \u00a0 <\/span>UNIVERSITAT DE VAL\u00c8NCIA
\n<\/strong><\/span>Presents: <\/span>Auto-retrato o Doble Digital
\n<\/i>With: Ester Alba, Vicerrectora de Cultura i Societat de la Universitat de Val\u00e8ncia, and Clara Boj and Diego D\u00edaz, artists.<\/p>\n

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This publication addresses one of the fundamental changes taking place in our social and cultural environment: the progressive loss of privacy and the analysis of the data we generate by companies whose activity is beyond our control.<\/p>\n

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17.00 IVAM
\n<\/strong><\/span>Presents: Trascity<\/i><\/span>: explorando las posibilidades del cat\u00e1logo como extensi\u00f3n de una exposici\u00f3n.
\nWith: <\/span>Jaime del Corro, designer, and Alberto Feij\u00f3o, artist.<\/p>\n

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This presentation will explain the process of creating the catalogue for Alberto Feij\u00f3o’s exhibition Trascity<\/i><\/span>, which took place at the IVAM Centre Julio Gonz\u00e1lez in Valencia from 1st June 2023 to 8th January 2024. The catalogue is an “artefact” that brings together collage, texts and images from the exhibition, exploring the capacities of the book and questioning the ways of presenting an exhibition through the use of printed pages.<\/p>\n

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17.30 MATILDE MAR\u00cdN
\n<\/strong><\/span>Presents: <\/span>El Libro de Artista. Objeto de s\u00ed mismo
\n<\/i>With: Matilde Mar\u00edn<\/span><\/p>\n

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Information and reflections on this singular genre; canonical materials and, at the same time, new contents for those who want to investigate this artistic discipline. Based on their own experience and research, Matilde Mar\u00edn and Natalia Silberleib address in their respective essays the central points that make up the artist’s book and open the way to future approaches and work proposals.<\/p>\n

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18.00 GALER\u00cdA RUTH BENZACAR
\n<\/strong><\/span>Escuela de Envejecer. B-bodeg\u00f3n: flores, frutas, jarrones y libros.
\nComposition by Ana Gallardo, Javier P\u00e9rez Iglesias and Mar\u00eda Alejandra Gatti.
\n<\/span>With: Ana Gallardo, Javier P\u00e9rez Iglesias and Mar\u00eda Alejandra Gatti.<\/p>\n

<\/p>\n

Performance action on the book Escuela de Envejecer<\/i><\/span>.<\/p>\n

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18.30 MUSEO UNIVERSIDAD DE NAVARRA
\n<\/strong><\/span>Presents:<\/span> Buscando lo imposible. Antolog\u00eda de textos sobre el origen de la fotograf\u00eda<\/i>.
\n<\/span>With: Mart\u00ed Llorens, Rebecca Mutell and Valent\u00edn Vallhonrat.<\/p>\n

<\/p>\n

The Museo Universidad de Navarra presents the publication of an anthology of texts on the origin and emergence of photography, divided into three volumes, Utopia<\/i><\/span>, Materiality<\/i><\/span> and Praxis<\/i><\/span>, in an edition edited by Mart\u00ed Llorens and Rebecca Mutell. It includes the translation and commentary of 100 original texts written in English and French, most of which have never been translated into Spanish. The publication gives voice to those who imagined and created photography. This collection of texts highlights the genuine relationship between art and science to project photography as one of the great events of the 19th century.<\/p>\n

<\/p>\n

19.00 TINTA INVISIBLE
\n<\/strong><\/span>Presents: <\/span>El rostro de la m\u00e1scara
\n<\/i>With: Carles Mercader will talk with the writer Jes\u00fas Ferrero.<\/p>\n

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Presentation and conversation around the book TRAU<\/i><\/span>, a photographic-poetic project by Carles Mercader, Vicen\u00e7 Altai\u00f3 and Llu\u00eds Calvo. The edition takes the form of an artist’s book containing a portable exhibition. Inside the aluminium box there are 7 analogue photographs by Carles Mercader, a screen-printed sheet with texts by Vicen\u00e7 Altai\u00f3 and Llu\u00eds Calvo, and assembly instructions for attaching the works to the sheet.<\/p>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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12:30 MANUEL OLIVEIRA
\n<\/strong><\/span>Presents: Muero todos los d\u00edas 2020<\/i><\/span>, Libros de la resistencia
\nWith: Luis Francisco P\u00e9rez, critic, art theorist and exhibition curator.<\/p>\n

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Muero todos los d\u00edas 2020<\/i><\/span> is Manuel Olveira’s second collection of poems which, together with his first, Muero todos los d\u00edas 2013-2021<\/i><\/span>, expplains about the life in Le\u00f3n, where he directed the MUSAC. Written in pandemic confinement and de-escalation, it presents two parts that correspond to, the first, the intimate record of the last evening light falling on a wall and, the second, with the same register, once a lamp has been lit. Between the two, a photograph, which the author calls an incarnation, of a vase with elderberry branches pierced by sunlight.<\/p>\n

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13:00 FUNDACI\u00d3N OUKA LEELE
\n<\/span><\/strong>With: Roc\u00edo SantaCruz, galerist, and Mar\u00eda Rosenfeldt, Ana Alcocer and Mar\u00eda Redondo, of the foundation’s management team.<\/p>\n

<\/p>\n

The Ouka Leele Foundation was created with the mission to preserve the artistic and humanitarian legacy of the renowned artist and to promote cultural, social and environmental development through art. Inspired by Ouka Leele’s passion and commitment to creativity, social justice and sustainability, the foundation is dedicated to supporting young emerging artists, providing them with resources, spaces and mentoring to develop their talent in the contemporary artistic context.<\/p>\n

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13.30 EL DISPARATE
\n<\/strong><\/span>Presents: EL LOCAL, an independent space for contemporary photography in Madrid.
\nWith: Shinji Nagabe, Ignacio Navas, Karina Morante, Jorge G. Higuera, Emma \u00c1lvarez Marty, Silvia Jim\u00e9nez.\u00a0<\/span><\/p>\n

<\/p>\n

EL LOCAL, on its first anniversary, takes a step further and evolves, presenting the latest news from our independent space on contemporary photography.<\/p>\n

<\/p>\n

14:00 FONTANAR EDICIONES
\n<\/strong><\/span>Presents: Manolo OYONARTE\/ COMPOSICIONES PRESIMB\u00d3LICAS.
\nWith: Jos\u00e9 Manuel Ciria and Manolo Oyonarte, Fernando Castro Fl\u00f3rez, Alfonso de la Torre, Carlos Delgado Mayordomo and Julio C\u00e9sar Abad Vidal.<\/p>\n

<\/p>\n

Brief presentation of fundamental aesthetic ideas and subsequent discussion. Throughout the event, works by the artists included in the books will be projected.<\/p>\n

<\/p>\n

15.30 CONCRETA
\n<\/strong><\/span>Presents: CONCRETA 22, MATERNIDAD: \u00abUN SUFRIMIENTO EXQUISITO\u00bb
\n<\/span>With: Maite Mu\u00f1oz Iglesias and Laura Vall\u00e9s<\/p>\n

<\/p>\n

Concreta 22 (autumn 2023) seeks to warn of the divergence between the cultural figure of the mother and the biographical fact, between the institution and the experience, and to express non-conformism in the face of the oppressive expectations exerted on non-motherhoods and non non-motherhoods.<\/p>\n

<\/p>\n

16.00 CONCRETA
\n<\/strong><\/span>Presents: Recuerdo de Sevilla<\/i><\/span>, Inmaculada Salinas
\nWith:\u00a0 <\/span>Inmaculada Salinas<\/p>\n

<\/p>\n

Inmaculada Salinas’s work revolves around “the feminine”, understood as a social subject, which she places in a position that is not usually found, in which everything revolves around it. The artist analyses how this concept has been portrayed and transmitted throughout history through different systems of visual representation. In Recuerdo de Sevilla<\/i><\/span> she analyses the social mechanisms that contribute to the invisibilisation of women through a re-reading of the iconography of Seville and its 162 streets named after women.<\/p>\n

<\/p>\n

16.30 EDITORIAL\u00a0 <\/span>BELLEZA INFINITA
\n<\/strong><\/span>Presents: <\/span>Ratos de pasi\u00f3n
\n<\/i>With: Eduardo Sourrouille, artist of the work.<\/p>\n

<\/p>\n

Photo-essay inspired by the book A Lover’s Discourse: Fragments<\/i><\/span>, in which Roland Barthes analyses the act of love and the experience of the subject in love. Eduardo Sourrouille dismantles the clich\u00e9s of romantic photo-novels to recreate the representation of the vicissitudes of love with other protagonists, situations and manners.<\/p>\n

<\/p>\n

17.00 INSTITUTO DE ESTUDIOS POSTNATURALES
\n<\/strong><\/span>Presents: <\/span>La condici\u00f3n postnatural, glosario de ecolog\u00edas para otros mundos posibles<\/i>.
\n<\/span>With: Gabriel Alonso, Clara Benito and Catalina Imizcoz.<\/p>\n

<\/p>\n

What is the relationship between contemporary ecology and artistic practices? How to understand levels of agency in relation to the socio-climatic crisis and how to seek other narratives for a desirable future? How to watch together, feel together, restructure our affect and sensibility? And how to move beyond mourning or guilt to action? From these and other questions, the dialogue revolves around some of the central themes of the book.<\/p>\n

<\/p>\n

17.30 ANNA ROURA
\n<\/strong><\/span>Presents:\u00a0 <\/span><\/span>L’Eco de la Pla\u00e7a del Diamant
\n<\/i>With: Anna Roura, author.<\/p>\n

<\/p>\n

An artist’s book based on the readings of the novel La Pla\u00e7a del Diamant<\/i><\/span> (by Merc\u00e8 Rodoreda) by nine people who currently live in the Pla\u00e7a del Diamant, in the Gr\u00e0cia neighbourhood (Barcelona). The presentation will reflect on questions such as the act of reading and the link between public space and literary myth.<\/p>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t

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ArtsLibrisARCOmadrid – 2024 ArtsLibris was founded in 2009, 15 years ago, as a publishing fair project specialising in artist publications, photobooks, contemporary thought, desktop publishing and digital publications. It has three annual venues, ArtsLibris Barcelona, ArtsLibris ARCOmadrid and ArtsLibris ARCOlisboa. In these fifteen years, ArtsLibris, renewing synergies and challenges, it has consolidated an international trajectory […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":37,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-24840","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nArtsLibris ARCOmadrid 2024 - ArtsLibris<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/artslibris.cat\/en\/artslibris-arcomadrid-2024\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"ArtsLibris ARCOmadrid 2024 - ArtsLibris\" \/>\n<meta property=\"og:description\" content=\"ArtsLibrisARCOmadrid – 2024 ArtsLibris was founded in 2009, 15 years ago, as a publishing fair project specialising in artist publications, photobooks, contemporary thought, desktop publishing and digital publications. 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