{"id":15909,"date":"2022-02-02T10:25:31","date_gmt":"2022-02-02T10:25:31","guid":{"rendered":"https:\/\/artslibris.cat\/artslibris-arcomadrid-2022\/"},"modified":"2022-03-31T17:29:04","modified_gmt":"2022-03-31T17:29:04","slug":"artslibris-arcomadrid-2022","status":"publish","type":"page","link":"https:\/\/artslibris.cat\/en\/artslibris-arcomadrid-2022\/","title":{"rendered":"ARTSLIBRIS ARCOmadrid 2022"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"15909\" class=\"elementor elementor-15909 elementor-15872\" data-elementor-post-type=\"page\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-4cf2fcc elementor-section-full_width elementor-section-stretched elementor-section-height-default elementor-section-height-default\" data-id=\"4cf2fcc\" data-element_type=\"section\" data-settings=\"{&quot;stretch_section&quot;:&quot;section-stretched&quot;,&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-24bdcd7\" data-id=\"24bdcd7\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-f6d8a93 elementor-widget elementor-widget-video\" data-id=\"f6d8a93\" data-element_type=\"widget\" data-settings=\"{&quot;video_type&quot;:&quot;hosted&quot;,&quot;autoplay&quot;:&quot;yes&quot;,&quot;play_on_mobile&quot;:&quot;yes&quot;,&quot;loop&quot;:&quot;yes&quot;,&quot;mute&quot;:&quot;yes&quot;}\" data-widget_type=\"video.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"e-hosted-video elementor-wrapper elementor-open-inline\">\n\t\t\t\t\t<video class=\"elementor-video\" src=\"https:\/\/artslibris.cat\/wp-content\/uploads\/2022\/01\/AL-ARCOmadrid-horizontal_es.mp4\" autoplay=\"\" loop=\"\" muted=\"muted\" playsinline=\"\" controlsList=\"nodownload\"><\/video>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-4c57e1a elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"4c57e1a\" data-element_type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-906fed0\" data-id=\"906fed0\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-74a41a8 elementor-widget elementor-widget-heading\" data-id=\"74a41a8\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">ArtsLibris en ARCOmadrid 2022<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-203e31f elementor-widget elementor-widget-text-editor\" data-id=\"203e31f\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p class=\"p1\"><span class=\"VIiyi\" lang=\"en\"><span class=\"JLqJ4b ChMk0b\" data-language-for-alternatives=\"en\" data-language-to-translate-into=\"es\" data-phrase-index=\"0\" data-number-of-phrases=\"7\"><strong>ArtsLibris<\/strong> will be present again this year at <strong>ARCOmadrid<\/strong>.<\/span> <span class=\"JLqJ4b ChMk0b\" data-language-for-alternatives=\"en\" data-language-to-translate-into=\"es\" data-phrase-index=\"1\" data-number-of-phrases=\"7\">In this <strong>seventh edition<\/strong>, it presents <strong>55 national and international exhibitors<\/strong>, with a notable presence of publishers from Brazil, Mexico and Portugal, in addition to an extensive cultural program starring participating artists and publishers.<\/span> <span class=\"JLqJ4b ChMk0b\" data-language-for-alternatives=\"en\" data-language-to-translate-into=\"es\" data-phrase-index=\"3\" data-number-of-phrases=\"7\">This year, for the first time, our space for presentations and debates, <strong>Speakers&#8217; Corner<\/strong>, is joined by the programming of the galleries participating in ARCO.<\/span> <span class=\"JLqJ4b ChMk0b\" data-language-for-alternatives=\"en\" data-language-to-translate-into=\"es\" data-phrase-index=\"4\" data-number-of-phrases=\"7\"><strong>In this way, we encourage collecting through artist publications<\/strong>.<\/span> <\/span><\/p>\n<p class=\"p1\"><span class=\"VIiyi\" lang=\"en\"><span class=\"JLqJ4b ChMk0b\" data-language-for-alternatives=\"en\" data-language-to-translate-into=\"es\" data-phrase-index=\"6\" data-number-of-phrases=\"7\">ArtsLibris has established itself as a space for reflection and dialogue around <strong>the place that publications occupy in artistic production<\/strong>.<\/span><\/span><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-fadbccb elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"fadbccb\" data-element_type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-de0a854\" data-id=\"de0a854\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-26e3ba0 elementor-widget elementor-widget-heading\" data-id=\"26e3ba0\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">ARTSLIBRIS PARTICIPANTS IN ARCOmadrid 2022 <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-6f584f2 elementor-widget elementor-widget-text-editor\" data-id=\"6f584f2\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p class=\"p1\"><span class=\"s1\"><b>42 lineas<\/b>, (Oviedo) \u00b7 <b>55SP<\/b>, (S\u00e3o Paulo) \u00b7 <b>Akal<\/b>, (Madrid) \u00b7 <b>Alias<\/b>, (Ciudad de M\u00e9xico) \u00b7 <b>Al-Tiba9 Contemporary Art<\/b>, (Barcelona) \u00b7 <b>\u00c0friques Edicions<\/b>, (Sant Cugat) \u00b7<b> Animales de Lorca<\/b>, (Valencia) \u00b7 <b>Art Architecture Design Research (AADR)<\/b>, (Baunach) \u00b7 <b>Bartlebooth<\/b>, (Lugo \/ Madrid) \u00b7 <b>Blow up Press<\/b>, (Varsovia) \u00b7 <b>CA Franches-Montagnes,<\/b> (St-Brais) \u00b7 <b>Casa de Vel\u00e1zquez<\/b>, (Madrid) \u00b7 <b>Caja Negra<\/b>, (Buenos Aires) \u00b7 <b>CENDEAC<\/b>, (Murcia) \u00b7 <b>Charco<\/b>, (Espa\u00f1a \/ M\u00e9xico) \u00b7 <b>Concreta<\/b>, (Valencia) \u00b7 <b>Consonni<\/b>, (Bilbao) \u00b7 <b>Consorci de Museus Valencians<\/b>, (Valencia) \u00b7 <b>Contemporanea<\/b>, (Lisboa) \u00b7 <b>Dalpine<\/b>, (Madrid) \u00b7 <b>El Disparate<\/b>, (Madrid) \u00b7 <b>estudioAsia<\/b>, (Madrid) \u00b7 <b>Fabra i Coats: Centre d&#8217;Art Contemporani<\/b>, (Barcelona) \u00b7 <b>Familia Editions<\/b>, (R\u00edo de Janeiro) \u00b7 <b>FAW<\/b>, (Vigo) \u00b7 <b>Fundaci\u00f3n Mar\u00eda Jos\u00e9 Jove<\/b>, (A Coru\u00f1a) \u00b7 <b>Hu Editions \/ Carmen Hurtado<\/b>, (Barcelona) \u00b7 <b>Institut de Cultura de Barcelona. Ajuntament de Barcelona<\/b>, (Barcelona) \u00b7 <b>Klosterfelde Edition<\/b>, (Berlin) \u00b7 <b>La Aurora Ediciones<\/b>, (Murcia) \u00b7 <b>La Capella<\/b>, (Barcelona) \u00b7 <b>Laboratorio Creativo Vilaseco<\/b>, (A Coru\u00f1a) \u00b7 <b>La documental Edicions<\/b>, (Valencia) \u00b7 <b>La Virreina Centre de la Imatge<\/b>, (Barcelona) \u00b7 <b>LibrosArte<\/b>, (Madrid) \u00b7 <b>Metales Pesados<\/b>, (Santiago de Chile) \u00b7 <b>Mia Mart\u00ed<\/b>, (Sentmenat) \u00b7 <b>Muga<\/b>, (Gij\u00f3n) \u00b7 <b>Multistudios<\/b>, (Barcelona) \u00b7 <b>Ogami Press<\/b>, (Madrid) \u00b7 <b>PEZPLATA Ediciones<\/b>, (Madrid) \u00b7 <b>Photovision<\/b>, (Sevilla) \u00b7 <b>Puigfaura Edicions<\/b>, (Sabadell) \u00b7 <b>Rai\u00f1a Lupa<\/b>, (Barcelona) \u00b7 <b>RocioSantaCruz<\/b>, (Barcelona) \u00b7 <b>Rub\u00e9n Barroso<\/b>, (Sevilla) \u00b7 <b>RV Cultura e Arte<\/b>, (Brasil) \u00b7 <b>Simetr\u00eda Dom\u00e9stica<\/b>, (Buenos Aires) \u00b7 <b>TBA21 Thyssen-Bornemisza Art Contemporary<\/b>, (Viena\/Madrid) \u00b7 <b>Temblores Publicaciones<\/b>, (Ciudad de M\u00e9xico) \u00b7 <b>The Green Parrot Editions<\/b>, (Barcelona) \u00b7 <b>The Sea Urchins Container Artist Residence<\/b>, (Alicante) \u00b7 <b>Tinta Invisible<\/b>, (Barcelona) \u00b7 <b>Urucum<\/b>, (Lisboa) \u00b7 <b>Ximena P\u00e9rez Grobet<\/b>, (Barcelona \/ M\u00e9xico)<span class=\"Apple-converted-space\">\u00a0<\/span><\/span><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-9845438 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"9845438\" data-element_type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-48586dc\" data-id=\"48586dc\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-d18f860 elementor-widget elementor-widget-heading\" data-id=\"d18f860\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">PROGRAM<br>SPEAKERS' CORNER 2022<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-966f241 elementor-widget elementor-widget-accordion\" data-id=\"966f241\" data-element_type=\"widget\" data-widget_type=\"accordion.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-accordion\">\n\t\t\t\t\t\t\t<div class=\"elementor-accordion-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-1571\" class=\"elementor-tab-title\" data-tab=\"1\" role=\"button\" aria-controls=\"elementor-tab-content-1571\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon elementor-accordion-icon-left\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-closed\"><i class=\"fas fa-chevron-down\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-opened\"><i class=\"fas fa-chevron-up\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-accordion-title\" tabindex=\"0\">Wednesday, February 23 <\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-1571\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"1\" role=\"region\" aria-labelledby=\"elementor-tab-title-1571\"><p class=\"p1\"><span class=\"VIiyi\" lang=\"en\"><span class=\"JLqJ4b\" data-language-for-alternatives=\"en\" data-language-to-translate-into=\"es\" data-phrase-index=\"0\" data-number-of-phrases=\"1\"><strong>15:00 <\/strong><br \/>\n<strong>CONSONNI \/ HUARTE CONTEMPORARY ART CENTER<\/strong><br \/>\n<\/span><\/span><span class=\"VIiyi\" lang=\"en\"><span class=\"JLqJ4b\" data-language-for-alternatives=\"en\" data-language-to-translate-into=\"es\" data-phrase-index=\"0\" data-number-of-phrases=\"1\">Presents: <em>There are no soloists<\/em>. Huarte Arte Garaikideko Zentroaren Aldizkaria \/ Huarte Contemporary Art Center Magazine.<br \/>\nWith: Oskia Ugarte, Nerea de Diego, Maria Ozcoidi, Consonni. There are no soloists is the new cultural magazine project of the Huarte Contemporary Art Center that emerges as an extension of the institution to share and display reflections, work processes and practices of the plural and diverse ecosystem of which it is a part. <\/span><\/span><\/p>\n<p class=\"p1\"><span class=\"VIiyi\" lang=\"en\"><span class=\"JLqJ4b\" data-language-for-alternatives=\"en\" data-language-to-translate-into=\"es\" data-phrase-index=\"0\" data-number-of-phrases=\"1\"><strong>16:00 <\/strong><br \/>\n<strong>HOUSE OF VELAZQUEZ<\/strong><br \/>\nPresents: <em>Sinik. A Pillow Book<\/em> (The limit of dreams) by Cristina Gam\u00f3n; Homo Indifferens at the House of Pablo P\u00e9rez Palacio; and Croma, by Mery Sales.<br \/>\nWith: the three artists and Fabienne Aguado, artistic director of the Casa de Vel\u00e1zquez. Cristina Gam\u00f3n presents a book made up of two parts, a story that reflects the conflicts of an indifferent artist in a context like the House, largely a collective possibility, and three maps based on transparencies. Pablo P\u00e9rez&#8217;s project becomes possible thanks to the interrelation between hyperfiction and hyperreality. Croma, by Mery Sales is the first artist&#8217;s book produced within the framework of &#8220;Other life on the net&#8221;, in the residence of the Casa de Vel\u00e1zquez 2021\/2022. <\/span><\/span><\/p>\n<p class=\"p1\"><span class=\"VIiyi\" lang=\"en\"><span class=\"JLqJ4b\" data-language-for-alternatives=\"en\" data-language-to-translate-into=\"es\" data-phrase-index=\"0\" data-number-of-phrases=\"1\"><strong>17:00<\/strong><br \/>\n<b>LA DOCUMENTAL EDICIONS<\/b><br \/>\nPresents: <em>The Mr. Velasco Collection as an archipelago<\/em><br \/>\nWith: \u00c1lvaro de los Angeles (editor) The Mr. Velasco Collection is a collection of books where everyone is different. It is an anti-collection that recalls the way an archipelago acts with the islands that make it up: a relationship between its books or islands based on what separates them. <\/span><\/span><\/p>\n<p class=\"p1\"><span class=\"VIiyi\" lang=\"en\"><span class=\"JLqJ4b\" data-language-for-alternatives=\"en\" data-language-to-translate-into=\"es\" data-phrase-index=\"0\" data-number-of-phrases=\"1\"><strong>18:00<\/strong><br \/>\n<b>LA VIRREINA CENTRE DE LA IMATGE<\/b><span class=\"Apple-converted-space\">\u00a0<\/span><br \/>\nPresents: <em>The museum as an editorial project<\/em><br \/>\nWith: Valent\u00edn Roma, director of La Virreina Center de la Imatge Can a museum become a publisher? From what arguments and through what content? Since 2016, La Virreina Center de la Imatge has tried to support an independent publishing project from its exhibition program, which would be a line of work in itself, with its own logics and tensions, not necessarily in the field of art. <\/span><\/span><\/p>\n<p class=\"p1\"><span class=\"VIiyi\" lang=\"en\"><span class=\"JLqJ4b\" data-language-for-alternatives=\"en\" data-language-to-translate-into=\"es\" data-phrase-index=\"0\" data-number-of-phrases=\"1\"><strong>19:00 <\/strong><br \/>\n<strong>OGAMI PRESS<\/strong><br \/>\nPresents: Google Pattern -T he Rest is History. Chroma Art Prints, 2021<br \/>\nWith: Juan Lara, Julio Criado and Ira Lombard\u00eda Ira Lombard\u00eda&#8217;s Chroma Art Prints project involves the combination of traditional techniques such as photogravure \u2013 widely used during the 19th and 20th centuries for the reproduction of artistic documentation in books and copies \u2013 with other mechanical reproduction processes that were very common during the 20th century, such as screen printing and finally digital interaction that allows the pieces to be altered by users. The pieces are based on the appropriation of historical archives, which are self-sacrificing with a serigraphic stain.<\/span><\/span><\/p>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"elementor-accordion-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-1572\" class=\"elementor-tab-title\" data-tab=\"2\" role=\"button\" aria-controls=\"elementor-tab-content-1572\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon elementor-accordion-icon-left\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-closed\"><i class=\"fas fa-chevron-down\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-opened\"><i class=\"fas fa-chevron-up\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-accordion-title\" tabindex=\"0\">Thursday February 24 <\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-1572\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"2\" role=\"region\" aria-labelledby=\"elementor-tab-title-1572\"><p class=\"p1\"><span class=\"VIiyi\" lang=\"en\"><span class=\"JLqJ4b\" data-language-for-alternatives=\"en\" data-language-to-translate-into=\"es\" data-phrase-index=\"0\" data-number-of-phrases=\"1\"><strong>15:00 <\/strong><br \/>\n<strong>FABRA I COATS: CENTRE D&#8217;ART CONTEMPORANI<\/strong><br \/>\nPresents: Fabra i Coats Publications: Center d&#8217;Art Contemporani<br \/>\nWith: Joana Hurtado, director of Fabra i Coats: Center d&#8217;Art Contemporani, and Bendita Gloria, design studio. Since 2019, the new direction of Fabra i Coats proposes an editorial line that is as experimental and porous as the institution seeks to be. This is how the artist publications Sucede cada d\u00eda, by Jordi Mitj\u00e0; Things that things say, curated by Latitudes; The Late Estate Broomberg &amp; Chanarin; and A True Exhibition, by Mart\u00ed Anson. <\/span><\/span><\/p>\n<p class=\"p1\"><span class=\"VIiyi\" lang=\"en\"><span class=\"JLqJ4b\" data-language-for-alternatives=\"en\" data-language-to-translate-into=\"es\" data-phrase-index=\"0\" data-number-of-phrases=\"1\"><strong>16:00 <\/strong><br \/>\n<strong>LA CAPELLA<\/strong><br \/>\n<\/span><\/span><span class=\"VIiyi\" lang=\"en\"><span class=\"JLqJ4b\" data-language-for-alternatives=\"en\" data-language-to-translate-into=\"es\" data-phrase-index=\"0\" data-number-of-phrases=\"1\">Presents: Makebelieve Neuromancer<br \/>\nWith: Luc\u00eda C. Pino, artist, and David Armengol, director of La Capella (Barcelona) Publication about the immersive sculptural installation that Luc\u00eda C. Pino presented at La Capella. From the material point of view, the proposal explores issues of transience and its ability to form other modes of existence and subjectivity, thus connecting sculpture and queer theory. <\/span><\/span><\/p>\n<p class=\"p1\"><strong><span class=\"VIiyi\" lang=\"en\"><span class=\"JLqJ4b\" data-language-for-alternatives=\"en\" data-language-to-translate-into=\"es\" data-phrase-index=\"0\" data-number-of-phrases=\"1\">17:00<br \/>\n<\/span><\/span><\/strong><span class=\"VIiyi\" lang=\"en\"><span class=\"JLqJ4b\" data-language-for-alternatives=\"en\" data-language-to-translate-into=\"es\" data-phrase-index=\"0\" data-number-of-phrases=\"1\"><strong>CONCRETE EDITORIAL<\/strong><br \/>\nPresents: CONCRETA 18, Dialogue as restitution and reparation. Beyond the objects.<br \/>\nWith: Laura Valles Vilchez, Tania Safura Adam, Hasan G. L\u00f3pez Sanz and Lorenzo Sandoval. Concreta 18 (autumn 2021) reflects on the restitution and reparation of African heritage in the post-colonial context. An issue circumscribed to the return of collected or looted objects that often ignores the immaterial dimension outside the walls of museums. <\/span><\/span><\/p>\n<p class=\"p1\"><span class=\"VIiyi\" lang=\"en\"><span class=\"JLqJ4b\" data-language-for-alternatives=\"en\" data-language-to-translate-into=\"es\" data-phrase-index=\"0\" data-number-of-phrases=\"1\"><strong>18:00 <\/strong><br \/>\n<strong>INVISIBLE INK EDITIONS<\/strong><br \/>\nThey present: Juxtapositions. A set of 576 pages, 12 figures, 9 colors.<br \/>\nWith: Carlos Bunga, Manuel Guerrero, Paulo Miyada and Mart\u00ed Guinovart. Carlos Bunga proposes a juxtaposition of punched and bound white sheets of paper, with loose sheets of different colors inside a wooden box. The object book becomes a game of variable geometry. In turn, it becomes a work of art that is transformed every time the spectator, actor or reader opens it and alters the place of the 9 colored sheets. <\/span><\/span><\/p>\n<p class=\"p1\"><span class=\"VIiyi\" lang=\"en\"><span class=\"JLqJ4b\" data-language-for-alternatives=\"en\" data-language-to-translate-into=\"es\" data-phrase-index=\"0\" data-number-of-phrases=\"1\"><strong>19:00 <\/strong><br \/>\n<strong>BARTLEBOOTH<\/strong><br \/>\nPresents: <em>Mutations in the public space, VVAA<\/em><br \/>\nWith: S\u00f6ren Meschede, cultural manager and co-editor of the work, and Fran Quiroga, researcher, curator and co-editor of the work. The pandemic has obligatorily constrained public space and this onslaught has exposed political processes that were already being announced in recent decades: the growing normalization of space, social inequity, distrust of the other, the dismantling of public or community initiatives. or the desire for immediacy have been revealed more crudely in recent years.<\/span><\/span><\/p>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"elementor-accordion-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-1573\" class=\"elementor-tab-title\" data-tab=\"3\" role=\"button\" aria-controls=\"elementor-tab-content-1573\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon elementor-accordion-icon-left\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-closed\"><i class=\"fas fa-chevron-down\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-opened\"><i class=\"fas fa-chevron-up\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-accordion-title\" tabindex=\"0\">Friday February 25 <\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-1573\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"3\" role=\"region\" aria-labelledby=\"elementor-tab-title-1573\"><p class=\"p1\"><span class=\"VIiyi\" lang=\"en\"><span class=\"JLqJ4b\" data-language-for-alternatives=\"en\" data-language-to-translate-into=\"es\" data-phrase-index=\"0\" data-number-of-phrases=\"1\"><strong>12:00 <\/strong><br \/>\n<strong>MARIA JOSE JOVE FOUNDATION<\/strong><br \/>\nPresents: Black Path. Damian Ucieda.<br \/>\nTexts: Juan de Nieves, Iago Carro, Emilio Santiago Mui\u00f1o and Leticia Guti\u00e9rrez Becker.<br \/>\nWith: Susana Gonz\u00e1lez with the artist Dami\u00e1n Ucieda and Juan de Nieves, accompanied by Laura Estevez, from Turner. The editorial line of the Mar\u00eda Jos\u00e9 Jove Foundation is presented, in addition to books such as Helmets, by June Crespo or the Research and Essay Awards, therapeutic applications of art: Voices from an impossible place by Diana Rangel and Remirando el olvido, by Rebeca Zurru. <\/span><\/span><\/p>\n<p class=\"p1\"><span class=\"VIiyi\" lang=\"en\"><span class=\"JLqJ4b\" data-language-for-alternatives=\"en\" data-language-to-translate-into=\"es\" data-phrase-index=\"0\" data-number-of-phrases=\"1\"><strong>13:00 <\/strong><br \/>\n<strong>HU EDITIONS \/ CARMEN HURTADO<\/strong><br \/>\nThey present: <em>Zenobia, A room of one&#8217;s own, Nomother, Torreblanca, The magic mountain, The sacrifice, The shadow, The body, Chosen<\/em>.<br \/>\nWith: Carmen Hurtado P\u00e9rez Inspired by Ulises Carri\u00f3n in &#8220;The new art of making books.&#8221; HU editions allows the artist to format her projects as publications. From writings and images, she creates experimental art within the white cube of the space-time of books. The publication it can be: a trip, a parenthesis, a drift, an installation, a room sheet, a work that starts from another without definition. <\/span><\/span><\/p>\n<p class=\"p1\"><span class=\"VIiyi\" lang=\"en\"><span class=\"JLqJ4b\" data-language-for-alternatives=\"en\" data-language-to-translate-into=\"es\" data-phrase-index=\"0\" data-number-of-phrases=\"1\"><strong>14:00 <\/strong><br \/>\n<strong>MIA MARTI<\/strong><br \/>\nThey present: <em>Painting within the books Imatges and Cities.<\/em><br \/>\nWith: Mia Marti Presentation of the original artist&#8217;s books and the books of limited editions and intervened by hand Ciutats y Imatges. The book goes from being a support to being the work itself, it welcomes the painting inside. Its pages are the canvas on which the image, photography, drawing and painting unfolds. <\/span><\/span><\/p>\n<p class=\"p1\"><span class=\"VIiyi\" lang=\"en\"><span class=\"JLqJ4b\" data-language-for-alternatives=\"en\" data-language-to-translate-into=\"es\" data-phrase-index=\"0\" data-number-of-phrases=\"1\"><strong>15:00 <\/strong><br \/>\n<strong>PAUL-THOMAS HINKEL<\/strong><br \/>\nPresents: <em>Watercolors &#8211; Aquarelle &#8211; Aquarelas<\/em><br \/>\nWith: Klaus Hinkel. The artist Klaus HINKEL, resident in Frigiliana, Andalusia, presents his new book Watercolors \u2013 Aquarelle \u2013 Watercolors, with a selection of unique works and his very particular way of painting watercolors. With a careful, varied and intense color through the expressive blue of the south. A very particular and intuitive way of painting watercolors is how the peculiarity of this richly illustrated book stands out. <\/span><\/span><\/p>\n<p class=\"p1\"><span class=\"VIiyi\" lang=\"en\"><span class=\"JLqJ4b\" data-language-for-alternatives=\"en\" data-language-to-translate-into=\"es\" data-phrase-index=\"0\" data-number-of-phrases=\"1\"><strong>16:00 <\/strong><br \/>\n<strong>AKAL EDITIONS<\/strong><br \/>\nPresents: <em>50 years of art through books. Contemporary Art and Visual Studies.<\/em><br \/>\nWith: Miguel \u00c1ngel Hern\u00e1ndez, writer, art critic, Professor of Art History and deputy director of the Center for Visual Studies at the University of Murcia); and Jes\u00fas Espino, Akal Editions. A meeting to learn about the evolution of artistic studies over the last 50 years through the Ediciones Akal collection, from the new perspectives of analysis of Contemporary Art and Visual Studies. <\/span><\/span><\/p>\n<p class=\"p1\"><span class=\"VIiyi\" lang=\"en\"><span class=\"JLqJ4b\" data-language-for-alternatives=\"en\" data-language-to-translate-into=\"es\" data-phrase-index=\"0\" data-number-of-phrases=\"1\"><strong>17:00<\/strong><br \/>\n<strong>PHOTOVISION<\/strong><br \/>\nPresents: <em>Construction light<\/em>.<br \/>\nWith: Olvido Mu\u00f1oz Heras, author. It is a book about the identity of the Spanish architect at the beginning of the s. XXI and the light of his gaze. Calligraphed in three languages: Spanish, English and Japanese. Printed on two-color carbonless paper. Manual binding, numbered series 250 copies. He has received the 2021 L\u00e1zaro Galdiano Edition Award in the Art Books category. <\/span><\/span><\/p>\n<p class=\"p1\"><span class=\"VIiyi\" lang=\"en\"><span class=\"JLqJ4b\" data-language-for-alternatives=\"en\" data-language-to-translate-into=\"es\" data-phrase-index=\"0\" data-number-of-phrases=\"1\"><strong>18:00 <\/strong><br \/>\n<strong>DALPINE<\/strong><br \/>\nPresents: <em>Terminal<\/em>.<br \/>\nWith: Enrique Fraga and Elisa Miralles. Terminal investigates the dehumanization and isolation produced by the lifestyle of work trips, starring a select club of people who are proud to belong to it and who constantly travel through a series of places without identity. The photographs that make up this book recreate the atmosphere of shadows and flashes of color that illuminate that transit. <\/span><\/span><\/p>\n<p class=\"p1\"><span class=\"VIiyi\" lang=\"en\"><span class=\"JLqJ4b\" data-language-for-alternatives=\"en\" data-language-to-translate-into=\"es\" data-phrase-index=\"0\" data-number-of-phrases=\"1\"><strong>19:00 <\/strong><br \/>\n<strong>VILASECO CREATIVE LABORATORY<\/strong><br \/>\nPresents: <em>Antonio Murado. Artist book.<\/em><br \/>\nWith: Miriam P\u00e9rez, editor; Antonio Murado, artist; Mar\u00eda De la Vega, author of the texts; and Carolina N\u00fa\u00f1ez, graphic designer. Presentation of the special edition of the book Antonio Murado. A circulation of 150 copies where the covers are linen painted by the Galician artist. A reflection through an artist&#8217;s book, with texts by the historian Mar\u00eda de la Vega, which places us as human beings in a world dominated by algorithms, standardized and programmed tasks while bringing us closer to the universe of the artist and his creative processes.<\/span><\/span><\/p>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"elementor-accordion-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-1574\" class=\"elementor-tab-title\" data-tab=\"4\" role=\"button\" aria-controls=\"elementor-tab-content-1574\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon elementor-accordion-icon-left\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-closed\"><i class=\"fas fa-chevron-down\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-opened\"><i class=\"fas fa-chevron-up\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-accordion-title\" tabindex=\"0\">Saturday February 26 <\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-1574\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"4\" role=\"region\" aria-labelledby=\"elementor-tab-title-1574\"><p class=\"p1\"><span class=\"VIiyi\" lang=\"en\"><span class=\"JLqJ4b\" data-language-for-alternatives=\"en\" data-language-to-translate-into=\"es\" data-phrase-index=\"0\" data-number-of-phrases=\"1\"><strong>12:00 <\/strong><br \/>\n<strong>CENDEAC<\/strong><br \/>\nPresents: <em>Contemporaneity Islanders. Digital anomie and critique of multiple perspectives (Ad hoc Collection, 2021).<\/em><br \/>\nWith: Pedro Medina, author; Miguel Cereceda and Luis Francisco P\u00e9rez. The journey that this book proposes seeks to immerse itself in the digital to explain its essence and the disorientation it has caused, with the aim of assessing the reasons for this malaise and discovering shores of good hope. This journey begins with a continuous, uniform and homogeneous conception of the world, which is fragmented into an accelerated landscape of images and simultaneities. <\/span><\/span><\/p>\n<p class=\"p1\"><span class=\"VIiyi\" lang=\"en\"><span class=\"JLqJ4b\" data-language-for-alternatives=\"en\" data-language-to-translate-into=\"es\" data-phrase-index=\"0\" data-number-of-phrases=\"1\"><strong>13:00 <\/strong><br \/>\n<strong>COMISURA AND MUGA<\/strong><br \/>\nPresents: They always go alone, the bugs.<br \/>\nWith: Laura C. Vela and Suso Mourelo, authors. They always go alone, the bugs is a hybrid story about the tiny, the rare and what is about to disappear. Through the photographs of Laura C. Vela and the words of Suso Mourelo, the insects speak as equals with the strata, the legends, the tiny human beings and their concerns. <\/span><\/span><\/p>\n<p class=\"p1\"><span class=\"VIiyi\" lang=\"en\"><span class=\"JLqJ4b\" data-language-for-alternatives=\"en\" data-language-to-translate-into=\"es\" data-phrase-index=\"0\" data-number-of-phrases=\"1\"><strong>14:00 <\/strong><br \/>\n<strong>CENDEAC<\/strong><br \/>\nPresents: <em>Impossibility of architecture. Specific interventions and critical readings (Infralight Collection, 2021).<\/em><br \/>\nWith: Andr\u00e9s Carretero, author; Fernando Castro; Fernando Quesada and Marta Ramos-Yzquierdo. (Im)possibility of architecture collects a selection of texts, specific interventions and critical readings published between 2016 and 2020 by Andr\u00e9s Carretero. Testimonies of a theoretical production that unfolds from the exercise of architecture in a period of crisis, uncertain and precarious, crossed by the generational experience of the political moment lived, the concern for the state of work, the forgetting of the recent past and the memory anti-nostalgic for lost futures. <\/span><\/span><\/p>\n<p class=\"p1\"><span class=\"VIiyi\" lang=\"en\"><span class=\"JLqJ4b\" data-language-for-alternatives=\"en\" data-language-to-translate-into=\"es\" data-phrase-index=\"0\" data-number-of-phrases=\"1\"><strong>15:00 <\/strong><br \/>\n<strong>SIMETRIA DOMESTICA<\/strong><br \/>\nPresents: <em>Collection unique books.<\/em><br \/>\nWith: Stephanie Papescu The publisher&#8217;s collection of unique books appears as a way to break the silence. It shows the first sketches, the first experiments of the artist. It breaks with the solemnity of keeping them in a showcase and begins to circulate artist&#8217;s books through other spheres. <\/span><\/span><\/p>\n<p class=\"p1\"><span class=\"VIiyi\" lang=\"en\"><span class=\"JLqJ4b\" data-language-for-alternatives=\"en\" data-language-to-translate-into=\"es\" data-phrase-index=\"0\" data-number-of-phrases=\"1\"><strong>16:00 <\/strong><br \/>\n<strong>BARTLEBOOTH<\/strong><br \/>\nPresents: 3. Minor Atlas 1: Sexual Dissidence, VVAA \u2192 Minor Atlas #1 Sexual Dissidence, VVAA<br \/>\nWith: Ana Olmedo and Elena \u00c1guila, VenidaDevenida; Nucbeade, art collective; and Yera Moreno, philosopher and researcher. Looking at cartography from sexual dissidence enables a resignification process that speaks in other terms, treats other territories and breaks with the hegemonic ideals of the cartographic. It seeks to find a potential that allows questioning, removing and imagining other possible experiences; account for the subjective and activate tools that denote a political will. <\/span><\/span><\/p>\n<p class=\"p1\"><span class=\"VIiyi\" lang=\"en\"><span class=\"JLqJ4b\" data-language-for-alternatives=\"en\" data-language-to-translate-into=\"es\" data-phrase-index=\"0\" data-number-of-phrases=\"1\"><strong>17:00<\/strong><br \/>\n<strong>THE FOOLISHNESS<\/strong><br \/>\nPresents: <em>Several independent publications.<\/em><br \/>\nWith: Erika Achec, Ignacio Navas, Karina Morante, Laura C. Vela and Roc\u00edo Bueno. A careful selection of independent and self-published publications within the framework of contemporary photography. <\/span><\/span><\/p>\n<p class=\"p1\"><span class=\"VIiyi\" lang=\"en\"><span class=\"JLqJ4b\" data-language-for-alternatives=\"en\" data-language-to-translate-into=\"es\" data-phrase-index=\"0\" data-number-of-phrases=\"1\"><strong>18:00 <\/strong><br \/>\n<strong>PEZPLATA Editions<\/strong><br \/>\nPresents: Ch\u00e2teau-d&#8217;Eau. Poemas em tema e varia\u00e7\u00f5es, by Ema M.<br \/>\nWith: Ema M., author and PhD Fine Arts, Laura Lio, editor and visual artist Em\u00edlia Ferreira, Director of the Museum of Contemporary Art in Lisbon Javier Arnaldo, art historian and writer. Ch\u00e2teau-d&#8217;eau or Water Castle is a French term that designates the same as in Portuguese \u201cm\u00e3e de \u00e1gua\u201d or cistern in Spanish. It is a place-container that allows natural water to be collected and preserved for times of drought. This expression inspires the artist in the creation of this book with a short run and a special edition with original illustrations. <\/span><\/span><\/p>\n<p class=\"p1\"><span class=\"VIiyi\" lang=\"en\"><span class=\"JLqJ4b\" data-language-for-alternatives=\"en\" data-language-to-translate-into=\"es\" data-phrase-index=\"0\" data-number-of-phrases=\"1\"><strong>19:00 <\/strong><br \/>\n<strong>FAMILY EDITIONS (Brazil)<\/strong><br \/>\nPresents: \u2014EIS-ME HERE. &#8211; AQUI ESTOY.<br \/>\nWith: Isabella Lenzi, curator; Regina Parra, author artist; and Maria Lago, editor. The idea for this artist&#8217;s book arose from conversations between the artist Regina Parra and the publisher Maria Lago about the possibility of portraying the image of women through the evolution of their representation in the performing arts. The result includes images painted in oil especially for the publication, interspersed with citations in the original languages \u200b\u200bof the 12 selected works.<\/span><\/span><\/p>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"elementor-accordion-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-1575\" class=\"elementor-tab-title\" data-tab=\"5\" role=\"button\" aria-controls=\"elementor-tab-content-1575\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon elementor-accordion-icon-left\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-closed\"><i class=\"fas fa-chevron-down\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-opened\"><i class=\"fas fa-chevron-up\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-accordion-title\" tabindex=\"0\">Sunday February 27 <\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-1575\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"5\" role=\"region\" aria-labelledby=\"elementor-tab-title-1575\"><p class=\"p1\"><span class=\"VIiyi\" lang=\"en\"><span class=\"JLqJ4b\" data-language-for-alternatives=\"en\" data-language-to-translate-into=\"es\" data-phrase-index=\"0\" data-number-of-phrases=\"1\"><strong>12:00 <\/strong><br \/>\n<strong>RUBEN BARROSO \/ THE DEER<\/strong><br \/>\nPresents: <em>Private life of an artist<\/em>.<br \/>\nWith: Rub\u00e9n Barroso. Catalog of intimacies and privacy of an artist in the middle ages who has nothing to say but is very good at saying it. <\/span><\/span><\/p>\n<p class=\"p1\"><span class=\"VIiyi\" lang=\"en\"><span class=\"JLqJ4b\" data-language-for-alternatives=\"en\" data-language-to-translate-into=\"es\" data-phrase-index=\"0\" data-number-of-phrases=\"1\"><strong>13:00 <\/strong><br \/>\n<strong>BARTLEBOOTH<\/strong><br \/>\nFeatures: Middle Design, by Keller Easterlng.<br \/>\nWith: Luc\u00eda Jal\u00f3n, architect and researcher, and Andr\u00e9s Jaque, architect, curator, and author of the prologue. Design of the medium displays a possible activist repertoire intertwined with the contradictions of a capitalist realism dominated by polarized debates. It covers different scales of planetary problems that have been the target of ideological debates from both sides of the political spectrum. <\/span><\/span><\/p>\n<p class=\"p1\"><span class=\"VIiyi\" lang=\"en\"><span class=\"JLqJ4b\" data-language-for-alternatives=\"en\" data-language-to-translate-into=\"es\" data-phrase-index=\"0\" data-number-of-phrases=\"1\"><strong>14:00 <\/strong><br \/>\n<strong>BLOW UP PRESS<\/strong><br \/>\nPresents: <em>Object amnesic: a compost manifesto by Henrik Str\u00f6mberg &amp; Jens Soneryd<\/em><br \/>\nWith: Grzegorz Kosmala Object amnesic: a manifesto that deals with topics such as growth and decay, memory and forgetting, permanence and change. It explores how and when writing and photography can be applied in opposition to their usual uses, if they can also be used to unlearn what we have learned from them. <\/span><\/span><\/p>\n<p class=\"p1\"><span class=\"VIiyi\" lang=\"en\"><span class=\"JLqJ4b\" data-language-for-alternatives=\"en\" data-language-to-translate-into=\"es\" data-phrase-index=\"0\" data-number-of-phrases=\"1\"><strong>15:00 <\/strong><br \/>\n<strong>KLOSTERFELDE EDITION<\/strong><br \/>\nPresents: Kasia Fudakowski, Continuouslessness Travel Edition, 2021<br \/>\nWith: Alfons Klosterfelde This edition is the miniature version of Continuouslessness, which began in 2011, with three delicately crafted panels that exude exuberant playfulness in ornamentation. Kasia Fudakowski found the inspiration for these works in Poland, the country of her grandparents. Traditionally, people have collected waste left behind by the metal industry and, according to their own creative designs, used it to build gates to their properties.<\/span><\/span><\/p>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-7d80947 elementor-widget elementor-widget-html\" data-id=\"7d80947\" data-element_type=\"widget\" data-widget_type=\"html.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<script>\r\njQuery(document).ready(function($) { \r\nvar delay = 100; setTimeout(function() { \r\n$('.elementor-tab-title').removeClass('elementor-active');\r\n $('.elementor-tab-content').css('display', 'none'); }, delay); \r\n}); <\/script> \r\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-cb28b8e 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In this seventh edition, it presents 55 national and international exhibitors, with a notable presence of publishers from Brazil, Mexico and Portugal, in addition to an extensive cultural program starring participating artists and publishers. 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