{"id":12449,"date":"2021-07-04T08:31:42","date_gmt":"2021-07-04T08:31:42","guid":{"rendered":"https:\/\/artslibris.cat\/artslibris-arcomadrid-2021\/"},"modified":"2021-07-22T08:51:32","modified_gmt":"2021-07-22T08:51:32","slug":"artslibris-arcomadrid-2021","status":"publish","type":"page","link":"https:\/\/artslibris.cat\/en\/artslibris-arcomadrid-2021\/","title":{"rendered":"ARTSLIBRIS ARCOmadrid 2021"},"content":{"rendered":"\t\t
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In this sixth edition of ARCOmadrid 2021, ArtsLibris presents forty-two exhibitors and a cultural programme. Topping the bill is a cycle of talks for the ARCO Professional Forum, coordinated and moderated by Andrea Soto Calder\u00f3n, doctor in philosophy.<\/p>\n

ArtsLibris thus acts as a nexus aiming to stimulate a dialogue around contemporary publishing and artists\u2019 publications, understood in a broad sense and not only in editorial terms. The dialogue will provide a space where participants can exchange ideas regarding the practices common to artists\u2019 publications in the configuration of a sensibility in artistic production and the context in which these are inscribed, and debate the directions they might take in the future.<\/p>\n

The Speakers\u2019 Corner will continue this year with its programme of talks and presentations, providing an ideal complement to the fair\u2019s bibliographic offer and the perfect setting for visitors and exhibitors to meet and confer.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Exhibitors<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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And the editions<\/b>, (Viena) \u00b7 Alias Editorial<\/b>, (Ciudad de M\u00e9xico) \u00b7 Akal<\/b>, (Madrid) Al-Tiba9 Contemporary Art<\/b>, (Barcelona) \u00b7 Consorci de Museus de la Comunitat Valenciana<\/b>, (Valencia) \u00b7 Caniche Editorial<\/b>, (Madrid) \u00b7 Casa de Vel\u00e1zquez<\/b>, (Madrid) \u00b7 CENDEAC<\/b>, (Murcia) \u00b7 Consonni<\/b>, (Bilbao) \u00b7 Dalpine<\/b>, (Madrid) \u00b7 eStudio Asia<\/b>, (Madrid) \u00b7 El Naufraguito<\/b>, (Barcelona) \u00b7 Espe Pons<\/b>, (Barcelona) \u00b7 Familia Editions<\/b> (Madrid) \u00b7 Galerie \/ Librairie \u00c9cho 119 <\/b>(Paris) \u00b7 Kunstkontor Basel GmbH<\/b>, (Basel) \u00b7 LibrosArte<\/b>, (Madrid) \u00b7 La Caja Negra<\/b>, (Madrid) \u00b7 La Mirada Creadora<\/b>, (Madrid) \u00b7 Malpaso y C\u00eda<\/b>, (Barcelona) \u00b7 Mia Mart<\/b>\u00ed, (Barcelona) \u00b7 MultiStudio Books<\/b>, (Barcelona) \u00b7 Muga<\/b>, (Gij\u00f3n) \u00b7 Mar\u00eda Primo Studio<\/b>, (Madrid) \u00b7 Metales Pesados<\/b> (Madrid) \u00b7 Ogami Press<\/b>, (Madrid) \u00b7 Per(r)ucho<\/b>, (Valencia) \u00b7 PezPlata Ediciones<\/b>, (Madrid) \u00b7 Pombo<\/b>, (Murcia) \u00b7 Ra\u00ed\u00f1a Lupa \/ Roc\u00edoSantaCruz<\/b>, (Barcelona) \u00b7 RV Cultura e Art<\/b>e, (Salvador de Bah\u00eda) \u00b7 Samopal Books<\/b>, (Mosc\u00fa) \u00b7 TERREMOTO + Temblores<\/b>, (Ciudad de M\u00e9xico) \u00b7 The Sea Urchins Contsiner<\/b>, (Alicante) \u00b7 Jan Tofjan<\/b>, (Londres) \u00b7 Unika Books<\/b>, (Madrid) \u00b7 Turner<\/b>\u00a0(Madrid \/ M\u00e9xico) \u00b7 TBA21 | Thyssen-Bornemisza Art Contemporary<\/b>, (Viena \/ Madrid) \u00b7 Umbigo<\/b> (Lisboa) \u00b7 Urucum<\/b>, (Lisboa) \u00b7 Ximena P\u00e9rez Grobet<\/b>, (Barcelona \/ Ciudad de M\u00e9xico)<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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PROGRAMME
SPEAKERS' CORNER 2021<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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12.00
\nPublisher Galerie \/ Librairie \u00c9cho 119<\/b>
\nPresenting:\u00a0Sakiko Nomura: Ango<\/i>
\nA collaboration between graphic designer Satoshi Machiguchi and photographer Sakiko Nomura, the latter\u2019s striking, sensual photographs interact with a story written by Ango Sakaguchi in 1946 called \u201cThe War and a Woman\u201d.<\/p>\n

13.00
\nPublisher Mar\u00eda Primo Studio<\/b>
\nPresenting:\u00a0El libro de Arena
\n<\/i>Artist, filmmaker and editor Guillermo Paneque and Juanjo Justicia, from Underbau, will discuss the creative processes informing themes such as the absurdity of humankind\u2019s struggle with nature, the revision of the concept of landscape and its representation, and the elaboration of the guiding thread mixing \ufb01ction and document. PHE has shortlisted El Libro de Arena<\/i> for the award for best photography book 2021 in the self-published category.<\/p>\n

14.00<\/b>
\nAl-Tiba9 Contemporary Art<\/b>
\nMohamed Benhadj, founder and contemporary art curator, presenting:<\/p>\n

Al-Tiba9 Limited Edition ISSUE08<\/i>, 2021. The contemporary art magazine reflects modern society and its environment through the works of experimental contemporary artists. It features selected artists from around the world whose work embodies a spirit of innovation and inspiration for the future and provokes conversation and action.<\/p>\n

180<\/i>\u00b0<\/span> Behind Me<\/i>, Mounir Fatmi, 2019. Having experienced the consequences of a silencing culture, artist Mounir Fatmi is dedicated to exposing and deconstructing oppressive ideological and religious dogmas through his work and highlighting some of our most pressing political issues today.<\/p>\n

The Kissing Precise<\/i>, Mounir Fatmi, 2014. There is something analogous in the scientific and fictional proliferation in Fatmi\u2019s work, in the variety of media, the back and forth between different themes, and the narratives \u2013 outlined, repeated or abandoned.<\/p>\n

Searching for the Miraculous<\/i>, Part II, Elizabeth Withstandley, 2020. This artist\u2019s book, published in a limited edition of 100 copies, documents Withstandley\u2019s 10-day journey across the Atlantic Ocean in July 2019.<\/p>\n

16.00<\/b>
\nPublisher Espe Pons<\/b>
\nPresenting: De Sota a llum del mar<\/i>
\nA photographic essay that aims to dignify each and every one of Franco\u2019s victims during Spain\u2019s civil war and post-war period. The project is based on the story of the photographer\u2019s grandfather\u2019s younger brother, Tom\u00e1s Pons Albesa, who was shot in Camp de la Bota, Barcelona, in 1941, at the age of 31.<\/p>\n

17.00<\/b>
\nPEZPLATA Ediciones<\/b>
\nLaura Lio and Javier Arnaldo present Criba<\/i>, an artist\u2019s book with poems by Ada Salas and monotypes by Laura Lio. One of a run of 150 hand-bound numbered and signed copies published by PEZPLATA Ediciones (Madrid, 2021), this artist\u2019s book is an embrace between the graphic and the poetic, between showing and naming. Artist and editor Laura Lio talks with Javier Arnaldo about the written image and the painted word, processes that constitute the very core of this publication, and explain its creative and editorial process.<\/p>\n

19.00<\/b>
\nTurner
\n<\/b>Presenting:\u00a0Un negro implacable, lapidario y despiadado: diseccionando a Roberto Obreg\u00f3n<\/i>
\nJes\u00fas Fuenmayor and Fernando Castro Fl\u00f3rez.
\nThe bowels of one of the leading conceptual artists of Latin America. In collaboration with the Carolina and Fernando Echeverri Collection.<\/p>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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13.00
\nTurner
\n<\/b>Presenting:\u00a0C\u00f3mo se enciende un fotolibro:\u00a0Humo \/ Smoke
\n<\/i>Horacio Fern\u00e1ndez, Adrian Tyler, Sonia Berger and Valerie Maasburg.
\nA slightly melancholy and tumultuous exercise, like smoke itself.\u00a0<\/span><\/p>\n

16.00
\nTurner
\n<\/b>Presenting:\u00a0Cecilia Vicu\u00f1a. Vero\u00edr el fracaso iluminado. Cecilia Vicu\u00f1a. Activismo y arte.<\/i>
\nMiguel L\u00f3pez, Andrea Pacheco and Manuel Segade.
\nCo-produced with the CA2M.<\/p>\n

17.00
\nLa\u00a0Sala de Arte Joven<\/b>
\nPresenting: III Edici\u00f3n. The first phase of the Artistic Production Programme Comunidad de Madrid \u2013 DKV. Fuentesal & Arenillas.
\nMaria Virginia Jaua, Priscila Clementti, Juan Canela, Fuentesal Arenillas.<\/p>\n

Cubierta brillante, margen delgado<\/i>, by Fuentesal & Arenillas, the project that won the third edition of the First Phase of the Artistic Production Programme Comunidad de Madrid \u2013 DKV, whose mission is to help young artists under the age of 35 to have their first solo exhibition in an institutional setting.<\/p>\n

18.00
\nConsonni
\n<\/b>Presenting:\u00a0Desde lo curatorial. Conversaciones, experiencias y afectos
\n<\/i>Juan Canela and \u00c1ngel Calvo Ulloa.
\nA reflection on curating in Spain, while also touching on the Latin American context, through the voices of several generations and an assessment of the various curatorial practices observed in this fledgling 21st century.<\/p>\n

19.00 h
\nTurner
\n<\/b>Presenting: Editando arte, construyendo libros
\n<\/i>Joan Fontcuberta, Horacio Fern\u00e1ndez, Miguel Zugaza and Santiago Fern\u00e1ndez de Caleya.
\nA conversation on art books marking Turner\u2019s 50th anniversary.<\/p>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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13.00
\nTurner
\n<\/b>Presenting: Ser mujer en el arte.
\nOn Rituales cotidianos<\/i>. Artists in action.
\nMagali Arriola, Estrella de Diego, Julieta Gonz\u00e1lez and Cristina Lucas. Modera Cuauht\u00e9moc Medina.
\n\u201cSomewhere along the line you have to choose between the Life and the Project\u201d \u2014 Susan Sontag<\/p>\n

16.00
\nTurner
\n<\/b>Presenting:\u00a0Frida en Par\u00eds
\n<\/i>Jorge F. Hern\u00e1ndez, Jaime Moreno Villarreal (via Zoom) and Susana Pliego.
\nA little known episode in the Mexican painter\u2019s life and artistic trajectory.<\/p>\n

18.00
\nCasa de Vel\u00e1zquez
\n<\/b>Presenting: Monumento Continuo. A lo largo del cauce del trasvase Tajo-Segura<\/i><\/p>\n

Alessandra Monarcha Souza e Silva Fernandes \u2013 architect and artist in residence at the Casa de Vel\u00e1zquez, Acad\u00e9mie de France in Madrid, 2020-2021, with Sonia Berger, La Troupe and Enrique Gonz\u00e1lez, Taller del Prado. The book, one of a limited edition of 10 numbered and signed copies, reproduces the itinerary from the east of the province of Madrid through La Mancha to Murcia.\u00a0<\/span><\/p>\n

Presenting: Por dentro, por fuera: tiempo y espacio en LA FL\u00c2NEUSE <\/i>and 210<\/i><\/p>\n

Laia Arg\u00fcelles. Artist holding a scholarship from the Diputaci\u00f3n de Zaragoza \/ Casa de Vel\u00e1zquez, 2020-2021.<\/p>\n

These two editions, LA FL\u00c2NEUSE and 210, tackle notions of image, body and space through the filter of presence and experience. Though materialised in very different ways, both address the inside and the outside, from the intimate and the sensitive.<\/p>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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