{"id":12137,"date":"2021-06-11T12:15:30","date_gmt":"2021-06-11T12:15:30","guid":{"rendered":"https:\/\/artslibris.cat\/artslibris-barcelona-2021\/"},"modified":"2021-07-21T14:52:27","modified_gmt":"2021-07-21T14:52:27","slug":"artslibris-barcelona-2021","status":"publish","type":"page","link":"https:\/\/artslibris.cat\/en\/artslibris-barcelona-2021\/","title":{"rendered":"Artslibris Barcelona 2021"},"content":{"rendered":"\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

ArtsLibris<\/strong>
Barcelona -2021<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

ArtsLibris reaches its twelfth edition, which will take place on June 18, 19, and 20 in the “espai Fossat” of the Mercat de Sant Antoni<\/strong>, with the collaboration of the Mercat Dominical del Llibre.<\/p>

Eighty-eight publishers and artists<\/strong>, institutions, and art schools of Barcelona will accompany us with their publications. Forty percent of the exhibitors come from outside the city, to whom we are especially grateful for the effort to be present.<\/p>

Although some publishers and artists from Latin America and the rest of Europe will not be able to travel this year, their publications will. In addition, we will reinforce online activities to feel closer to those who will not be able to join us in person.<\/p>

ArtsLibris kicks off on the 17th with the International Seminar<\/strong>, coordinated by philosopher Andrea Soto Calder\u00f3n, which will take place at La Virreina Centre de la Imatge<\/strong>.<\/p>

\u00a0<\/p>

Public opening hours<\/b><\/p>

Friday 18th June<\/strong>: 12 p.m. – 5 p.m.\u00a0
<\/span>Saturday 19th June:<\/strong> 11 a.m. – 8 p.m.\u00a0
<\/span>Sunday 20th June:<\/strong> 10 a.m. – 8 p.m.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

EXHIBITORS<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

13L<\/b><\/a><\/span>\u00a0<\/b>(Barcelona)
\nACVic Centre d\u2019Arts Contempor\u00e0nies<\/b><\/span><\/a>\u00a0<\/b>(Vic)
\n\u00a0<\/b>\u00c0friques Edicions\u00a0<\/b><\/span><\/a>(Sant Cugat del Vall\u00e8s)
\nAjuntament de Barcelona. Direcci\u00f3 de Serveis Editorials\u00a0<\/b><\/span><\/a>(Barcelona)
\nAl-Tiba9 Contemporary Art\u00a0<\/b><\/span><\/a>(Barcelona)
\nAlejandra Morales<\/b><\/span><\/a> \u00a0<\/b>(L’ Hospitalet de Llobregat)
\nAlias Editorial\u00a0<\/b><\/span><\/a>(Mexico City)
\nApart Edicions\u00a0<\/b><\/span><\/a>(Barcelona)
\nArantxa Campos\u00a0<\/b><\/span><\/a>(Barcelona)
\nArt al Quadrat Publishing\u00a0<\/b><\/span><\/a>(Sagunt)
\nArte Omega\u00a0<\/b>(Barcelona)
\nBartlebooth<\/b><\/span><\/a>\u00a0<\/b>(Lugo)
\nBOM DIA BOA TARDE BOA NOITE<\/b><\/span><\/a>\u00a0<\/b>(Berlin)
\nBonito Editorial\u00a0<\/b><\/span><\/a>(Bilbao)
\nCa l’Isidret\u00a0<\/b><\/span><\/a>(Sant Mart\u00ed de Sarroca)
\nCaja Negra Editora<\/b><\/span><\/a> (Buenos Aires)
\nCCCB<\/b><\/span><\/a>\u00a0<\/b>(Barcelona)
\nCENDEAC<\/b><\/span><\/a>\u00a0<\/b>(Murcia)
\nCentre d’Art la Panera\u00a0<\/b><\/span><\/a>(Lleida)
\nCentre d’Art Tecla Sala\u00a0<\/b><\/span><\/a>(L’Hospitalet de Llobregat)
\nChiquita Room<\/b>\u00a0<\/span><\/a>(Barcelona)
\n<\/span>Conservatori de les Arts del Llibre.
\nESDA Llotja<\/b><\/span>\u00a0<\/b>(Barcelona)
\nDe La Pulcra Ceniza\u00a0<\/b><\/span><\/a>(Barcelona)
\n<\/span>DEEP EDICIONS<\/b><\/span>\u00a0<\/b>(Barcelona)
\nDoublebrain\u00a0<\/b><\/span><\/a>(Barcelona)
\nEdiciones An\u00f3malas<\/b><\/span><\/a> <\/b>(Barcelona)
\nEdiciones Posibles\u00a0<\/b><\/span><\/a>(Barcelona)
\nEdicions Poncianes\u00a0<\/b><\/span><\/a>(Barcelona)
\nEditorial Concreta<\/b><\/span><\/a>\u00a0<\/b>(Valencia)
\nEditorial Flamboyant\u00a0<\/b><\/span><\/a>(Barcelona)
\nEditorial RM<\/b><\/span><\/a>\u00a0<\/b>(Barcelona)
\nEditorial Tenov\u00a0<\/b><\/span><\/a>(Barcelona)
\nEl Naufraguito<\/b>\u00a0<\/span><\/a>(Barcelona)
\nEl Palito Edita<\/b><\/span><\/a> (Saragossa)
\nEnciclop\u00e8dia Art\u00a0<\/b><\/span><\/a>(Barcelona)
\nEspe Pons<\/b>\u00a0<\/span><\/a>(Barcelona)
\neStudio Asia<\/b><\/span><\/a>\u00a0<\/b>(Madrid)
\nEul\u00e0lia Espasa<\/b> (Barcelona)
\nFabra i Coats: Centre d’Art Contemporani de Barcelona <\/b><\/span><\/a>(Barcelona)
\nFundaci\u00f3 “la Caixa”\u00a0<\/b><\/span><\/a>(Barcelona)
\nFundaci\u00f3 Antoni T\u00e0pies\u00a0<\/b><\/span><\/a>(Barcelona)
\nFundaci\u00f3 Joan Brossa\u00a0<\/b><\/span><\/a>(Barcelona)
\nFundaci\u00f3 Mies van der Rohe<\/b>\u00a0<\/span><\/a>(Barcelona)
\nFundaci\u00f3 Mir\u00f3<\/b><\/span><\/a>\u00a0<\/b>(Barcelona)
\nFundaci\u00f3 Privada Espai Guinovart<\/b><\/span><\/a> (Agramunt)
\nFundaci\u00f3 Vila Casas<\/b><\/span><\/a> (Barcelona)
\nGalerie \/ Librairie \u00c9cho 119<\/b><\/span><\/a> <\/b>(Paris)
\nGina Vena Books<\/b><\/span><\/a> (El Masnou)
\nHandShake<\/b><\/span><\/a> <\/b>(Valencia)
\nHangar<\/b><\/span><\/a> <\/b>(Barcelona)
\nL’Illa del Tresor \/ Dominical del Llibre<\/b><\/span><\/a> <\/b>(Barcelona)
\nL’ull a la m\u00e0 microedicions<\/b><\/span><\/a> <\/b>(Tarragona)
\nLa Capella<\/b><\/span><\/a> <\/b>(Barcelona)
\nLa Dolce Vita \/ Dominical del Llibre<\/b><\/span><\/a> <\/b>(Barcelona)
\nLa Escocesa <\/b><\/span><\/a>(Barcelona)
\nLa Friv\u00e9<\/b><\/span><\/a> (Barcelona)
\nLa Mirada Creadora<\/b><\/span><\/a> (Madrid)
\nLa Virreina Centre de la Imatge<\/b><\/span><\/a> (Barcelona)
\nLapisl\u00e0tzuli<\/b><\/span><\/a> <\/b>(Barcelona)
\nLibros del Zorro Rojo<\/b><\/span><\/a> (Barcelona)
\nLlibreria Fict\u00edcia \/ Dominical del Llibre<\/b><\/span><\/a> <\/b>(Barcelona)
\nLlibreria Ona<\/b><\/span><\/a> (Barcelona)
\nLibrer\u00eda S\u00e1nchez \/ Dominical del Llibre<\/b><\/span><\/a> <\/b>(Barcelona)
\nLlibres de Companyia \/ Dominical del Llibre<\/b><\/span><\/a>,<\/b> (Barcelona)
\nMACBA<\/b><\/span><\/a>, Barcelona
\nMalpaso Ediciones<\/b><\/span><\/a> (Barcelona)
\nMercat Dominical del Llibre de Sant Antoni<\/b><\/span><\/a> (Barcelona)
\nMetales Pesados<\/b><\/span><\/a> (Santiago de Xile)
\nMois\u00e9s Gil<\/b><\/span><\/a> (Alacant)
\nMuga<\/b><\/span><\/a> (Gijon)
\nMuseu Picasso<\/b><\/span><\/a> <\/b>(Barcelona)
\nMuseu del Disseny HUB<\/b><\/span><\/a>, Barcelona
\nMontse Noguera. Edicions singulars<\/b><\/span><\/a> (Barcelona)
\nper(r)ucho<\/b><\/span><\/a> (Valencia)
\nPunt d’estampa by Francesca Poza<\/b><\/span><\/a> (Barcelona)
\nR40 ediciones<\/b><\/span><\/a> (Barcelona)
\nRa\u00ed\u00f1a Lupa \/ RocioSantaCruz<\/b><\/span><\/a> (Barcelona)
\nReplika Publishing<\/b><\/span><\/a> (Berlin)
\nRoser Sales Noguera<\/b><\/span><\/a> (Barcelona)
\nRub\u00e9n Barroso<\/b><\/span><\/a> <\/b>(Sevilla)
\nRV Cultura e Arte<\/b><\/span><\/a> (Salvador de Bah\u00eda)
\nSERBAL.PNTIC.MEC.ES<\/b><\/span><\/a> (Barcelona)
\n<\/span>Temblores Publicaciones<\/b><\/span> (Mexico City)
\nTinta Invisible<\/b><\/span><\/a> (Barcelona)
\nUnica Edicions<\/b><\/span><\/a> (Vilanova i la Geltr\u00fa)
\nUnited Minds<\/b><\/span><\/a> (Valencia)
\nUrbild Editions<\/b><\/span><\/a> (Barcelona)
\nXavier Manrique<\/b><\/span><\/a> (L’ Hospitalet de Llobregat)
\nXimena P\u00e9rez Grobet<\/b><\/span><\/a> (Barcelona)\u00a0<\/span><\/span><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\n\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

INTERNATIONAL SEMINAR<\/small>
Ways of doing<\/em><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

With the collaboration of La Virreina Centre de la imatge<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Coordinated by Andrea Soto Calder\u00f3n
\n<\/span>June 17th
\n<\/span><\/b>10:00h \u2013 14:00h
\n<\/span>La Virreina Centre de la Imatge
\n<\/span><\/b>Sold Out\u00a0<\/span><\/span><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

The ArtsLibris\u2019 International Seminar is a space that aims to discuss artist publications and their place in creative processes. We propose to think collectively about the form of sensitive knowledge displayed in publications, often neglected and considered minor.<\/p>\n

The knowledge that makes art possible is not so much to have new ideas but, as Vil\u00e9m Flusser argued, creation means to develop new ideas during the process of making: forms and relationships that have their agency and appear during specific operations in production.<\/p>\n

More and more, artists make editing an artistic practice. What implications do publications and ways of presenting have on the creative process of artistic practice? We propose to think about the devices of representation and the economy of the gestures that give public visibility to the artistic work.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t

Program<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

SESSION 1
\n<\/span><\/b>June 17th
\n<\/span>10:00h \u2013 11:00h
\nIntroduction by Andrea Soto Calder\u00f3n
\nConverstation between Oriol Vilapuig and Victoria Cirlot\u00a0<\/span><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

SESSION 2
\n<\/b>June 17th
\n11:15h \u2013 12:15h
\nIntroduction by Andrea Soto Calder\u00f3n
\nConversation between Luc\u00eda C. Pino \u00a0<\/span>and Itziar Okariz<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

SESSION 3
\n<\/b>June 17th
\n12:30h \u2013 13:30h
\nConversation between Emmanuel Alloa and Andrea Soto Calder\u00f3n<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

LIVE. June 17<\/strong><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t
<\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Participants<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Andrea Soto Calder\u00f3n<\/b> (director)
\nPh.D. in Philosophy, she is a professor of Aesthetics and Art Theory. Her research focuses on the transformations of aesthetic experience in contemporary culture, the study of image and media, and the relationship between aesthetics and politics. His recent publications include Le travail des Images, with Jacques Ranci\u00e8re (Les presses du r\u00e9el, 2019), and La performatividad de las im\u00e1genes (Metales Pesados, 2020).<\/p>\n

Emmanuel Alloa
\n<\/b>Ph.D. in Philosophy, he is currently Professor of Aesthetics and Philosophy of Art at the University of Freiburg, Switzerland. His research focuses on contemporary philosophy, phenomenology, and the relationship between aesthetics and politics. His publications include La resistencia de lo sensible (2009), Pensar la imagen I (2020) and the monograph La imagen di\u00e1fana. Fenomenolog\u00eda de los medios visuales (2021).<\/p>\n

Luc\u00eda C. Pino<\/strong>\u00a0<\/strong>
\n<\/span>Luc\u00eda\u2019s practise seeks to present a queer optimistic dystopia. They work through mental space. Also, with sculpture understood in a broad sense, exploring materiality through processes of sculptural modification.
\n<\/span>Works in collections include: MACBA Collection, Deposit of the Generalitat of Catalonia, DKV arteria, Utopicus Art, and Olor Visual-Ernesto Vent\u00f3s Foundation.<\/p>\n

Oriol Vilapuig
\n<\/b>Plastic artist who mainly works from the language of drawing. His methodology is close to the essay. The matter of images, their possibilities, appearance, and statutes are constant in his work. Starting from tradition as the pre-existing dimension, his proposals use mechanisms of appropriation, quotation, and assembly to generate imaginaries around experiences related to the body, eroticism, loss, fear, or time.<\/p>\n

Itziar Okariz
\n<\/b>Visual artist, he works mainly from photography, video installation, and performance. Trained in Sculpture and Painting at the University of the Basque Country, she settled in New York for several years. Okariz starts from the critical positioning and the anti-capitalist logic developed by the Situationist International. His actions question the norms of language that define us as subjects and revoke the conventionalisms around morality, gender, and our configuration in the contemporary world.<\/p>\n

Victoria Cirlot
\n<\/b>Victoria Cirlot is a professor of Romance philology at the Faculty of Humanities of Pompeu Fabra University in Barcelona. He has devoted himself to the study of the Middle Ages: chivalrous and mystical culture. In the field of medieval mysticism, he has dealt with Hildegard von Bingen as well as other writers. He has been particularly interested in mysticism in the visionary phenomenon and the functioning of images.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t

ArtsLibris<\/strong>
Barcelona -2021<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Interview <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

“In forms, there is a great transforming potential”.<\/strong><\/em><\/p>\n

“Traditionally there has been a mistrust in the real capacity of art to open up other possible”<\/strong><\/em><\/p>\n

Andrea Soto Calder\u00f3n, philosopher and professor of Aesthetics and Art Theory, leads the seminar “Ways of doing”, a space for reflection around artist publications, in which she sees a fertile territory to explore dissenting forms that challenge the processes of standardization and allow us to imagine other possible realities.<\/p>\n

Why the interest in the methodologies of artistic practices?<\/b><\/p>\n

When I was invited to lead the seminar I thought that the contribution I could make had to do with a line that interests me a lot, which is the reestablishment of that quality of thought and knowledge that art has. Traditionally, art has always been seen as a form of experience, of sensibility, but it is not validated in its status of knowledge, and there is much distrust, even when we speak of critical art, of its real capacity to open up other possibilities or to make a critique, not only in the sense of denunciation but in the creative sense of imagining other spaces and other modes of representation. In this sense, it seems to me fundamental to think about the creative processes, in the ways of doing artistic practices where another imaginative gesture can be opened. Late capitalism acts by standardizing forms, intensifying mimesis, from the way we dress to the way we move. I think there is a battlefield here, a very broad field of another way of understanding how reality is configured, as G\u00e9rard Granel has developed in his analysis of what forms mean in capitalism. It is like rethinking that false left-wing debate on material culture, as if nothing were at stake in forms, as if they were an add-on or a decoration.<\/p>\n

Forms are not innocent.<\/b><\/p>\n

I start from the idea that forms are always material and that there is a work in the form that can certainly open another mode of experience, but above all, it can raise the capacity to imagine a reality that cannot be imagined. Fredric Jameson used to say that it is easier to imagine the end of the world than the end of capitalism, a phrase that has been read in many ways and then popularized by \u017di\u017eek or Fisher, but which opens the question of what can be the place that artistic practices can have to open the territories of imagination in a time that appears to have no future. Therefore, for me, the question in artist publications is how things appear, how other relationships can be forged, the mechanisms that are there, the methodologies, the operations, the devices to operate certain maladjustments of a certain order that is presented to us as the only thing we have to live with. And there I see that the field of art, in particular, that device of how the works are presented, and how the processes are shown, has a very broad territory. Not only to work on the utopian, on that future to come but, as Rita Segato says, on what is more topical than utopian, that is, the territories it configures and makes possible.<\/p>\n

Are artists more and more involved in this kind of practice?<\/b><\/p>\n

Yes, but I think of Picasso’s publications in which he was already playing with forms, he saw that there was a transforming potential there. The question that recently insists in philosophy is how an event opens up, how the new appear. For many thinkers, this opening has to do with a messianic cut, like a very radical overture. On the other hand, I inscribe myself in the line of those who, like Ranci\u00e8re, think that the event does not happen in stupefaction but small detours. I am very interested in these small gestures, this micro-logical work often opens up possibilities and indetermination.<\/p>\n

What characterizes artists’ books today?<\/b><\/p>\n

I think that at the same time that art has ceased to be understood as a form of expression to become a field of exploration and research, there has been a transformation of how artists’ publications are understood. And they are not the record of what happened in an exhibition, of what it was, of what Barthes talked about, but one more piece that is operating and generating its dynamics of thought. There is a kind of work in the margins or in what I like to call “sensitive notes of the artists”. It’s interesting the turn that ArtsLibris is taking by understanding that artists’ publications are not only books but also web pages, brochures, videos, small posters. Those more bastard forms are left out of the great narratives of Art History.<\/p>\n

One of the sessions is a dialogue between Cristina Lucas and Itziar Okariz, two artists who work with the body.<\/b><\/p>\n

There is something in particular that interests me about both of them, and that is that, although their styles are very different, their work insists a lot on the question of inappropriate bodies. For me, the question of image and touch are always very much linked, and I am interested in the question of how bodies can object, how bodies always overflow, no matter how much they are normalized because they always find ways to contest the policies that are imposed on them. Right now bodies are once again placed under suspicion, it is precisely in the encounter of bodies that the possibilities for the unforeseen grow. And there is a second question that I think is also present in the work of both, the subterranean concern of how to move from individual actions to collective actions.\u00a0 <\/span>Many times the so-called minor aspects have been underestimated, in order to establish the belief that all order and domination comes from above, and the power of the one to one, the body to body, is underestimated.<\/p>\n

Teresa Ses\u00e9
\n<\/span>June 1st 2021\u00a0<\/span><\/p>\n\t\t\t\t<\/div>\n\t\t\t\t

<\/div>\n\t\t\t<\/div>\n\t\t\t
\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\tRead the full interview<\/span>\n\t\t<\/span>\n\t\t\t\t\t\t\t<\/span>\n\t\t\t\t<\/span>\n\t\t\t<\/div>\n\t\t<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

SPEAKERS\u2019 ROOM \/ SPEAKERS\u2019 CORNER<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

A dynamic and flexible space for authors, publishers and members of the public to come together to discuss and share ideas.<\/p>\n

This year we have around twenty presentations and activities that will take place in two spaces: one outside, still in the context of the fair \u2013 the Speakers\u2019 Corner<\/b>; and the other inside \u2013 the Speakers\u2019 Room<\/b>, situated in the Sala Polivalent del Fossat del Mercat de Sant Antoni (Polyvalent Space in the \u2018Fossat\u2019 (the \u2018Pit\u2019) of Sant Antoni Market).\u00a0<\/span><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t

SPEAKERS\u2019 ROOM PROGRAMME <\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tFRIDAY 18 JUNE<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

15:00
\n<\/b>AL-Tiba
\n<\/span><\/b>A discussion chaired by Mohamed Benhadj on the opportunities and challenges presented by digital publications and editions printed by artists and gallerists.<\/p>\n

16:00
\n<\/b>Art, technology, feminisms and free culture
\n<\/b>Jara Rocha and Andrea Soto Calder\u00f3n
\n<\/b>This dialogue looks to Alteraciones<\/i>, an edition <\/span>Jara Rocha has collaborated on, which by drawing on various experiences reflects on devices and their role in the elaboration of literacy situations, the material circulation of languages and the conditions of possibility beyond proprietary publishing objects and processes.<\/p>\n

17:00
\n<\/b>Presentation of the book Fons perdut de n\u00favols<\/i> by Andr\u00e9s Galeano
\n<\/b>Andr\u00e9s Galeano, Gisel No\u00e8 and Roc\u00edo Santa Cruz
\n<\/b>Co-produced between MAC Matar\u00f3 and Galer\u00eda Roc\u00edoSantaCruz.<\/p>\n

18:00
\n<\/b>Boris Groys, La l\u00f2gica de la col\u00b7lecci\u00f3 i altres assaigs<\/i>
\n<\/span><\/b>Manuel Font\u00e1n del Junco and Valent\u00edn Roma
\n<\/b>A publication by La Virreina Centre de la Imatge and Arcadia.<\/p>\n

19:00
\n<\/b>Bookjockey
\n<\/i><\/b>Chiquita Room
\n<\/b>Chiquita Room exhibits in bookjockey<\/i> format a careful selection of titles and new releases from this publishing house.<\/p>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

\n\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tSATURDAY 19 JUNE<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

13:00
\n<\/b>Publications Barcelona Production
\n<\/b>Caterina Almirall, Sitesize (Elvira Pujol and Joan Vila Puig) and David Armengol
\n<\/b>Presentation of a line of publications from Barcelona Producci\u00f3-Centre d\u2019Art La Capella. Conversation with Caterina Almirall about her book Esdevenir immortal y despu\u00e9s morir<\/i>, and with Sitesize about Serps d\u2019aigua<\/i>. Les rieres ocultes i la construcci\u00f3 simb\u00f2lica de Barcelona.<\/i> Discussion chaired by David Armengol, artistic director of the Centre d\u2019Art La Capella.<\/p>\n

14:00
\n<\/b>M\u00e1quinas de vivir. Flamenco y arquitectura en la ocupaci\u00f3n y desocupaci\u00f3n de espacios
\n<\/i><\/b>Mar\u00eda Garc\u00eda Ruiz and Pedro G. Romero
\n<\/b>This study by Pedro G. Romero and Mar\u00eda Garc\u00eda Ruiz presents a rich field of intersections between the modern radical avant-garde, before and after the Situationist International, and the social architecture projects that focused on the ways of life of gypsies, southern emigrants and urban lumpen.
\nPublished by La Virreina Image Centre and Puente Editores.<\/p>\n

17:00
\n<\/b>Presentation of the book<\/b> Son. Empremtes i figuracions a les Valls d\u2019\u00c0neu
\n<\/i><\/b>Oriol Vilapuig
\n<\/b>A publication in the format of an author\u2019s book that draws on the design of the Berenguer brothers. Published to mark Oriol Vilapuig\u2019s eponymous intervention at the Museu Nacional d\u2019Art de Catalunya (March 2020 \u2013 April 2021).<\/p>\n

18:00
\n<\/b>Presentation Woman and Fiction<\/i>, fifth edition of the AL Series.
\n<\/b>Itziar Okariz, Moritz K\u00fcng and Roc\u00edo Santa Cruz
\n<\/b>The performance artist and activist Itziar Okariz in conversation with Moritz K\u00fcng, curator and editor, and Roc\u00edo Santa Cruz, editor of ArtsLibris.<\/p>\n

19:00
\n<\/b>Presentation Pseudopanorama
\n<\/i><\/b>Manolo Laguillo and Moritz K\u00fcng
\n<\/b>Pseudopanorama<\/i> is a book that brings together the most recent work of the photographer Manolo Laguillo.
\nPublished by La Virreina Centre de la Imatge and Museo Universidad de Navarra.<\/p>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

\n\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tSUNDAY 20 JUNE<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

12:00
\n<\/b>Experimental Poetry and Mail Art in Mallorca
\n<\/b>\u00c1ngela Molina and Imma Prieto
\n<\/b>Conversation between \u00c1ngela Molina, philologist, historian and art critic, and Imma Prieto, director of Es Baluart, Museu d\u2019Art Modern i Contemporani in Palma.<\/p>\n

13:00
\n<\/b>On Centres, Absolutisms and Feminisms
\n<\/b>Tania Adam and Gloria Oyarzabal
\n<\/b>To mark the release of her book \u201cWoman go no\u2019gree\u201d, Gloria Oyarzabal will converse with the journalist and founder of Radio Africa Magazine, Tania Adam. With the help of photographs and music, they will contrast experiences and views on the social and political construction of the imagery surrounding black and African women.<\/p>\n

16:00
\n<\/b>Muntadas Con\/Textos III. A Critical Anthology
\n<\/i><\/b>Victoria Sacco and Julia Ram\u00edrez Blanco
\n<\/span><\/b>Released to coincide with the 40th anniversary of La Virreina Centre de la Imatge (1980-2020), this publication enters into dialogue with the exhibition Instal\u00b7lacions \/ Passatges \/Intervencions<\/i>, which was held in 1988 to mark the opening of the passage now connecting La Rambla and the Boquer\u00eda market.<\/p>\n

Published by La Virreina Centre de la Imatge.<\/p>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t

SPEAKERS\u2019 CORNER PROGRAMME <\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tFRIDAY 18 JUNE<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

14:00
\nS\u00f3c totes les que he sigut<\/i>
\nTeresa\u00a0Grandas, Mar\u00a0Arza\u00a0and\u00a0Valent\u00edn\u00a0Roma<\/b>
\nTeresa Grandas, art historian and since 1996 curator of exhibitions at the Museum of Contemporary Art, MACBA, will talk with Valent\u00edn Roma, writer, art historian, curator and director of the Virreina Centre de la Imatge, and the visual artist Mar Arza, on the occasion of the exhibition and publication of Fina Miralles at MACBA.<\/p>\n

16:00
\nPresentation of the book Tocar el m\u00f3n<\/i><\/b>
\nTalk with\u00a0Norbert\u00a0Bilbeny, professor and philosopher. Ed.\u00a0Lapisl\u00e0tzuli<\/b>
\nProfessor Norbert Bilbeny interrelates pictorial art with philosophy, literature and music and reveals how the great creators in history have left their mark on the world.<\/p>\n

17:00<\/b>
\nPresentation of the book Detenidos<\/i>
\nCarla\u00a0Ca\u00f1ellas. Ed. La Mirada Creadora<\/b><\/p>\n

18.00
\nPresentation of the book Recuperar la\u00a0luz<\/i>
\nRosa S. Ramiro and Carlos Canal. Ed. La Mirada Creadora<\/p>\n

19.00
\nEl or\u00e1culo de la serpiente. Ed.\u00a0Poncianes
\nAuthor and poet Guillem Gavald\u00e0 reads from the book Pit\u00f3n<\/i>, by\u00a0Guim\u00a0Valls.<\/p>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

\n\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tSATURDAY 19 JUNE<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

12:00
\nAbraza\u00a0el error (Embrace the Error)
\nErica\u00a0Volpini, Silvia\u00a0Renda\u00a0and\u00a0Ezequiel\u00a0Soriano. Ed. La Escocesa<\/b>
\nWe will talk about the role of error in the creative process. Through hitches, glitches, inaccuracies and misprints we will present Ediciones La Escocesa and La Biblioteca Difusa, a collection where different artistic practices around the book as an object mix and coexist without distinction or hierarchies of value.<\/p>\n

13:00
\nJuego del Auca al rev\u00e9s<\/b> (The Auca Game the Wrong Way Round)
\nThilleli\u00a0Rahmoun,\u00a0Erica\u00a0Volpini, Silvia\u00a0Renda\u00a0and\u00a0Ezequiel\u00a0Soriano. Ed. La Escocesa<\/b>
\nAuca a la inversa<\/i> invites the reader to interact with the multiple histories \u2013 official and unofficial \u2013 about the Poblenou area of Barcelona. The game will see members of the public drawing on these histories to make connections between the poetic directions of the texts and the artist\u2019s paintings, while also searching for visual clues and profound meanings.<\/p>\n

14:00
\nRecital\u00a0Panoptik
\nJon\u00a0Vi\u00f1aspre, editor de\u00a0Lapisl\u00e0tzuli<\/b>
\nWith poems by the Mallorcan-born Antonina Canyelles.<\/p>\n

16:00
\nPresentation of Luis Izquierdo-Mosso\u2019s book, 20 Toneladas (Arte Contempor\u00e1neo para Turistas)<\/i> [20 Tonnes (Contemporary Art for Tourists)]. Ed.\u00a0Lapisl\u00e0tzuli<\/b>
\n20 Tonnes<\/i> traces an impressive journey through the most striking works of contemporary art \u2013 those that have managed to shake deep-seated notions about art and made them fall on us like hailstones.<\/p>\n

17:00
\nSucceeix cada dia<\/i> [It happens every day]
\nJordi\u00a0Mitj\u00e0<\/b>
\nArtist Jordi Mitj\u00e0 reflects on the editorial aspects in the context of his exhibition at Fabra i Coats.<\/p>\n

18:00
\nSerbal\u00a0Pntic\u00a0Mec
\n<\/b>A\u00a0musical \u2018performance\u2019\u00a0with various artists related to the participating fanzine. Estrella deejays at 18:00 and Elhixir at 19:30, plus some extra surprises.\u00a0<\/span><\/p>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

\n\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tSUNDAY 20 JUNE<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

12:00
\nPresentation R40\u00a0Ediciones<\/b>
\nGonzalo Elvira, Yo\u00a0Milne\u00a0and Eduard\u00a0Arbos<\/b>
\nArtist and publisher Gonzalo Elvira will converse with Yo\u00a0Milne\u00a0and Eduard\u00a0Arbos, artists participating in the project.<\/p>\n

13:00
\nPar\u00e9ntesis dominical: una conversaci\u00f3n en tiempo real entre escritores, editores y libreros [A Sunday parenthesis: a conversation in real time among writers, publishers and booksellers]
\n<\/b>Santiago Garcia Tirado, Toni Clap\u00e9s and Pablo Fern\u00e1ndez in collaboration with Mercat Dominical.
\nEpicentre of the bookselling barrio<\/i>, the Sunday Book Market in Sant Antoni has always been a place of meeting, inspiration and discovery for artists, flyer distributers, writers, publishers, booksellers, bookworms, families, the old and the Young… A universe where books are collected and exchanged and where every Sunday popular culture congregates in its temple in Barcelona.<\/p>\n

16:00<\/b>
\nParaules per engegar la m\u00e0quina [Words to engage the machine]<\/i><\/b>
\nEd. Tinta Invisible
\nA poetry book with the work of thirteen poets. Some of the writers will be present and will give readings.<\/p>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\n\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t<\/i>\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\tVideos SPEAKERS' CORNER \/ SPEAKERS' ROOM<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Workshops<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Bookbinding workshops given by students of the Conservatori de les Arts del Llibre –\u00a0ESDA\u00a0Llotja <\/strong><\/p>\n

Prior registration is required at info@artslibris.cat<\/a><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

FRIDAY 18 JUNE \u2013 16:00 & 18:00<\/strong>
\nTURKISH MAP POP UP
\nIrene Hern\u00e1ndez Delgado<\/strong> will show us how to make a book with the technique of stacking and gluing paper.<\/p>\n

FRIDAY 18 JUNE \u2013 17:00<\/strong>
\nSATURDAY 19 JUNE \u2013 ALL DAY
\nTALLER D\u2019EBRU [EBRU\u2019S WORKSHOP]
\nMar Serrano <\/strong>will show us the Turkish technique of marbling.<\/p>\n

FRIDAY 18 JUNE \u2013 18:00<\/strong>
\nSATURDAY 19 JUNE \u2013 12:00<\/strong><\/p>\n

ANIMALADAS
\nMoreno&Soria<\/strong> will draw on Jose\u0301 Antonio Soria\u2019s book, Mundo Animal<\/em>, to help those taking part create their own artist\u2019s book which they will be able to take home.<\/p>\n

SATURDAY 19 JUNE \u2013 16:00<\/strong>
\nSTAMPING
\nDanna Garc\u00eda and Aleix Porras<\/strong> will show us how to make little rubber stamps and gouges and create images and compositions.<\/p>\n

SATURDAY 19 JUNE \u2013 17:00<\/strong>
\nOPEN STITCH<\/strong> BINDING WITH \u201cSEWN CHAINS\u201d
\nClara Ruiz and Carlota Ram\u00edrez <\/strong>will show us how to put together the hard covers of a book with chain stitching.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Mercat Dominical del Llibre Sant Antoni <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

In this edition we join forces with the Mercat Dominical del Llibre de Sant Antoni. Apart from being present for the first time in ArtsLibris as exhibitors, they will celebrate their Sunday Book Market on Sunday 20, which will coexist with the ArtsLibris fair.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

AL Series<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

The AL Series is a collection of artist\u2019s books produced and published by ArtsLibris with the support of the\u00a0Bank Sabadell Foundation<\/strong>.<\/p>\n

ArtsLibris launched it with the aim of promoting the publication of new work by artists who have shown, in their previous production, a clear interest in the field of artist\u2019s books.<\/p>\n

 <\/p>\n

The chosen artist to do the publication of the AL series is\u00a0Itziar Okariz<\/strong>\u00a0(San Sebastian, 1965) with her book\u00a0Woman and Fiction<\/em><\/strong>, edited by Moritz K\u00fcng and designed by \u00c0lex Gifreu. Until now, the awarded artists have been\u00a0I\u00f1aki Bonillas <\/strong>(Mexico City, 1981),\u00a0Mart\u00edn Vitaliti<\/strong>\u00a0(Buenos Aires, 1978),\u00a0Javier Pe\u00f1afiel<\/strong>\u00a0(Zaragoza, 1964),\u00a0Wilfredo Prieto<\/strong>\u00a0(Sancti Spiritus, Cuba, 1978),\u00a0Mariana Castillo Deball<\/strong>\u00a0(Mexico City, 1975).<\/p>\n

 <\/p>\n

Itziar Okariz is known for examining, questioning and challenging the boundaries between what is private and what is public, on what she has researched over the past two decades in sculptures, videos, performances and vocal pieces. In her artist\u2019s book\u00a0Woman and Fiction<\/em>, she refers to two lectures by Virginia Woolf that later converged in the famous \u2018novel\u2019\u00a0A Room of One\u2019s Own<\/em>. Widely regarded as a fundamental feminist text, the essay, somewhere between fiction and non-fiction, takes place at Oxbridge University, in which a female narrator examines whether women are capable of creation and whether they do indeed have the freedom to create works of the quality of William Shakespeare.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

ArtsLibris Editions<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

ArtsLibris expands its collection of cotton bags and gloves with the creations of Oriol Vilapuig. Starting from tradition as a pre-existing dimension, his proposals use mechanisms of appropriation, quotation, and assembly to generate imaginaries around experiences related to the body, eroticism, loss, fear, or time.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t\t
\"AL<\/figure><\/div>
\"AL-ToteBag-\"<\/figure><\/div>\t\t\t<\/div>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

\u00c0lex Gifreu and Cecilia Mar\u00edn
Books Never Lockdown<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

This poster is the second in the series \u2018BooksNever\u2026\u2019\u00a0created by \u00c0lex Gifreu and Cecilia Mart\u00edn, which will evolve and transform over the years \u2013Books\u00a0Never\u00a0Lie,\u00a0Books\u00a0Never\u00a0Breathe,\u00a0Books\u00a0Never\u00a0Kill<\/em>\u2026\u2014\u00a0before culminating in a manifesto.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

ArtsLibris Prize\u2028
Banc Sabadell<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

ArtsLibris grants each year the ArtsLibris-Fundaci\u00f3 Banc Sabadell Award<\/strong>. This Award consists of the acquisition and incorporation into the Sabadell Bank Arts Collection of the editions selected by the jury. ArtsLibris is a fair with more than 11 years of experience in artist\u2019s books and publications. This award aims to foster publications which present an original connection between ideas and visual contents, which work with innovative edition formats, and which bring forward refreshing aesthetic contents and concepts. The track record of the authors in the field of edition or self-edition, as well as the cohesiveness and consistency of the artistic language which articulates the publication will be positively recognized.<\/p>\n

Members of the jury:<\/strong><\/p>\n

Andrea Soto Calder\u00f3n
\n<\/strong>With a doctorate in Philosophy, she is professor of Aesthetics and Art Theory. Her research focuses on the transformations of the aesthetic experience in contemporary culture, the study of image and media, and the relationship between aesthetics and politics.<\/p>\n

Antonio Alcaraz
\n<\/strong>Professor of Fine Arts at the Universitat Polit\u00e8cnica de Val\u00e8ncia (UPV). Head of the Department of Drawing and of the UPV\u2019s Collection of Artists\u2019 Books.\u00a0<\/strong><\/p>\n

Laura Pelayo Gonz\u00e1lez
\n<\/strong>With a PhD in Art History and Theory from the Universidad Aut\u00f3noma de Madrid, she works in the Library and Documentation Centre of the Museo Nacional Centro de Arte Reina Sof\u00eda, where she manages the collection of documents deposited by artists, critics and art galleries.\u00a0<\/strong><\/p>\n

Moritz K\u00fcng
\n<\/strong>Exhibition curator and book publisher, he oversaw the international art campus deSingel in Antwerp (2003-2011), where he designed projects such as \u201cCurating the Library\u201d.<\/p>\n

Pepe Font de Mora
\n<\/strong>Head of the Fundaci\u00f3 Privada Foto Colectania. Founder and director of Foto-Galer\u00eda Railowsky in Valencia (1985-2001), he also curates photography exhibitions and has sat on the jury of various awards, including the Premio Nacional de Fotograf\u00eda.<\/p>\n

Itziar Okariz
\n<\/strong>A visual artist working mainly in the field of photography, video installation and performance. Trained in Sculpture and Painting at the Universidad del Pa\u00eds Vasco, she worked in New York for several years.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

ArtsLibrisBarcelona -2021 ArtsLibris reaches its twelfth edition, which will take place on June 18, 19, and 20 in the “espai Fossat” of the Mercat de Sant Antoni, with the collaboration of the Mercat Dominical del Llibre. Eighty-eight publishers and artists, institutions, and art schools of Barcelona will accompany us with their publications. Forty percent of […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":58,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-12137","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nArtslibris Barcelona 2021 - ArtsLibris<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/artslibris.cat\/en\/artslibris-barcelona-2021\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Artslibris Barcelona 2021 - ArtsLibris\" \/>\n<meta property=\"og:description\" content=\"ArtsLibrisBarcelona -2021 ArtsLibris reaches its twelfth edition, which will take place on June 18, 19, and 20 in the “espai Fossat” of the Mercat de Sant Antoni, with the collaboration of the Mercat Dominical del Llibre. Eighty-eight publishers and artists, institutions, and art schools of Barcelona will accompany us with their publications. Forty percent of […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/artslibris.cat\/en\/artslibris-barcelona-2021\/\" \/>\n<meta property=\"og:site_name\" content=\"ArtsLibris\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/artslibris\/\" \/>\n<meta property=\"article:modified_time\" content=\"2021-07-21T14:52:27+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/artslibris.cat\/wp-content\/uploads\/2021\/05\/AL2021-cat.jpg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@ArtsLibris\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"21 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/artslibris.cat\\\/en\\\/artslibris-barcelona-2021\\\/\",\"url\":\"https:\\\/\\\/artslibris.cat\\\/en\\\/artslibris-barcelona-2021\\\/\",\"name\":\"Artslibris Barcelona 2021 - ArtsLibris\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/artslibris.cat\\\/en\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/artslibris.cat\\\/en\\\/artslibris-barcelona-2021\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/artslibris.cat\\\/en\\\/artslibris-barcelona-2021\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/artslibris.cat\\\/wp-content\\\/uploads\\\/2021\\\/05\\\/AL2021-cat.jpg\",\"datePublished\":\"2021-06-11T12:15:30+00:00\",\"dateModified\":\"2021-07-21T14:52:27+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/artslibris.cat\\\/en\\\/artslibris-barcelona-2021\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/artslibris.cat\\\/en\\\/artslibris-barcelona-2021\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/artslibris.cat\\\/en\\\/artslibris-barcelona-2021\\\/#primaryimage\",\"url\":\"https:\\\/\\\/artslibris.cat\\\/wp-content\\\/uploads\\\/2021\\\/05\\\/AL2021-cat.jpg\",\"contentUrl\":\"https:\\\/\\\/artslibris.cat\\\/wp-content\\\/uploads\\\/2021\\\/05\\\/AL2021-cat.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/artslibris.cat\\\/en\\\/artslibris-barcelona-2021\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Portada\",\"item\":\"https:\\\/\\\/artslibris.cat\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Artslibris Barcelona 2021\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/artslibris.cat\\\/en\\\/#website\",\"url\":\"https:\\\/\\\/artslibris.cat\\\/en\\\/\",\"name\":\"ArtsLibris\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\\\/\\\/artslibris.cat\\\/en\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/artslibris.cat\\\/en\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/artslibris.cat\\\/en\\\/#organization\",\"name\":\"ArtsLibris\",\"url\":\"https:\\\/\\\/artslibris.cat\\\/en\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/artslibris.cat\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/artslibris.cat\\\/wp-content\\\/uploads\\\/2020\\\/05\\\/ArtsLibris-logo-black.svg\",\"contentUrl\":\"https:\\\/\\\/artslibris.cat\\\/wp-content\\\/uploads\\\/2020\\\/05\\\/ArtsLibris-logo-black.svg\",\"width\":521,\"height\":85,\"caption\":\"ArtsLibris\"},\"image\":{\"@id\":\"https:\\\/\\\/artslibris.cat\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/artslibris\\\/\",\"https:\\\/\\\/x.com\\\/ArtsLibris\",\"https:\\\/\\\/www.instagram.com\\\/artslibris\\\/\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Artslibris Barcelona 2021 - ArtsLibris","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/artslibris.cat\/en\/artslibris-barcelona-2021\/","og_locale":"en_US","og_type":"article","og_title":"Artslibris Barcelona 2021 - ArtsLibris","og_description":"ArtsLibrisBarcelona -2021 ArtsLibris reaches its twelfth edition, which will take place on June 18, 19, and 20 in the “espai Fossat” of the Mercat de Sant Antoni, with the collaboration of the Mercat Dominical del Llibre. Eighty-eight publishers and artists, institutions, and art schools of Barcelona will accompany us with their publications. Forty percent of […]","og_url":"https:\/\/artslibris.cat\/en\/artslibris-barcelona-2021\/","og_site_name":"ArtsLibris","article_publisher":"https:\/\/www.facebook.com\/artslibris\/","article_modified_time":"2021-07-21T14:52:27+00:00","og_image":[{"url":"https:\/\/artslibris.cat\/wp-content\/uploads\/2021\/05\/AL2021-cat.jpg","type":"","width":"","height":""}],"twitter_card":"summary_large_image","twitter_site":"@ArtsLibris","twitter_misc":{"Est. reading time":"21 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/artslibris.cat\/en\/artslibris-barcelona-2021\/","url":"https:\/\/artslibris.cat\/en\/artslibris-barcelona-2021\/","name":"Artslibris Barcelona 2021 - ArtsLibris","isPartOf":{"@id":"https:\/\/artslibris.cat\/en\/#website"},"primaryImageOfPage":{"@id":"https:\/\/artslibris.cat\/en\/artslibris-barcelona-2021\/#primaryimage"},"image":{"@id":"https:\/\/artslibris.cat\/en\/artslibris-barcelona-2021\/#primaryimage"},"thumbnailUrl":"https:\/\/artslibris.cat\/wp-content\/uploads\/2021\/05\/AL2021-cat.jpg","datePublished":"2021-06-11T12:15:30+00:00","dateModified":"2021-07-21T14:52:27+00:00","breadcrumb":{"@id":"https:\/\/artslibris.cat\/en\/artslibris-barcelona-2021\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/artslibris.cat\/en\/artslibris-barcelona-2021\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/artslibris.cat\/en\/artslibris-barcelona-2021\/#primaryimage","url":"https:\/\/artslibris.cat\/wp-content\/uploads\/2021\/05\/AL2021-cat.jpg","contentUrl":"https:\/\/artslibris.cat\/wp-content\/uploads\/2021\/05\/AL2021-cat.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/artslibris.cat\/en\/artslibris-barcelona-2021\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Portada","item":"https:\/\/artslibris.cat\/en\/"},{"@type":"ListItem","position":2,"name":"Artslibris Barcelona 2021"}]},{"@type":"WebSite","@id":"https:\/\/artslibris.cat\/en\/#website","url":"https:\/\/artslibris.cat\/en\/","name":"ArtsLibris","description":"","publisher":{"@id":"https:\/\/artslibris.cat\/en\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/artslibris.cat\/en\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/artslibris.cat\/en\/#organization","name":"ArtsLibris","url":"https:\/\/artslibris.cat\/en\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/artslibris.cat\/en\/#\/schema\/logo\/image\/","url":"https:\/\/artslibris.cat\/wp-content\/uploads\/2020\/05\/ArtsLibris-logo-black.svg","contentUrl":"https:\/\/artslibris.cat\/wp-content\/uploads\/2020\/05\/ArtsLibris-logo-black.svg","width":521,"height":85,"caption":"ArtsLibris"},"image":{"@id":"https:\/\/artslibris.cat\/en\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/artslibris\/","https:\/\/x.com\/ArtsLibris","https:\/\/www.instagram.com\/artslibris\/"]}]}},"_links":{"self":[{"href":"https:\/\/artslibris.cat\/en\/wp-json\/wp\/v2\/pages\/12137","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artslibris.cat\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/artslibris.cat\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/artslibris.cat\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/artslibris.cat\/en\/wp-json\/wp\/v2\/comments?post=12137"}],"version-history":[{"count":0,"href":"https:\/\/artslibris.cat\/en\/wp-json\/wp\/v2\/pages\/12137\/revisions"}],"wp:attachment":[{"href":"https:\/\/artslibris.cat\/en\/wp-json\/wp\/v2\/media?parent=12137"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}