PHANTOM. Mies as Rendered Society\u00a0\u00e9s una intervenci\u00f3 realitzada\u00a0per Andr\u00e9s Jaque al Pavell\u00f3 de Barcelona.\u00a0\u00c9s el resultat de la investigaci\u00f3\u00a0que l\u2019autor ha desenvolupat\u00a0durant els darrers dos anys per\u00a0invitaci\u00f3 de la Fundaci\u00f3 Mies van\u00a0der Rohe i la Fundaci\u00f3 Banc de Sabadell.\u00a0A diferents punts de l\u2019espai\u00a0del Pavell\u00f3 s\u2019hi ha disposat una part\u00a0important dels objectes que es custodien\u00a0al soterrani de l\u2019edifici. Un soterrani, presentat com el fantasma del Pavell\u00f3 (PHANTOM), que mai abans havia despertat l\u2019atenci\u00f3\u00a0dels qui visiten o estudien l\u2019edifici, i al qual, tanmateix, Jaque atorga un paper important en l\u2019emerg\u00e8ncia de l\u2019arquitectura com a construcci\u00f3 social.<\/p>\n
L\u2019equip encarregat de la reconstrucci\u00f3\u00a0del Pavell\u00f3 del 29 va pensar\u00a0que el soterrani facilitaria el registre\u00a0i manteniment de les instal\u00b7lacions\u00a0del nou edifici; tamb\u00e9 va decidir que\u00a0l\u2019acc\u00e9s a aquest soterrani havia de\u00a0ser dificult\u00f3s per evitar que en el\u00a0futur fos utilitzat com a espai expositiu per explicar Mies i el Pavell\u00f3.\u00a0Al soterrani s\u2019hi ha acabat guardant\u00a0tots els testimonis materials que\u00a0ens parlen del teixit social que s\u2019ha\u00a0vist afectat per un projecte com\u00fa:\u00a0reinterpretar, cada dia, aquell mat\u00ed\u00a0de maig en qu\u00e8 el Pavell\u00f3 del 29\u00a0va ser inaugurat. El soterrani, com\u00a0el retrat de Dorian Gray, cont\u00e9 tot\u00a0all\u00f2 que permet mirar-se el Pavell\u00f3\u00a0com una monumental construcci\u00f3\u00a0col\u00b7lectiva. Per\u00f2 s\u2019oculta per tal de\u00a0no perjudicar la il\u00b7lusi\u00f3 d\u2019una recepci\u00f3\u00a0no mediatitzada del producte\u00a0d\u2019una m\u00e0 il\u00b7luminada, la d\u2019aquell\u00a0Mies que va treballar a Barcelona el\u00a01929. El soterrani ret\u00e9 el fantasma\u00a0p\u00fablic (PHANTOM), en refer\u00e8ncia\u00a0a l\u2019important text de Walter Lippmann\u00a0The Phantom Public (Nova\u00a0Jersey, 1925), de les societats que\u00a0contribueixen cada dia a la fabricaci\u00f3\u00a0del Pavell\u00f3.<\/p>\n
Tal com assenyal\u00e0 Mies, l\u2019arquitectura\u00a0es construeix de manera\u00a0que all\u00f2 visible conforma all\u00f2 que\u00a0roman ocult. El Pavell\u00f3 de Barcelona\u00a0\u00e9s una arena de confrontaci\u00f3\u00a0organitzada en una arquitectura\u00a0de dos pisos, on entren en disputa\u00a0dues nocions interdependents\u00a0del que \u00e9s pol\u00edtic: un pis superior,\u00a0llumin\u00f3s, que reactiva nocions fundacionals\u00a0d\u2019aquest ordre (en les\u00a0quals all\u00f2 extraordinari, els or\u00edgens\u00a0i les ess\u00e8ncies lideren all\u00f2 que \u00e9s\u00a0com\u00fa), i un soterrani obscur, que hi\u00a0aporta conting\u00e8ncies i acords provisionals.\u00a0El de dalt \u00e9s f\u00edsicament\u00a0transparent, per\u00f2 oculta els pactes\u00a0socials en els quals s\u2019esdev\u00e9, i d\u00f3na\u00a0acc\u00e9s a una experi\u00e8ncia d\u2019incalculabilitat\u00a0quotidiana. L\u2019inferior \u00e9s\u00a0opac i, malgrat aix\u00f2, \u00e9s el lloc on\u00a0els contractes, els experiments i\u00a0les disputes que construeixen el\u00a0Pavell\u00f3 guanyen transpar\u00e8ncia. De\u00a0la manera en qu\u00e8 operen els seus\u00a0dos pisos el Pavell\u00f3 en construeix\u00a0una creen\u00e7a: \u201cAll\u00f2 excepcional\u00a0emergeix en abs\u00e8ncia d\u2019all\u00f2 ordinari.\u201d\u00a0La intervenci\u00f3 parteix de la\u00a0sospita que el reconeixement i la\u00a0rearticulaci\u00f3 d\u2019ambdues esferes\u00a0poden aportar noves possibilitats\u00a0perqu\u00e8 l\u2019arquitectura trobi respostes\u00a0a reptes contemporanis.<\/p>\n
\u00abUna part significativa dels elements que es garanteixen en el soterrani sobre el qual es va construir el Pavell\u00f3 s’han distribu\u00eft en diferents ubicacions a tot l’espai del Pavell\u00f3. Aquest soterrani es presenta com el fantasma del pavell\u00f3 (PHANTOM), que mai no ha cridat l’atenci\u00f3 de les persones que va venir a visitar i estudiar el Pavell\u00f3, per\u00f2 per aix\u00f2 reconec un paper important en l’aparici\u00f3 de la meva arquitectura com a tipus de construcci\u00f3 social \u00ab.<\/p>\n
Andr\u00e9s Jaque<\/p>\n","protected":false},"excerpt":{"rendered":"
T\u00edtol: PHANTOM Mies as Rendered Society – Andr\u00e9s Jaque.
\nEditorial: Fundaci\u00f3 Mies van der Rohe.
\nAutor:\u00a0Ivan Blasi (Editor).
\nEdici\u00f3 Limitada amb la portada feta amb una cortina original del Pavell\u00f3 de Barcelona.
\n<\/strong>Mides: 20 x 28 x 0,5 cms.
\nP\u00e0gines: 48.
\nIl\u00b7lustracions: Color i B&N.
\nEnquadernaci\u00f3: Cosit Singer.
\nData de publicaci\u00f3: 2013.
\nISBN: Angl\u00e8s 9788493690151<\/p>\n","protected":false},"featured_media":28222,"template":"","meta":{"_acf_changed":false,"site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}}},"product_brand":[],"product_cat":[88],"product_tag":[219],"class_list":["post-8294","product","type-product","status-publish","has-post-thumbnail","product_cat-fotolibro-ca","product_tag-fundacio-mies-van-der-rohe-ca","desktop-align-left","tablet-align-left","mobile-align-left","first","instock","taxable","shipping-taxable","purchasable","product-type-simple"],"acf":[],"yoast_head":"\n