{"id":32102,"date":"2025-12-17T12:37:04","date_gmt":"2025-12-17T12:37:04","guid":{"rendered":"https:\/\/artslibris.cat\/?post_type=product&p=32102"},"modified":"2026-03-30T10:49:22","modified_gmt":"2026-03-30T10:49:22","slug":"campos-de-accion-vol-3-entre-el-performance-y-el-objeto-1949-1979-paul-schimmel","status":"publish","type":"product","link":"https:\/\/artslibris.cat\/ca\/tienda\/pensamiento-ca\/campos-de-accion-vol-3-entre-el-performance-y-el-objeto-1949-1979-paul-schimmel\/","title":{"rendered":"Campos de acci\u00f3n. Vol 3: Entre el performance y el objeto (1949-1979)"},"content":{"rendered":"

Este \u00faltimo volumen de Campos de acci\u00f3n est\u00e1 compuesto por el texto de Kristine Stiles Alegr\u00eda inc\u00f3lume: acciones art\u00edsticas internacionales. El ensayo, que no sigue una secuencia cronol\u00f3gica se divide en una introducci\u00f3n y once cap\u00edtulos: El arte en la cultura, Comisuras: acciones de arte como objetos, De la acci\u00f3n al performance, Asimilaciones y supresiones, Nosotros, m\u00faltiples, D\u00edas, Actividades, Pintura-fotograf\u00eda-performance, En equilibrio entre un rinc\u00f3n polvoso y la eternidad, Cosmolog\u00edas y Alegr\u00eda inc\u00f3lume. La reflexi\u00f3n de Stiles gira en torno a los happenings y manifestaciones de \u201cfuria\u201d representadas en el cuerpo y la relaci\u00f3n sujeto-objeto que surgen de las condiciones de la posguerra en Estados Unidos, Europa, Jap\u00f3n y Sudam\u00e9rica. Hace \u00e9nfasis particular en el arte de acci\u00f3n feminista aunada a los movimientos de los a\u00f1os sesenta y setenta, y a la transformaci\u00f3n del concepto del cuerpo que \u00e9stos conllevaron. La secci\u00f3n final dedicada a la cronolog\u00eda abarca en este volumen del a\u00f1o 1969 al a\u00f1o 1979.<\/p>\n

\u201cAl aislar el arte de preocupaciones \u00fanicamente formalistas y de la transformaci\u00f3n de los objetos en productos de mercado, los artistas interesados en la acci\u00f3n buscaban conectarse otra vez tanto consigo mismos como con los espectadores en una experiencia activa, al vincular el arte (como conducta) con la conducta de los espectadores.\u201d \u2013 KS.<\/p>\n","protected":false},"excerpt":{"rendered":"

T\u00edtulo:\u00a0<\/b>Campos de acci\u00f3n. Vol 3: Entre el performance y el objeto (1949-1979)<\/p>\n

Editorial:\u00a0<\/b>Alias<\/p>\n

Autor\/a:\u00a0<\/b>Paul Schimmel (comp.)<\/span><\/p>\n

A\u00f1o de publicaci\u00f3n:\u00a0<\/b>2012<\/p>\n

Idioma: <\/b>Castellano<\/p>\n

Tama\u00f1o: <\/b>14 x 21 cm<\/p>\n

N\u00famero de p\u00e1ginas:\u00a0<\/b>348<\/p>\n

Encuadernaci\u00f3n:\u00a0<\/b>R\u00fastica<\/p>\n

Impresi\u00f3n:\u00a0<\/b>Una tinta<\/p>\n

ISBN:\u00a0<\/b>978-607-7985-15-0<\/p>\n","protected":false},"featured_media":32103,"template":"","meta":{"_acf_changed":false,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}}},"product_brand":[],"product_cat":[537,38,79],"product_tag":[],"class_list":["post-32102","product","type-product","status-publish","has-post-thumbnail","product_cat-performance","product_cat-pensamiento","product_cat-historia-del-arte","desktop-align-left","tablet-align-left","mobile-align-left","first","outofstock","taxable","shipping-taxable","purchasable","product-type-simple"],"acf":[],"yoast_head":"\nCampos de acci\u00f3n. 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