{"id":17923,"date":"2022-05-03T15:53:02","date_gmt":"2022-05-03T15:53:02","guid":{"rendered":"https:\/\/artslibris.cat\/?post_type=product&p=17923"},"modified":"2022-05-03T16:20:17","modified_gmt":"2022-05-03T16:20:17","slug":"umbigo-numero-80","status":"publish","type":"product","link":"https:\/\/artslibris.cat\/ca\/tienda\/destacados-ca\/umbigo-numero-80\/","title":{"rendered":"Umbigo – N\u00famero #80"},"content":{"rendered":"

El mar\u00e7 \u00e9s l’inici d’una nova temporada i, com \u00e9s habitual, el primer n\u00famero d’Umbigo de l’any. L’any 2022 celebrem dues d\u00e8cades de vida amb una renovaci\u00f3 de la nostra imatge i la publicaci\u00f3 de quatre revistes in\u00e8dites dedicades a temes pol\u00edtics, socials i ecol\u00f2gics que considerem determinants en el pensament contemporani, tenint en compte la seva vinculaci\u00f3 amb el context art\u00edstic i cultural. Quatre revistes, quatre cap\u00edtols que sortiran en cada nova temporada, on estimulem la reflexi\u00f3 amb un nombre encara m\u00e9s gran de p\u00e0gines.<\/p>\n

Sobre el tema de la Natura, aquest primer episodi, el n\u00famero 80 inclou articles, projectes art\u00edstics i assajos que intenten sondejar noves pr\u00e0ctiques i perspectives sobre l’ecologia i la comunitat dins de l’art, la filosofia i l’espiritualitat, temes f\u00e8rtils en debats i desenvolupaments \u00e8tics i est\u00e8tics, que han alimentat les narracions de molts artistes i institucions.<\/p>\n

Mariana Pestana \u00e9s la comiss\u00e0ria responsable de l’exposici\u00f3 impresa d’aquesta edici\u00f3, titulada empatia mais que humana, per a la qual va convidar els col\u00b7lectius The Rodina, Practice Architecture, Studio Ossidiana i Orkan Telhan + elli, i l’artista Calum Bowden. A empatia mais que humana, artistes i comissaris q\u00fcestionen conceptes d’empatia entre esp\u00e8cies, interdepend\u00e8ncia i conviv\u00e8ncia, proposant una guia per a la \u201cdesencarnaci\u00f3\u201d i la \u201cdescentralitzaci\u00f3\u201d.<\/p>\n

En aquest n\u00famero s\u00f3n imprescindibles el Projecte d’Art i la portada dissenyada per Gabriela Albergaria, aix\u00ed com una entrevista on l’artista parla de la seva obra i de la import\u00e0ncia del contacte amb la natura, els estudis del paisatge i la recerca sobre els jardins i la pr\u00e0ctica del dibuix.<\/p>\n

A l’apartat Assajos, tenim quatre articles: Alice Bonnot parla de Produ\u00e7\u00e3o de Arte Permacultural; Michael Marder interconnecta fenomenologia, filosofia i ecologia a O Futuro \u00e9 Vegetal!; Renny Pritikin reflexiona sobre l’ampli camp de la fotografia i la manera com Klea McKenna i Meghann Riepenhoff treballen amb la mat\u00e8ria i la tecnologia m\u00e9s primitiva de la fotografia; i Catarina Rosendo recorda la presci\u00e8ncia de l’obra d’Alberto Carneiro en ecologia i art.<\/p>\n

Pedro Vaz i Juliane T\u00fcbke s\u00f3n els artistes convidats per als Assajos Visuals: els primers sobre la construcci\u00f3, mecanitzaci\u00f3 i transformaci\u00f3 del paisatge; aquest \u00faltim sobre la meteorologia, la pluja i les geografies f\u00edsiques i de proximitat de Kochi, \u00cdndia.<\/p>\n

Tres entrevistes debaten sobre els temes del canvi clim\u00e0tic, la just\u00edcia clim\u00e0tica, les pol\u00edtiques ambientals, per\u00f2 tamb\u00e9 la geologia i les ecologies culturals. Els convidats s\u00f3n els moviments i col\u00b7lectius Extinction Rebellion i Climate Collective, representats per T.J. Demos, i l’artista Miguel Sbastida.<\/p>\n

Umbigo tamb\u00e9 destaca la biennal d’art i tecnologia INDEX, a Braga, l’entrevista a Vicente Todol\u00ed i Fiammetta Griccioli sobre Metaspore d’Anicka Yi, a HangarBicocca, i el \u201cgir material\u201d proposat per Beyond Matter.<\/p>\n

La quinzena edici\u00f3 de Di\u00e0legs proposa trencar amb el projecte art\u00edstic habitual per convidar la il\u00b7lustradora cient\u00edfica i dissenyadora Raquel Raimundo, ja que desenvolupa una aproximaci\u00f3 did\u00e0ctica al projecte, recordant la pedagogia de les visites guiades, els programes escolars i els exercicis peripat\u00e8tics individuals pels jardins. .<\/p>\n

A la secci\u00f3 Partida B\u00e9lgica, Francisco Pinheiro conversa amb Magali Reus amb motiu de Shadow Tonics, a la galeria Fons Welters, Amsterdam, i repassa l’exposici\u00f3 Pandemic Pandemonium de Ne\u00efl Beloufa, al C L E A R I N G.<\/p>\n

El n\u00famero 80 d’Umbigo tamb\u00e9 presenta sis noves seccions: pov (punt de vista), a c\u00e0rrec d’Henrique Machado da Silva, migra de la nostra plataforma en l\u00ednia a una entrevista al col\u00b7lectiu Climaximo; Walking Conversations, un projecte de Carolina Trigueiros, convida a Ant\u00f3nio Poppe a una introspecci\u00f3 pel camp; la col\u00b7laboraci\u00f3 entre Umbigo i Brot\u00e9ria, aquesta vegada entre el sacerdot jesu\u00efta Jos\u00e9 Fraz\u00e3o Correia i Margarida Alvim, fundadora de Casa Velha; Genealogias, de Carolina Machado, \u201csobre la g\u00e8nesi d\u2019una \u2018[aest]ethic\u2019 afirmativa en el context portugu\u00e8s\u201d; The Velvet Room, dirigida per Colin Ginks, desafia quatre artistes queer grecs a crear quatre Postais da Periferia; i Conversation Piece, amb el suport de la Fundaci\u00f3 PLMJ i desenvolupat pel comissari Jo\u00e3o Silv\u00e9rio, parla de les obres d’Ana P\u00e9rez-Quiroga i Jo\u00e3o Leonardo, tots dos que formen part de la col\u00b7lecci\u00f3 de la Fundaci\u00f3 PLMJ i en els quals se centra aquesta secci\u00f3.<\/p>\n

Finalment, UmbigoLAB #11 parla del perfil de Pedro Gramaxo en aquesta plataforma de networking per a l’art patrocinada per la Fundaci\u00f3 Millennium bcp.<\/p>\n

Tenint en compte la invasi\u00f3 russa d’Ucra\u00efna, Umbigo va convidar S\u00e9rgio Fernandes a dissenyar una contraportada que subratlla el missatge de solidaritat d’Umbigo amb el poble ucra\u00efn\u00e8s.<\/p>\n","protected":false},"excerpt":{"rendered":"

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PES 620g
\nDIMENSIONS (L X AN X AL) 20 \u00d7 27 \u00d7 1,4 cm<\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"featured_media":17971,"template":"","meta":{"_acf_changed":false,"site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}}},"product_brand":[],"product_cat":[141,101],"product_tag":[192],"class_list":{"0":"post-17923","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-revista-ca","7":"product_cat-destacados-ca","8":"product_tag-umbigo-ca","9":"desktop-align-left","10":"tablet-align-left","11":"mobile-align-left","13":"first","14":"instock","15":"shipping-taxable","16":"purchasable","17":"product-type-simple"},"acf":[],"yoast_head":"\nUmbigo - 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