{"id":8413,"date":"2021-03-01T11:11:38","date_gmt":"2021-03-01T11:11:38","guid":{"rendered":"https:\/\/artslibris.cat\/artslibris-arcolisboa-2019\/"},"modified":"2021-03-01T11:11:39","modified_gmt":"2021-03-01T11:11:39","slug":"artslibris-arcolisboa-2019","status":"publish","type":"page","link":"https:\/\/artslibris.cat\/ca\/artslibris-arcolisboa-2019\/","title":{"rendered":"ArtsLibris ARCOlisboa 2019"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"8413\" class=\"elementor elementor-8413 elementor-8374\" data-elementor-settings=\"[]\">\n\t\t\t\t\t\t<div class=\"elementor-inner\">\n\t\t\t\t\t\t\t<div class=\"elementor-section-wrap\">\n\t\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-5a607fa8 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"5a607fa8\" data-element_type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-61d43b4b\" data-id=\"61d43b4b\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-464cf202 elementor-widget elementor-widget-heading\" data-id=\"464cf202\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\">ArtsLibris ARCOlisboa<br>2019<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-19df7b4e elementor-widget elementor-widget-text-editor\" data-id=\"19df7b4e\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-text-editor elementor-clearfix\"><p>Despr\u00e9s de la consolidaci\u00f3 del projecte a ARCOMadrid i la tradicional edici\u00f3 a Barcelona, durant la setmana de Sant Jordi, ArtsLibris expandeix les seves fronteres i estar\u00e0 present en la propera edici\u00f3 d&#8217;<a href=\"http:\/\/www.ifema.es\/arcolisboa_01\/\">ARCOLisboa<\/a>\u00a0que comen\u00e7a avui 20 de maig.<\/p>\n<p>Amb m\u00e9s de 40 expositors internacionals i dues activitats coordinades pel comissari Horacio Fern\u00e1ndez, la Fira Internacional del Llibre d&#8217;Artista i el Fotollibre m\u00e9s important del sud d&#8217;Europa es fa present en la trobada entre col\u00b7leccionistes i professionals que celebra la ciutat portuguesa del 16 al 19 de maig.<\/p>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-7780d24 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"7780d24\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-a6157cc\" data-id=\"a6157cc\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-4013244 elementor-pagination-position-inside elementor-widget elementor-widget-image-carousel\" data-id=\"4013244\" data-element_type=\"widget\" data-settings=\"{&quot;slides_to_show&quot;:&quot;1&quot;,&quot;navigation&quot;:&quot;dots&quot;,&quot;autoplay&quot;:&quot;yes&quot;,&quot;pause_on_hover&quot;:&quot;yes&quot;,&quot;pause_on_interaction&quot;:&quot;yes&quot;,&quot;autoplay_speed&quot;:5000,&quot;infinite&quot;:&quot;yes&quot;,&quot;effect&quot;:&quot;slide&quot;,&quot;speed&quot;:500}\" data-widget_type=\"image-carousel.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-image-carousel-wrapper swiper-container\" dir=\"ltr\">\n\t\t\t<div class=\"elementor-image-carousel swiper-wrapper swiper-image-stretch\">\n\t\t\t\t<div class=\"swiper-slide\"><figure class=\"swiper-slide-inner\"><img class=\"swiper-slide-image\" src=\"https:\/\/artslibris.cat\/wp-content\/uploads\/2021\/03\/ArtsLibris-ARCOllisboa2019-2.jpg\" alt=\"ArtsLibris-ARCOllisboa2019-2\" \/><\/figure><\/div><div class=\"swiper-slide\"><figure class=\"swiper-slide-inner\"><img class=\"swiper-slide-image\" src=\"https:\/\/artslibris.cat\/wp-content\/uploads\/2021\/03\/ArtsLibris-ARCOllisboa2019-3.jpg\" alt=\"ArtsLibris-ARCOllisboa2019-3\" \/><\/figure><\/div><div class=\"swiper-slide\"><figure class=\"swiper-slide-inner\"><img class=\"swiper-slide-image\" src=\"https:\/\/artslibris.cat\/wp-content\/uploads\/2021\/03\/ArtsLibris-ARCOllisboa2019-4.jpg\" alt=\"ArtsLibris-ARCOllisboa2019-4\" \/><\/figure><\/div><div class=\"swiper-slide\"><figure class=\"swiper-slide-inner\"><img class=\"swiper-slide-image\" src=\"https:\/\/artslibris.cat\/wp-content\/uploads\/2021\/03\/ArtsLibris-ARCOllisboa2019-5.jpg\" alt=\"ArtsLibris-ARCOllisboa2019-5\" \/><\/figure><\/div><div class=\"swiper-slide\"><figure class=\"swiper-slide-inner\"><img class=\"swiper-slide-image\" src=\"https:\/\/artslibris.cat\/wp-content\/uploads\/2021\/03\/ArtsLibris-ARCOllisboa2019.jpg\" alt=\"ArtsLibris-ARCOllisboa2019\" \/><\/figure><\/div>\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"swiper-pagination\"><\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-5074319b elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"5074319b\" data-element_type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-no\">\n\t\t\t\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-1c9cf3a0\" data-id=\"1c9cf3a0\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-4d6ee1d elementor-widget elementor-widget-heading\" data-id=\"4d6ee1d\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Activitats<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-f6e6234 elementor-widget elementor-widget-accordion\" data-id=\"f6e6234\" data-element_type=\"widget\" data-widget_type=\"accordion.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-accordion\" role=\"tablist\">\n\t\t\t\t\t\t\t<div class=\"elementor-accordion-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-2581\" class=\"elementor-tab-title\" data-tab=\"1\" role=\"tab\" aria-controls=\"elementor-tab-content-2581\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon elementor-accordion-icon-left\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-closed\"><i class=\"fas fa-chevron-down\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-opened\"><i class=\"fas fa-chevron-up\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-accordion-title\" href=\"\">Dissabte, 18.05.2019 | P\u00e1tio Nascente <\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-2581\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"1\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-2581\"><div class=\"panel-heading\" role=\"tab\">\n<div class=\"\" data-toggle=\"collapse\" data-target=\"#collapseBcn2\" aria-expanded=\"true\">\n<p><img class=\"alignnone size-medium wp-image-8392\" src=\"https:\/\/artslibris.cat\/wp-content\/uploads\/2021\/03\/2019SC-ARCOlisboa-600x400.gif\" alt=\"\" width=\"600\" height=\"400\" srcset=\"https:\/\/artslibris.cat\/wp-content\/uploads\/2021\/03\/2019SC-ARCOlisboa-600x400.gif 600w, https:\/\/artslibris.cat\/wp-content\/uploads\/2021\/03\/2019SC-ARCOlisboa-300x200.gif 300w, https:\/\/artslibris.cat\/wp-content\/uploads\/2021\/03\/2019SC-ARCOlisboa-768x512.gif 768w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/p>\n<p>15.15 &#8211; 16h.\u00a0<strong>\u201cEther \/ Vale tudo menos tia olhos: uma galeria inesquec\u00edvel\u201d<\/strong><\/p>\n<p>Amb: Ant\u00f3nio J\u00falio Duarte (fot\u00f2graf), Horacio Fern\u00e1ndez (historiador i curador), Susana Louren\u00e7o Marques (historiadora i editora), Mariano Pi\u00e7arra (historiador i cr\u00edtic).<\/p>\n<p>17.15 &#8211; 18h.\u00a0<strong>\u201cUm debate sobre o fotolivro em Portugal\u201d<\/strong><\/p>\n<p>Amb: Horacio Fern\u00e1ndez (historiador i curador), Susana Louren\u00e7o Marques (historiadora i editora), Jose Luis Neves (historiador i cr\u00edtic), Filipa Valladares (llibretera especialitzada).<\/p>\n<\/div>\n<\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-1a419079 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"1a419079\" data-element_type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-no\">\n\t\t\t\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-659c204c\" data-id=\"659c204c\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-58f60bff elementor-widget elementor-widget-heading\" data-id=\"58f60bff\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">ArtsLibris en ARCO Lisboa Online Edition 10\/6<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-487e3135 elementor-widget elementor-widget-accordion\" data-id=\"487e3135\" data-element_type=\"widget\" data-widget_type=\"accordion.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-accordion\" role=\"tablist\">\n\t\t\t\t\t\t\t<div class=\"elementor-accordion-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-1211\" class=\"elementor-tab-title\" data-tab=\"1\" role=\"tab\" aria-controls=\"elementor-tab-content-1211\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon elementor-accordion-icon-left\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-closed\"><i class=\"fas fa-chevron-down\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-opened\"><i class=\"fas fa-chevron-up\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-accordion-title\" href=\"\">Viernes, 26 de abril<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-1211\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"1\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-1211\"><h1>Diferencies i complementarietat del paper i el digital a la documentaci\u00f3<\/h1>\n<p><div class=\"ast-oembed-container\"><iframe title=\"Diferencias y complementariedad del papel y lo digital en la documentaci\u00f3n. Joan Gil Gregorio\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/Rc8_RVfWQcE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/div><\/p>\n<p>En aquest v\u00eddeo, Joan Gil Gregorio, historiador, cr\u00edtic d&#8217;art i comissari, ens parla de la import\u00e0ncia del document i la seva preservaci\u00f3 per a mantenir-lo viu. En aquest sentit, lluny de veure la digitalitzaci\u00f3 dels \u00faltims anys com una cosa contraposada als documents f\u00edsics, Joan Gil Gregorio, ens proposa entendre-la com un proc\u00e9s d&#8217;arxiu complementari.<\/p>\n<h1>Novetats dels editors participants a ArtsLibris ARCOlisboa Online Edition 2020<\/h1>\n<p><a href=\"http:\/\/www.per-r-ucho.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Per(r)ucho<\/a>, Valencia<br \/>\n<strong>T\u00edtol<\/strong>: Race to the moon<br \/>\n<strong>Autor<\/strong>: Jaime Ortega<br \/>\nUna odissea\u00a0risogr\u00e0fica\u00a0cap a la lluna. Comencem aquest projecte intrigats per les conseq\u00fc\u00e8ncies gr\u00e0fiques de la carrera espacial. Les incre\u00efbles il\u00b7lustracions de\u00a0Tekhnika\u00a0Molodezhi\u00a0a\u00a0la Uni\u00f3 Sovi\u00e8tica i Popular\u00a0Mechanics\u00a0als EUA\u00a0aix\u00ed com d&#8217;un vell manual astron\u00f2mic del segle XIX anomenat\u00a0<em>Smith\u00a0Illustrated<\/em>. La traducci\u00f3\u00a0risogr\u00e0fica\u00a0d&#8217;aquestes fonts gr\u00e0fiques va servir com a detonant per a l&#8217;exploraci\u00f3 d&#8217;una hist\u00f2ria menys coneguda del que podia suposar-se, l&#8217;obsessi\u00f3 per la lluna i, cosa que \u00e9s m\u00e9s interessant, el sobtat aband\u00f3, en els anys 70, d&#8217;una il\u00b7lusi\u00f3 que venia construint una certa imatge de l&#8217;home des del segle XIX.<\/p>\n<p><a href=\"http:\/\/lauralio.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">PEZPLATA<\/a>, Madrid<br \/>\n<strong>T\u00edtol<\/strong>: Caminando memoria y deseo<br \/>\n<strong>Autor<\/strong>: Laura Lio<br \/>\nLlibre \u00fanic. Petjades de tinta platejada, paper negre i portada de fusta.\u00a0Pezplata\u00a0Edicions \u00e9s un segell de llibres d&#8217;artista creat l&#8217;any 2015, amb seu a la\u00a0NavEstudio\u00a0Laura\u00a0Lio. La seva l\u00ednia editorial es tra\u00e7a en el tall entre imatge i paraula i es caracteritza per la seva diversitat de formats, amb publicacions que van del llibre d&#8217;artista al cartell i la postal.<\/p>\n<p><a href=\"https:\/\/www.pierrevonkleist.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Pierre Von Kleist<\/a>, Lisboa<br \/>\n<strong>T\u00edtol<\/strong>: Caf\u00e9 Bissau<br \/>\n<strong>Autor<\/strong>: Juli\u00e3o Sarmento<br \/>\nJuli\u00e3o\u00a0Sarmento\u00a0ha estat prenent fotografies durant m\u00e9s de quaranta anys. Des del principi, el seu control t\u00e8cnic i l\u00edric del mitj\u00e0 li va permetre desenvolupar un estil personal. Les seves fotografies cobreixen una gran varietat d&#8217;interessos: gent, llocs, reunions, viatges, animals dins o fora dels zool\u00f2gics, cotxes, experiments amb la llum&#8230;<em>Caf\u00e9 Bissau<\/em>\u00a0\u00e9s el llibre de fotos m\u00e9s ambici\u00f3s de\u00a0Juli\u00e3o\u00a0Sarmento\u00a0fins avui, un ambici\u00f3s viatge a l&#8217;atles de l&#8217;artista.<\/p>\n<p><a href=\"https:\/\/www.pierrotlefou.pt\/\" target=\"_blank\" rel=\"noopener noreferrer\">P<\/a><a href=\"https:\/\/www.pierrotlefou.pt\/\" target=\"_blank\" rel=\"noopener noreferrer\">ierrot Le Fou<\/a>, Porto<br \/>\n<strong>T\u00edtol<\/strong>: Burning dinosaur bones<br \/>\n<strong>Autor<\/strong>: Pedro Magalh\u00e3es<br \/>\n&#8220;(&#8230;) En aquesta s\u00e8rie, l&#8217;eliminaci\u00f3 del figuratiu i la dissipaci\u00f3 del referent, va en contra d&#8217;una conceptualitzaci\u00f3 de la superf\u00edcie, provada en un pla contigu, on la pintura apareix cansada, sense lluentor i sense profunditat &#8211; per emfatitzar l&#8217;abstracci\u00f3 i reinventar l&#8217;espacialitat \u00fanica creada per aquesta m\u00e0quina. En cremar els ossos de dinosaure podem intuir altres imatges i obsessions, com els cotxes estavellats fotografiats per Mateo P\u00e9rez\u00a0Correa\u00a0en Sinistres (2015), els interiors de cotxes (no) habitats de Mateo\u00a0Casteel, els cotxes mal reparats (2016) de\u00a0Ronny\u00a0Campana, o en\u00a0Karma\u00a0(2014) sobre la privacitat que Oscar Monts\u00f3 va interrompre i va il\u00b7luminar, durant cinc anys, en els sem\u00e0fors de Madrid. En tots ells, el vehicle que Roland\u00a0Barthes\u00a0va comparar amb una gran catedral g\u00f2tica, ja no representa la conquesta de la velocitat ni d\u00f3na forma a l&#8217;acceleraci\u00f3, no \u00e9s ni un objecte fetitxe ni un s\u00edmbol de la contracultura, sin\u00f3 que es rendeix a la paradoxa de la immobilitat que la fotografia li ha imposat,\u00a0monumentalizando\u00a0el reflex del seu consum, valorant la seva singularitat en lloc de l&#8217;equival\u00e8ncia i registrant el que queda despr\u00e9s de la gl\u00f2ria. (&#8230;)\u00bb Susana\u00a0Louren\u00e7o\u00a0Marquis, 2019<\/p>\n<p><a href=\"https:\/\/www.rainalupa.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Ra\u00ed\u00f1a Lupa\/RocioSantaCruz<\/a>, Barcelona<br \/>\n<strong>T\u00edtol<\/strong>: Fr\u00e1gil es la llama<br \/>\n<strong>Autor<\/strong>: Francesc Torres<br \/>\n&#8220;Ja est\u00e0s a l&#8217;altre costat de la imatge, ja has traspassat el negatiu i, l&#8217;argent viu intacte, el mirall de la teva vida no reflexa una altra cosa que l&#8217;abs\u00e8ncia de tu mateix.&#8221; Text in\u00e8dit i tres fotografies de Francesc Torres, composici\u00f3 a m\u00e0 en tipografia en plom\u00a0Bodoni, pel Grup\u00a0MGC\u00a0de la Universitat Polit\u00e8cnica de Val\u00e8ncia, sobre Paper\u00a0Arches\u00a0de 250\u00a0gr. Fotografies en blanc i negre\u00a0insoladas\u00a0en\u00a0baritado.<\/p>\n<p><a href=\"http:\/\/www.redfoxpress.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Red Fox Press<\/a>, Ilha de Achill &#8211; Irlanda<br \/>\n<strong>T\u00edtol<\/strong>: Franticham&#8217;s Assembling Box Nr. 45 \/ Visual Poetry And Works Inspired By Fluxus<br \/>\n<strong>Autor<\/strong>: AA.VV.<br \/>\nXarxa Fox Press produeix llibres d&#8217;artista i serigrafia art\u00edstica a l&#8217;illa de\u00a0Achill\u00a0en l&#8217;oest d&#8217;Irlanda. Caixa A5 amb contribucions de 25 artistes convidats de 9 pa\u00efsos. Poesia visual, collages, gravats, m\u00faltiples i objectes. 40 c\u00f2pies signades i numerades.<\/p>\n<p><a href=\"http:\/\/www.rosersales.es\/\" target=\"_blank\" rel=\"noopener noreferrer\">Roser Sales Noguera<\/a>, Barcelona<br \/>\n<strong>T\u00edtol<\/strong>: ICE-LAND<br \/>\n<strong>Autor<\/strong>: Roser Sales Noguera<br \/>\nEl llibre d&#8217;artista que es presenta \u00e9s ICE-LAND, aquest \u00e9s el resultat d&#8217;un viatge per Isl\u00e0ndia l&#8217;any 2018. Seguint una manera recurrent en el meu treball, de viatjar, recollir i trobar objectes com ara pedres, algues, trossos de lava, plomes&#8230;que van trobant-me ells a mi en els\u00a0trekings\u00a0realitzats al llarg de l&#8217;illa. \u00c9s a trav\u00e9s d&#8217;aquests objectes , que a manera de\u00a0disparador\u00a0em porten als moments, llocs i emocions del cam\u00ed. ICE-LAND\u00a0es presenta en el mateix format que anys anteriors, una caixa de fusta que cont\u00e9 el llibre d&#8217;artista, en aquest cas fotogravats amb els seus textos.<\/p>\n<p><a href=\"https:\/\/www.rubenbarroso.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Rub\u00e9n Barroso<\/a><a href=\"https:\/\/www.rubenbarroso.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">,<\/a>\u00a0Sevilla<br \/>\n<strong>T\u00edtol<\/strong>: Anarchy<br \/>\n<strong>Autor<\/strong>: Rub\u00e9n Barroso<br \/>\n<em>Anarchy<\/em>\u00a0forma part d&#8217;una col\u00b7lecci\u00f3 de llibres d&#8217;artista, peces \u00faniques, dibuixades, sobre formes de vida i actituds vitals, qualificades com a &#8220;objectes de pensament&#8221;. Pe\u00e7a \u00fanica, llibre d&#8217;artista dibuixat, 50 p\u00e0gines en paper cot\u00f3 300\u00a0gr.<\/p>\n<p><a href=\"https:\/\/rvculturaearte.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">RV Cultura e Arte<\/a>, Salvador de Bahia<br \/>\n<strong>T\u00edtol<\/strong>: Marear<br \/>\n<strong>Autor<\/strong>: Taygoara Aguiar<br \/>\n<em>Marear\u00a0<\/em>\u00e9s una cartografia afectiva composta d&#8217;imatges de vaixells pesquers i recorreguts dels ports de Plataforma, Solar do\u00a0Unh\u00e3o, Barra i\u00a0Ilha\u00a0de\u00a0Mar\u00e9, situats en la Badia de Tots els Sants, a Salvador\/BA\u00a0(el Brasil). La seva estructura de fusta i papers especials, alhora \u00e9s i alberga vaixells i\u00a0cianotips\u00a0sobre paper de cot\u00f3, que conviden a la invenci\u00f3 de possibles narracions i hist\u00f2ries dels vaixells de fibra o fusta,\u00a0saveiros\u00a0i de r\u00f2ssec que conformen el paisatge de gran part de la costa de la ciutat, alhora que representen espais \u00edntims de les mem\u00f2ries afectives constru\u00efdes per l&#8217;artista\u00a0Taygoara\u00a0Aguiar. El projecte gr\u00e0fic comen\u00e7a amb fotografies dels vaixells, els seus respectius noms de baptisme i ubicaci\u00f3, una recerca gr\u00e0fica tridimensional expressada en les textures, tons i tipografies presents en els propis vaixells registrats.<\/p>\n<p><a href=\"http:\/\/stet-livros-fotografias.com\/?lang=en\" target=\"_blank\" rel=\"noopener noreferrer\">STET Libros &amp; Fotograf\u00edas<\/a>, Lisboa<br \/>\n<strong>T\u00edtol<\/strong>: Handbook of the Spontaneous Other<br \/>\n<strong>Autor<\/strong>: Aikaterini Gegisian<br \/>\nEn\u00a0<em>Handbook of the Spontaneous Other<\/em>, Aikaterini\u00a0Gegisian\u00a0reuneix una diversa gamma de material fotogr\u00e0fic oposat produ\u00eft a Europa occidental i als Estats Units durant els decennis de 1960 i 1970. Compost per una s\u00e8rie de 59 collages, el llibre\u00a0recontextualiza\u00a0juguinerament\u00a0les imatges de la cultura popular que\u00a0Gegisian\u00a0ha obtingut &#8211; de revistes pornogr\u00e0fiques, cat\u00e0legs tur\u00edstics i publicacions de National Geographic &#8211; amb la finalitat de subvertir la forma en qu\u00e8 el cos, la naturalesa i el plaer han estat representats en les fantasies capitalistes occidentals. Dividit en nou cap\u00edtols que segueixen una narrativa metaf\u00edsica de color i sensaci\u00f3, el llibre busca en \u00faltima inst\u00e0ncia localitzar un &#8220;altre espontani&#8221;; una noci\u00f3 del jo i del plaer que existeix m\u00e9s enll\u00e0 dels confins de la cultura popular i les seves maneres de representaci\u00f3 dominants.<\/p>\n<p><a href=\"http:\/\/www.textem.de\/\" target=\"_blank\" rel=\"noopener noreferrer\">Textem Verlag<\/a><a href=\"http:\/\/www.textem.de\/\" target=\"_blank\" rel=\"noopener noreferrer\">,<\/a>\u00a0Hamburgo<br \/>\n<strong>T\u00edtol<\/strong>: Album<br \/>\n<strong>Autor<\/strong>: Achim Hoops<br \/>\n49 dibuixos digitals de gran format basats en motius de les not\u00edcies de televisi\u00f3, aix\u00ed com un fullet amb un assaig de l&#8217;artista. Quan es tracta de not\u00edcies de televisi\u00f3, crida l&#8217;atenci\u00f3 el molt que les imatges mostrades s\u00f3n sempre similars, malgrat que tracten amb esdeveniments actuals i \u00fanics. Aquesta similitud va ser provocada involunt\u00e0ria o deliberadament per mitjans est\u00e8tics. Com &#8220;nom\u00e9s&#8221; constel\u00b7lacions visuals, les imatges poden fer-se similars entre si, fins i tot si els objectes representats en elles s\u00f3n molt diferents. Com en un somni, les propietats i significats de diversos objectes es combinen en el nostre arsenal d&#8217;imatges recordades.<\/p>\n<p><a href=\"https:\/\/www.gravat.com\/ca\" target=\"_blank\" rel=\"noopener noreferrer\">Tinta Invisible Edicions<\/a>, Barcelona<br \/>\n<strong>T\u00edtol<\/strong>: Filigranas y Mamporros<br \/>\n<strong>Autor<\/strong>: Carlos Pazos<br \/>\nTinta Invisible acaben de publicar una edici\u00f3 de luxe de 30 exemplars de\u00a0<em>Filigranas y Mamporros<\/em>\u00a0de Carlos\u00a0Pazos, amb camisa de feltre. Es tracta d&#8217;un &#8220;diari&#8221; vertebrat per pensaments de l&#8217;autor, que amb una t\u00f2nica semblant a les seves dos anteriors treballs, ens submergeix en l&#8217;esdevenir de la seva pr\u00f2pia exist\u00e8ncia. Aquest relat, marcat per brillants especulacions, ens guia per una infinitat de teoritzacions sobre l&#8217;art, el temps, l&#8217;estil i la vida. Fins al m\u00e9s covard de nosaltres voldria adoptar (a vegades) com a mantra vital algunes de les seves reflexions perqu\u00e8, sempre amb eleg\u00e0ncia, sembla acariciar verbalment els aspectes m\u00e9s foscos de l&#8217;\u00e9sser. I en les seves pr\u00f2pies paraules &#8220;optar pel cinisme i la ironia abans que doblegar-se, for\u00e7at per la\u00a0cargosa\u00a0broma de l&#8217;inflexible engany del m\u00f3n.&#8221;\u00a0Mercis\u00a0Rossetti<\/p>\n<hr \/>\n<p><img class=\"fr-dii fr-draggable\" src=\"https:\/\/artslibris.cat\/storage\/app\/media\/uploaded-files\/Captura%20de%20pantalla%202020-06-10%20a%20las%2011.30.48.png\" data-result=\"success\" \/><\/p>\n<p><a href=\"http:\/\/www.tristanbarbara.com\/es\/\" target=\"_blank\" rel=\"noopener noreferrer\">Tristan Barbar\u00e1<\/a>, Barcelona<br \/>\n<strong>T\u00edtol<\/strong>: Notas para el final de un siglo&#8230;<br \/>\n<strong>Autor<\/strong>: Jose Ney<br \/>\nEl llibre mostra l&#8217;inter\u00e8s de l&#8217;autor pels \u00e9ssers humans. \u00c9ssers immersos en la vida quotidiana, en els espais p\u00fablics i la seva relaci\u00f3 inconscient amb el mitj\u00e0. Buscant en l&#8217;espontane\u00eftat el valor antropol\u00f2gic com a reflex d&#8217;aquestes experi\u00e8ncies visuals que poden evocar una apreciaci\u00f3 on\u00edrica o irracional, sense perdre la interpretaci\u00f3 de la suposada realitat. Amb la narrativa visual, l&#8217;autor es refereix a tot: el m\u00f3n i els seus habitants, les seves il\u00b7lusions, la seva tristesa, creences i a l&#8217;amor; en un instant d&#8217;al\u00b7lucinacions en converg\u00e8ncia amb els nostres espais imaginaris.<\/p>\n<p><a href=\"https:\/\/www.uqeditions.com\/edicoes\" target=\"_blank\" rel=\"noopener noreferrer\">UQ! Editions<\/a><a href=\"https:\/\/www.uqeditions.com\/edicoes\" target=\"_blank\" rel=\"noopener noreferrer\">,<\/a>\u00a0Lisboa<br \/>\n<strong>T\u00edtol<\/strong>: Gram\u00e1tica do Instante e do Infinito<br \/>\n<strong>Autor<\/strong>: Jos\u00e9 Eduardo Agualusa<br \/>\nUn llibre m\u00e9s que un llibre. Un veritable objecte d&#8217;art. De fet, el primer amb fotografies originals de Jos\u00e9 Eduardo\u00a0Agualusa\u00a0i la seva poesia. Una edici\u00f3 limitada, 116 c\u00f2pies, en la qual cada llibre-objecte \u00e9s una obra mestra de l&#8217;art gr\u00e0fic: tot impr\u00e8s en\u00a0Fine\u00a0Art\u00a0amb el text en paper de bamb\u00fa i les fotografies en paper d&#8217;arr\u00f2s. Acabant la marca de l&#8217;excel\u00b7l\u00e8ncia artesanal de\u00a0UQ!\u00a0Edicions. Format 37 x 52 cm. Cada exemplar venut tindr\u00e0 el 30% dels ingressos revertits a l&#8217;Associaci\u00f3 Ind\u00edgena\u00a0Pykor\u00e9\u00a0del poble\u00a0Meb\u00eang\u00f4kre-*Kayap\u00f3\u00a0de l&#8217;Amazones. Aqu\u00ed sota us deixem un v\u00eddeo de l&#8217;autor presentant el seu llibre.<\/p>\n<p><div class=\"ast-oembed-container\"><iframe title=\"Jos\u00e9 Eduardo Agualusa presentando Gram\u00e1tica do Instante e do Infinito\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/ogMIOgvxaXw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/div><\/p>\n<p><a href=\"https:\/\/www.valuemanifesto.ch\/\" target=\"_blank\" rel=\"noopener noreferrer\">Value Manifesto<\/a>, Basel<br \/>\nThe\u00a0Value\u00a0Manifesto\u00a0\u00e9s el primer\u00a0m\u00faltiplicador\u00a0criptogr\u00e0fic en la hist\u00f2ria de l&#8217;art. El portador simb\u00f2lic del manifest \u00e9s una pantalla fabricada amb tubs de\u00a0nixie\u00a0d&#8217;\u00faltima generaci\u00f3 i tecnologia de\u00a0IO. L&#8217;\u00fanic prop\u00f2sit d&#8217;aquestes m\u00e0quines \u00e9s mostrar el valor en temps real m\u00e9s alt de l&#8217;edici\u00f3 criptogr\u00e0fica en francs su\u00efssos.<\/p>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-65c9775f elementor-section-full_width elementor-section-height-default elementor-section-height-default\" data-id=\"65c9775f\" data-element_type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-no\">\n\t\t\t\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-2e88dd89\" data-id=\"2e88dd89\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-d8da905 elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"d8da905\" data-element_type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-5e04e7f4 elementor-section-stretched elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"5e04e7f4\" data-element_type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;,&quot;stretch_section&quot;:&quot;section-stretched&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-no\">\n\t\t\t\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-450891a4\" data-id=\"450891a4\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-2d1a70e9 elementor-widget elementor-widget-heading\" data-id=\"2d1a70e9\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Lista de expositores ArtsLibris ARCOlisboa 2019<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<section class=\"elementor-section elementor-inner-section elementor-element elementor-element-115c0501 elementor-section-full_width elementor-section-height-default elementor-section-height-default\" data-id=\"115c0501\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-inner-column elementor-element elementor-element-1691d42d\" data-id=\"1691d42d\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-4ada8685 elementor-widget elementor-widget-text-editor\" data-id=\"4ada8685\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-text-editor elementor-clearfix\"><p class=\"p1\"><a href=\"http:\/\/www.55sp.art\/\" target=\"_blank\" rel=\"noopener\">55SP<\/a>, S\u00e3o Paulo |\u00a0<a href=\"http:\/\/october.artslibris.cat\/\" target=\"_blank\" rel=\"noopener\">Ad Hoc<\/a>, Bilbao |\u00a0<a href=\"https:\/\/www.afriqueinvisu.org\/\" target=\"_blank\" rel=\"noopener\">Afrique in Visu<\/a>, Paris |\u00a0<a href=\"http:\/\/www.artphilein-editions.org\/\" target=\"_blank\" rel=\"noopener\">Artphilein Editions<\/a>, Lugano |\u00a0<a href=\"http:\/\/www.artslibris.cat\/\" target=\"_blank\" rel=\"noopener\">ArtsLibris<\/a>, Barcelona | Atelier Concorde, Lisboa, www.atelierconcorde.org |\u00a0<a href=\"http:\/\/www.bonitoeditorial.com\/\" target=\"_blank\" rel=\"noopener\">Bonito Editorial<\/a>, Bilbao |\u00a0<a href=\"http:\/\/www.cca.qc.ca\/\" target=\"_blank\" rel=\"noopener\">Canadian Centre for Architecture<\/a>, Montreal |\u00a0<a href=\"http:\/\/www.captures-editions.com\/\" target=\"_blank\" rel=\"noopener\">Captures \u00c9ditions<\/a>, Valence |\u00a0<a href=\"http:\/\/www.%20carmenalonsolibros.com\/\" target=\"_blank\" rel=\"noopener\">Carmen Alonso Libros<\/a>, Santander |\u00a0<a href=\"http:\/\/www.cendeac.net\/\" target=\"_blank\" rel=\"noopener\">CENDEAC<\/a>, M\u00farcia |\u00a0<a href=\"http:\/\/www.chucheriasdearte.com\/\" target=\"_blank\" rel=\"noopener\">Chucher\u00edas de Arte<\/a>, Madrid |\u00a0<a href=\"http:\/\/www.danilomontanari.com\/\" target=\"_blank\" rel=\"noopener\">Danilo Montanari Editore<\/a>, Ravena |\u00a0<a href=\"http:\/\/www.printbook-e2-barcelona\/\" target=\"_blank\" rel=\"noopener\">E2<\/a>, Barcelona |\u00a0<a href=\"http:\/\/www.aliaseditorial.com\/\" target=\"_blank\" rel=\"noopener\">Alias<\/a>, Cidade do M\u00e9xico |\u00a0<a href=\"http:\/\/www.ggili.com\/\">Editorial Gustavo Gili<\/a>, Barcelona |\u00a0<a href=\"http:\/\/www.corraini.com\/\" target=\"_blank\" rel=\"noopener\">Edizioni Corraini<\/a>, M\u00e3ntua |\u00a0<a href=\"http:\/\/www.gabineteeditions.com\/\" target=\"_blank\" rel=\"noopener\">Gabinete Editions<\/a>, Lisboa |\u00a0<a href=\"http:\/\/www.ghost.pt\/\" target=\"_blank\" rel=\"noopener\">Ghost Editions<\/a>, Lisboa |\u00a0<a href=\"http:\/\/www.hangar.com.pt\/\" target=\"_blank\" rel=\"noopener\">Hangar Books<\/a>, Lisboa |\u00a0<a href=\"http:\/\/www.instantesgraficos.com\/\" target=\"_blank\" rel=\"noopener\">Instantes Gr\u00e1ficos<\/a>, Buenos Aires |\u00a0<a href=\"http:\/\/www.juannaranjo.eu\/\" target=\"_blank\" rel=\"noopener\">Juan Naranjo Galer\u00eda de Arte &amp; Documentos<\/a>, Barcelona |\u00a0<a href=\"http:\/\/www.arengario.it\/\" target=\"_blank\" rel=\"noopener\">L\u2019Arengario Studio Bibliografico<\/a>, Gussago &#8211; Brescia |\u00a0<a href=\"http:\/\/www.libreriaelastillero.com\/\" target=\"_blank\" rel=\"noopener\">Librer\u00eda El Astillero<\/a>, Colindres \u2013 Cant\u00e1bria |\u00a0<a href=\"http:\/\/www.livrariamadalena.com.br\/\" target=\"_blank\" rel=\"noopener\">Livraria Madalena<\/a>, S\u00e3o Paulo |\u00a0<a href=\"http:\/\/www.louis-charlestiar.com\/\" target=\"_blank\" rel=\"noopener\">Louis-Charles Tiar<\/a>, Madrid |\u00a0<a href=\"http:\/\/www.meelpress.com\/\" target=\"_blank\" rel=\"noopener\">MeelPress<\/a>, Lisboa |\u00a0<a href=\"http:\/\/www.naranjalibreria.com\/\" target=\"_blank\" rel=\"noopener\">Naranja Librer\u00eda &amp; Editorial<\/a>, Santiago de Chile |\u00a0<a href=\"http:\/\/www.per-r-ucho.com\/\" target=\"_blank\" rel=\"noopener\">Per(r)ucho<\/a>, Valencia |\u00a0<a href=\"http:\/\/www.photosai.com\/\" target=\"_blank\" rel=\"noopener\">Photosai<\/a>, Madrid |\u00a0<a href=\"http:\/\/www.pierrevonkleist.com\/\" target=\"_blank\" rel=\"noopener\">Pierre von Kleist Editions<\/a>, Lisboa |\u00a0<a href=\"http:\/\/www.redfoxpress.com\/\" target=\"_blank\" rel=\"noopener\">Redfoxpress<\/a>, Ilha de Achill \u2013 Irlanda |\u00a0<a href=\"http:\/\/www.rubenbarroso.com\/\" target=\"_blank\" rel=\"noopener\">Rub\u00e9n Barroso<\/a>, Sevilha |\u00a0<a href=\"http:\/\/www.rvculturaearte.com\/\" target=\"_blank\" rel=\"noopener\">RV Cultura e Arte<\/a>, Salvador de Bahia |\u00a0<a href=\"http:\/\/www.stet-livros-fotografias.com\/\" target=\"_blank\" rel=\"noopener\">STET \u2013 Livros &amp; fotografias<\/a>, Lisboa |\u00a0<a href=\"http:\/\/www.textem.de\/\" target=\"_blank\" rel=\"noopener\">Textem Verlag<\/a>, Hamburgo |\u00a0<a href=\"http:\/\/www.gravat.com\/\" target=\"_blank\" rel=\"noopener\">Tinta Invisible<\/a>, Barcelona, \u00a0|\u00a0<a href=\"http:\/\/www.uqeditions.com\/\" target=\"_blank\" rel=\"noopener\">UQ! Editions<\/a>, Lisboa<\/p>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>ArtsLibris ARCOlisboa2019 Despr\u00e9s de la consolidaci\u00f3 del projecte a ARCOMadrid i la tradicional edici\u00f3 a Barcelona, durant la setmana de Sant Jordi, ArtsLibris expandeix les seves fronteres i estar\u00e0 present en la propera edici\u00f3 d&#8217;ARCOLisboa\u00a0que comen\u00e7a avui 20 de maig. Amb m\u00e9s de 40 expositors internacionals i dues activitats coordinades pel comissari Horacio Fern\u00e1ndez, la &hellip;<\/p>\n<p class=\"read-more\"> <a class=\"\" href=\"https:\/\/artslibris.cat\/ca\/artslibris-arcolisboa-2019\/\"> <span class=\"screen-reader-text\">ArtsLibris ARCOlisboa 2019<\/span> Llegeix m\u00e9s &raquo;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":78,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","_links_to":"","_links_to_target":""},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v16.0.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>ArtsLibris ARCOlisboa 2019 - ArtsLibris<\/title>\n<link rel=\"canonical\" href=\"https:\/\/artslibris.cat\/ca\/artslibris-arcolisboa-2019\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"ArtsLibris ARCOlisboa 2019 - ArtsLibris\" \/>\n<meta property=\"og:description\" content=\"ArtsLibris ARCOlisboa2019 Despr\u00e9s de la consolidaci\u00f3 del projecte a ARCOMadrid i la tradicional edici\u00f3 a Barcelona, durant la setmana de Sant Jordi, ArtsLibris expandeix les seves fronteres i estar\u00e0 present en la propera edici\u00f3 d&#8217;ARCOLisboa\u00a0que comen\u00e7a avui 20 de maig. Amb m\u00e9s de 40 expositors internacionals i dues activitats coordinades pel comissari Horacio Fern\u00e1ndez, la &hellip; ArtsLibris ARCOlisboa 2019 Llegeix m\u00e9s &raquo;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/artslibris.cat\/ca\/artslibris-arcolisboa-2019\/\" \/>\n<meta property=\"og:site_name\" content=\"ArtsLibris\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/artslibris\/\" \/>\n<meta property=\"article:modified_time\" content=\"2021-03-01T11:11:39+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/artslibris.cat\/wp-content\/uploads\/2021\/03\/ArtsLibris-ARCOllisboa2019-2.jpg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@ArtsLibris\" \/>\n<meta name=\"twitter:label1\" content=\"Temps estimat de lectura\">\n\t<meta name=\"twitter:data1\" content=\"11 minuts\">\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Organization\",\"@id\":\"https:\/\/artslibris.cat\/#organization\",\"name\":\"ArtsLibris\",\"url\":\"https:\/\/artslibris.cat\/\",\"sameAs\":[\"https:\/\/www.facebook.com\/artslibris\/\",\"https:\/\/www.instagram.com\/artslibris\/\",\"https:\/\/twitter.com\/ArtsLibris\"],\"logo\":{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/artslibris.cat\/#logo\",\"inLanguage\":\"ca\",\"url\":\"https:\/\/artslibris.cat\/wp-content\/uploads\/2020\/05\/ArtsLibris-logo-black.svg\",\"width\":521,\"height\":85,\"caption\":\"ArtsLibris\"},\"image\":{\"@id\":\"https:\/\/artslibris.cat\/#logo\"}},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/artslibris.cat\/#website\",\"url\":\"https:\/\/artslibris.cat\/\",\"name\":\"ArtsLibris\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\/\/artslibris.cat\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":\"https:\/\/artslibris.cat\/?s={search_term_string}\",\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"ca\"},{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/artslibris.cat\/ca\/artslibris-arcolisboa-2019\/#primaryimage\",\"inLanguage\":\"ca\",\"url\":\"https:\/\/artslibris.cat\/wp-content\/uploads\/2021\/03\/ArtsLibris-ARCOllisboa2019-2.jpg\",\"width\":595,\"height\":467},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/artslibris.cat\/ca\/artslibris-arcolisboa-2019\/#webpage\",\"url\":\"https:\/\/artslibris.cat\/ca\/artslibris-arcolisboa-2019\/\",\"name\":\"ArtsLibris ARCOlisboa 2019 - ArtsLibris\",\"isPartOf\":{\"@id\":\"https:\/\/artslibris.cat\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/artslibris.cat\/ca\/artslibris-arcolisboa-2019\/#primaryimage\"},\"datePublished\":\"2021-03-01T11:11:38+00:00\",\"dateModified\":\"2021-03-01T11:11:39+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/artslibris.cat\/ca\/artslibris-arcolisboa-2019\/#breadcrumb\"},\"inLanguage\":\"ca\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/artslibris.cat\/ca\/artslibris-arcolisboa-2019\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/artslibris.cat\/ca\/artslibris-arcolisboa-2019\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"item\":{\"@type\":\"WebPage\",\"@id\":\"https:\/\/artslibris.cat\/ca\/\",\"url\":\"https:\/\/artslibris.cat\/ca\/\",\"name\":\"Portada\"}},{\"@type\":\"ListItem\",\"position\":2,\"item\":{\"@type\":\"WebPage\",\"@id\":\"https:\/\/artslibris.cat\/ca\/artslibris-arcolisboa-2019\/\",\"url\":\"https:\/\/artslibris.cat\/ca\/artslibris-arcolisboa-2019\/\",\"name\":\"ArtsLibris ARCOlisboa 2019\"}}]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","_links":{"self":[{"href":"https:\/\/artslibris.cat\/ca\/wp-json\/wp\/v2\/pages\/8413"}],"collection":[{"href":"https:\/\/artslibris.cat\/ca\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/artslibris.cat\/ca\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/artslibris.cat\/ca\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/artslibris.cat\/ca\/wp-json\/wp\/v2\/comments?post=8413"}],"version-history":[{"count":1,"href":"https:\/\/artslibris.cat\/ca\/wp-json\/wp\/v2\/pages\/8413\/revisions"}],"predecessor-version":[{"id":8414,"href":"https:\/\/artslibris.cat\/ca\/wp-json\/wp\/v2\/pages\/8413\/revisions\/8414"}],"wp:attachment":[{"href":"https:\/\/artslibris.cat\/ca\/wp-json\/wp\/v2\/media?parent=8413"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}