{"id":21569,"date":"2023-02-13T21:05:50","date_gmt":"2023-02-13T21:05:50","guid":{"rendered":"https:\/\/artslibris.cat\/artslibris-arcomadrid-2023\/"},"modified":"2023-11-21T13:58:10","modified_gmt":"2023-11-21T13:58:10","slug":"artslibris-arcomadrid-2023","status":"publish","type":"page","link":"https:\/\/artslibris.cat\/ca\/artslibris-arcomadrid-2023\/","title":{"rendered":"ArtsLibris ARCOmadrid 2023"},"content":{"rendered":"\t\t
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ArtsLibris<\/strong>
ARCOmadrid - 2023<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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ArtsLibris<\/strong> a la vuitena edici\u00f3<\/strong> a ARCOmadrid<\/strong>, presenta 67 expositors<\/strong> nacionals i internacionals, amb una notable pres\u00e8ncia d’editors iberoamericans procedents del Brasil, M\u00e8xic, l’Equador i Portugal, a m\u00e9s d’una extensa programaci\u00f3 cultural protagonitzada pels artistes i editors participants.<\/p>\n

El nostre espai de presentacions i debats, Speakers’Corner<\/strong>, seguir\u00e0 sumant la programaci\u00f3 de les galeries participants a ARCOmadrid. D’aquesta manera, des d’ArtsLibris i ARCOmadrid, continuem incentivant el col\u00b7leccionisme a trav\u00e9s de les publicacions d’artista<\/strong>, consolidant la nostra proposta un any m\u00e9s com un espai de reflexi\u00f3 i di\u00e0leg al voltant del lloc que ocupen les publicacions a la producci\u00f3 art\u00edstica<\/strong>.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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LLISTAT D'EXPOSITORS A ARTSLIBRIS ARCOMADRID 2023<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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42 L\u00edneas Ediciones de Arte<\/b> (Oviedo) \u00b7 Akal<\/strong>, (Madrid) \u00b7 Al-Tiba9 Contemporary Art<\/strong>, (Barcelona) \u00b7 Alias Editorial<\/strong>, (Ciutat de M\u00e8xic) \u00b7 \u00c1ngela Bonadies & Juan Jos\u00e9 Olavarr\u00eda<\/strong>, (Caracas\/Madrid\/Buenos Aires) \u00b7 Animales de Lorca<\/strong>, (Val\u00e8ncia) \u00b7 Archive Books<\/strong>, (Berlin) \u00b7 Art Architecture Design Research (AADR)<\/strong>, (Baunach) \u00b7 BASQUE.ART.<\/strong>, (Euskadi) \u00b7 Caja Negra<\/strong>, (Buenos Aires) \u00b7 Caniche<\/strong>, (Madrid) \u00b7 Carlos Pamies<\/strong>, (Barcelona) \u00b7 Casa de Vel\u00e1zquez<\/strong>, (Madrid) \u00b7 Casa Falconieri<\/strong>, (Cagliari) \u00b7 CENDEAC<\/strong>, (Murcia) \u00b7 Centre Cultural La Nau de la Universitat de Val\u00e8ncia<\/strong>, (Val\u00e8ncia) \u00b7 Chamo San<\/strong>, (Barcelona) \u00b7 Comisura<\/strong>, (Madrid) \u00b7 Consonni<\/strong>, (Bilbao) \u00b7 Consorci de Museus de la Comunitat Valenciana<\/strong>, (Val\u00e8ncia) \u00b7 Contrafotograf\u00eda<\/strong>, (Barcelona) \u00b7 Eacheve<\/strong>, (Guayaquil) \u00b7 Ediciones El Viso<\/strong>, (Madrid) \u00b7 Ediciones Galer\u00eda Miguel Marcos<\/strong>, (Barcelona) \u00b7 Ediciones Vilaseco<\/strong>, (A Coru\u00f1a) \u00b7 Editorial Elvira<\/strong>, (Vigo) \u00b7 EINA Edit<\/strong>, (Barcelona)\u0003El Disparate<\/strong>, (Madrid) \u00b7 escriptum<\/strong>, (Valencia)\u00a0\u00b7 Fabra\u0003i Coats: Centre d’Art Contemporani<\/strong>, (Barcelona) \u00b7 Familia Editions<\/strong>, (R\u00edo de Janeiro) \u00b7 Fontanar Ediciones<\/strong>, (Segovia) \u00b7 Fundaci\u00f3 Vila Casas<\/strong>, (Barcelona) Fundaci\u00f3n Mar\u00eda Jos\u00e9 Jove<\/strong>, (A Coru\u00f1a) \u00b7 Heads Take Away<\/strong>, (Pamplona)\u0003Instantes Gr\u00e1ficos<\/strong>, (Buenos Aires) \u00b7 IVAM<\/strong>, (Val\u00e8ncia) \u00b7 Karen Ghostlaw<\/strong>, \u0003(Newburgh) \u00b7 L’Arengario Studio Bibliografico – Tonini Editore<\/strong> (Gussago)\u0003La CANC<\/strong>, (Terrassa) \u00b7 La Capella<\/strong>, (Barcelona) \u00b7 La Granja Estudio<\/strong>, (Madrid)\u0003La Maleta de Portbou<\/strong>, (Barcelona) \u00b7 La Virreina Centre de la Imatge<\/strong>, (Barcelona) \u00b7 MACBA<\/strong>, (Barcelona) \u00b7 MACK<\/strong>, (Londres) \u00b7 Metales Pesados<\/strong>, (Santiago \u0003de Chile) \u00b7 Mia Mart\u00ed<\/strong>, (Barcelona)\u00b7 Miguel Mosquera<\/strong>, (A Coru\u00f1a) \u00b7 Muga<\/strong>, (Gij\u00f3n) \u00b7 Museo Helga de Alvear<\/strong>, (C\u00e0ceres) \u00b7 Ogami Press<\/strong>, (Madrid) \u00b7 Ojos de Buey<\/strong>, (Barcelona) \u00b7 Ra\u00ed\u00f1a Lupa<\/strong>, (Barcelona) \u00b7 RESTORY, rare books for rare people<\/strong>, (Barcelona) \u00b7 Roc\u00edoSantaCruz<\/strong>, (Barcelona) \u00b7 RV Cultura e Arte<\/strong>, (Salvador de Bah\u00eda) \u00b7 Sala Gaspar<\/strong>, (Barcelona) \u00b7 Serie AL<\/strong>, (Barcelona) \u00b7 Sud Sud<\/strong>, (Lisboa) \u00b7 TBA21 | Thyssen-Bornemisza Art Contemporary<\/strong>, (Madrid\/Viena)\u00b7 Tinta Invisible<\/strong>, (Barcelona) \u00b7 Torres Rivas<\/strong>, (Madrid) \u00a0\u00b7 Turner (Madrid) \u00b7 Unika Books<\/strong>, (Madrid) Urucum<\/strong>, (Lisboa) Villanueva Editores<\/strong>, (Caracas) \u00b7 Xavier Manrique<\/strong>, (Hospitalet)<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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SPEAKERS\u2019 CORNER<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Un espai din\u00e0mic i flexible per a la discussi\u00f3, difusi\u00f3 i intercanvi dels autors, editors i p\u00fablic en general.
\nAquest any tindrem programades al voltant de trenta presentacions i activitats que s’ubicaran a l’Speakers’ Corner<\/strong>.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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PROGRAMACI\u00d3 SPEAKERS\u2019 CORNER<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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15:00 <\/span>REVISTA \u00d1 \u2013 DIARIO CLAR\u00cdN
\n<\/b>Amb: Diego Bianchi <\/b>i Matilde S\u00e1nchez
\n<\/b><\/span>Els cyborgs v\u00e9nen marxant.
\n<\/b>Ens visita un artista que, recollint materials residuals del nostre temps postindustrial, els dispara amb ironia -i no sense agressivitat- a l’Antropoc\u00e8.<\/p>\n

15:30 REVISTA \u00d1 \u2013 DIARIO CLAR\u00cdN
\n<\/b>Amb: Tom\u00e1s Saraceno <\/b><\/span>i Matilde S\u00e1nchez
\n<\/b>Construccions en altura.
\n<\/b>Anem a un art que sintetitza sabers i els materialitza?<\/p>\n

16:00 EINA EDIT
\n<\/b>Presenta:<\/span> Edicions recents de Regina Jim\u00e9nez, Lola Lasurt, Andreu Balius, Asier Mendiz\u00e1bal.
\n<\/b> Con: <\/span>Regina Jim\u00e9nez, Lola Lasurt, Jo Milne, Javier Fern\u00e1ndez, Manuel Cirauqui.
\n<\/b>Aquesta presentaci\u00f3 abordar\u00e0, per una banda, la motivaci\u00f3 del projecte EINA Edit, llan\u00e7at recentment en un marc de pedagogia experimental i de comunitat creativa. De l’altra, l’esdeveniment servir\u00e0 per desgranar, en companyia d’algunes artistes col\u00b7laboradores, els conceptes subjacents a les produccions en el marc de les pr\u00e0ctiques gr\u00e0fiques contempor\u00e0nies.<\/p>\n

17:00 CASA DE VEL\u00c1ZQUEZ
\n<\/b>Presenta: Artifex Liber<\/i> de Alba Lorente Hern\u00e1ndez i Grand pas de Deux<\/i>, Linea d\u2019Argento<\/i> i Midi la lune<\/i> de Manu Bl\u00e1zquez<\/b>.
\nAmb: Alba Lorente Hern\u00e1ndez, Manu Bl\u00e1zquez i Fabienne Aguado, directora art\u00edstica de la Casa de Vel\u00e1zquez.
\n<\/b>El llibre d’artista\u00a0ARTIFEX LIBER\u00a0d’Alba Lorente Hern\u00e1ndez\u00a0desvela les metodologies destructives usades per crear les seves peces, mentre que en la seva publicaci\u00f3\u00a0ELS QUADERNS DE\u00a0s’amaga el contingut\u00a0dels quaderns originals amb l’objectiu de tornar-los obra.<\/p>\n

18:00 DIONISIO CA\u00d1AS
\n<\/b>Presentaci\u00f3 performativa.<\/b><\/p>\n

18.30 ANT\u00d3N LAMAZARES
\n<\/b> <\/b>Presenta: Poemario, T\u00fa: S\u00ed que sabes coraz\u00f3n.
\n<\/i><\/b>Recull de poemes editat per Sala Gaspar, inaugura la nova col\u00b7lecci\u00f3 Pocket.
\nAmb: Ant\u00f3n Lamazares i Moishan Gaspar.<\/b><\/p>\n

19:00 CONSONNI
\n<\/b>Presenta: Posmo<\/i>.
\n<\/b>Amb: Iv\u00e1n de la Nuez i Marta Peirano.
\n<\/b>Com es pot sortir del pa\u00eds estant mort, quina ment malalta \u00e9s capa\u00e7 de forjar una broma aix\u00ed, com \u00abtornar\u00bb legalment a la vida? Quan ets mort, qu\u00e8 m\u00e9s et pot passar?<\/p>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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15:00 REVISTA \u00d1 \u2013 DIARIO CLAR\u00cdN
\n<\/b>Presenta: Galer\u00eda Diego Obligado.
\n<\/b> <\/b>Amb: Andrea Ostera i Matilde S\u00e1nchez.
\n<\/b>Pesquisa d’un enigma t\u00e8cnic
\n<\/b>Fa anys que Andrea Ostera investiga com els atzars i l’evoluci\u00f3 vertiginosa de les imatges fan mutar la fotografia. Presenta obres de Plantes, la s\u00e8rie m\u00e9s recent. El dogma imperi\u00f3s \u00e9s reciclar i reutilitzar?<\/p>\n

16:00 EACHEVE
\n<\/b>Presenta: 101 Arte Contempor\u00e1neo Ecuador Vol. I<\/i>.
\n<\/b>Amb: Eliana Hidalgo, directora de Eacheve, i Karina Skvirsky<\/b>.
\nAquesta publicaci\u00f3 empr\u00e8n la revisi\u00f3 m\u00e9s \u00e0mplia de les pr\u00e0ctiques art\u00edstiques de l’actualitat a l’Equador.<\/p>\n

16:30 EACHEVE
\n<\/b>Presenta: Hasta que se vea<\/i>.
\n<\/b>Amb: Pepe Hanze<\/b>.
\nPepe Hanze unifica dues passions: la d’un suposat fot\u00f2graf amateur i la dels guaiaquilenys que surten tots els caps de setmana a jugar futbol de carrer per mitj\u00e0 d’un assaig visual fotogr\u00e0fic.<\/p>\n

17:00 TBA21 | THYSSEN-BORNEMISZA ART CONTEMPORARY
\n<\/b>Presenta: Promover la abundancia, entre el aceite y el agua<\/i> \u2013 Presentaci\u00f3n de\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <\/span>Futuros abundantes.
\n<\/b> Amb: <\/span>Daniela Zyman (comiss\u00e0ria i co-editora) en conversa amb les artistes Laia Estruch, Regina de Miguel i Asunci\u00f3n Molinos <\/b>Gordo<\/b><\/span>.
\n<\/b><\/span>Presentaci\u00f3 de la nova publicaci\u00f3 \u00abFuturs Abundants\u00bb (Turner, 2023), que desplega les reflexions recollides a l’exposici\u00f3 hom\u00f2nima que s’exhibeix al C3A, Centre de Creaci\u00f3 Contempor\u00e0nia d’Andalusia, C\u00f2rdova, fins al proper 5 de mar\u00e7.<\/p>\n

18:00 BASQUE. ART.
\n<\/b>Presenta: Presentaci\u00f3 general del projecte BASQUE.ART. – Cat\u00e0leg de publicacions recolzades per l’\u00c0rea d’Arts Pl\u00e0stiques i Visuals del Govern Basc.<\/b><\/p>\n

19:00 ARTSY
\n<\/b>Presenta: <\/span>El auge del mercado de arte digital: las tendencias m\u00e1s rompedoras
\n<\/b>Amb: Amada Maxwell, directora associada de nous negocis globals de Artsy<\/b><\/p>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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12:00 FONTANAR EDICIONES
\n<\/b>Presenta: Cuadernos de cal<\/i><\/b> \/ Realidades sin nombre.
\n<\/i><\/b>Amb: Paco L\u00f3pez, Javier Rubio Nomblot, Tom\u00e1s Paredes, Antonio S\u00e1nchez Garc\u00eda, Santiago Rodr\u00edguez del Hoyo i Manolo Oyonarte.
\n<\/b>Singulars llibres d’artista realitzats per SRH des del 1989 fins a l’actualitat i editats per Fontanar Ediciones des del 2015. \/ El viatge d’un artista cap al propi art<\/p>\n

13:00 VILLANUEVA EDITORES
\n<\/b>Presenta: Arte Contempor\u00e1neo de Venezuela Vol. 2.
\n<\/i><\/b>Amb: Francisco Ra\u00fal Villanueva<\/b>.<\/p>\n

14:00 <\/span>REVISTA \u00d1 \u2013 DIARIO CLAR\u00cdN
\n<\/b>Presenta: Galer\u00eda Hache.
\n<\/b> <\/b>Amb: Florencia <\/b>Bohtlingk<\/b><\/span>.
\n<\/b> <\/b>Primera mirada con lo ya aprendido
\n<\/b>En peus d’igualtat amb els habitants humans, el regne vegetal es trama a les grans teles de Bohtlingk per contribuir al laberint de refer\u00e8ncies Una volta al romanticisme despr\u00e9s del conceptualisme?<\/p>\n

15:00 \u00c1NGELA BONADIES & JUAN JOS\u00c9 OLAVARR\u00cdA
\n<\/b>Presenta:\u00a0En las entra\u00f1as de la bestia<\/i>.
\n<\/b>Amb: Yayo Aznar Almaz\u00e1n, Miguel \u00c1ngel G. Hern\u00e1ndez i \u00c1ngela Bonadies.
\n<\/b>En la recerca somiada d’una resposta al caos que domina la vida a la Rep\u00fablica Bolivariana socialista del segle XXI, A i J ens condueixen a una aventura a trav\u00e9s de les entranyes de la b\u00e8stia jer\u00e0rquica i criminal. Passejarem per espais carceraris, pels caus del cabdill: figura elusiva que representa el poder autoritari i masclista caracter\u00edstic d’una violenta cultura heroica.<\/p>\n

15.30 <\/span>SAGRARIO BERTI
\n<\/b>Presenta:\u00a0Fotograf\u00eda Impresa en Venezuela<\/i>.
\n<\/b>Amb: Sagrario Berti.
\n<\/b>T\u00e9 com a objecte d’estudi l’inventari de llibres i impresos il\u00b7lustrats amb fotografies publicades a Vene\u00e7uela a partir del 1945 fins al present. La investigaci\u00f3 intenta aix\u00ed tra\u00e7ar la hist\u00f2ria del llibre il\u00b7lustrat amb fotografies i la del fotollibre al pa\u00eds, a trav\u00e9s de la interpretaci\u00f3 dels nexes entre imatge, text, composici\u00f3 gr\u00e0fica i editor; \u00e9s a dir, la conviv\u00e8ncia d’aquestes disciplines als llibres.<\/p>\n

16:00 INSTANTES GR\u00c1FICOS
\n<\/b>Presenta: Presentaci\u00f3 de l’escola de llibres d’artista d’Instantes Gr\u00e0fics i publicacions grupals i individuals de 2022 i 2023.<\/strong>
\n<\/b>Amb: Carla Rey.<\/b><\/p>\n

17:00 EDITORIAL ELVIRA
\n<\/b> Presenta: <\/span>Caosmos<\/i> \/ A mirada Atl\u00e1ntica.
\n<\/i><\/b> <\/b>Amb: Alberto Avenda\u00f1o, Ant\u00f3n Pati\u00f1o, Manuel Rivas i Javier Romero.
\n<\/b>Ant\u00f3n Pati\u00f1o defineix a la perfecci\u00f3 la realitat amf\u00edbia de Gal\u00edcia a trav\u00e9s de desenes de referents que han constru\u00eft la nostra identitat des de les lletres, la pintura i el m\u00f3n audiovisual.<\/p>\n

18:00 EXIT
\n<\/b>Presenta: Arte Sonoro: una indisciplina<\/i><\/b>.
\nAmb: Jos\u00e9 Iges, Jos\u00e9 Jim\u00e9nez i Miguel \u00c1lvarez-Fern\u00e1ndez<\/b>.
\nAnt\u00f3n Pati\u00f1o defineix a la perfecci\u00f3 la realitat amf\u00edbia de Gal\u00edcia a trav\u00e9s de desenes de referents que han constru\u00eft la nostra identitat des de les lletres, la pintura i el m\u00f3n audiovisual.<\/p>\n

19:00 CENDEAC
\n<\/b>Presenta: Habitar la imagen. Fotograf\u00eda dom\u00e9stica y po\u00e9tica de la resistencia en la posguerra<\/i> de<\/b> M\u00f3nica Alonso<\/b>.
\nAmb: M\u00f3nica Alonso i Yayo Aznar.
\n<\/b>Habitar la imatge s’aproxima a la creaci\u00f3 i \u00fas d’imatges \u2013fonamentalment fotografies dom\u00e8stiques\u2013 durant el franquisme, amb especial atenci\u00f3 a la comunitat republicana. Per aix\u00f2 analitza centenars de fotografies dom\u00e8stiques fruit d’un treball amb arxius personals i amb hist\u00f2ria oral.<\/p>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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12:00 HEADS TAKE AWAY
\n<\/b>Presenta: R\u00e1pido REM<\/i><\/b>.
\nAmb: <\/span>Miguel Leache.
\n<\/b>Darrere dels seus ulls es formen viatges, problemes, colors, converses sense sentit aparent. Una reacci\u00f3 cerebral que encara no est\u00e0 descrita fa que l’anunci de l’estaci\u00f3 on el viatger s’ha de baixar sense ensurts. No sempre funciona ia vegades pots veure’n algun que desperta, mentre intenta recon\u00e8ixer el paisatge pel qual el metro viatja ja a plena llum, molt lluny del seu dest\u00ed.<\/p>\n

13:00 FUNDACI\u00d3N MAR\u00cdA JOS\u00c9 JOVE
\n<\/b> <\/b>Presenta: Cuentos mestizos<\/i> de Mercedes Azpilicueta.
\n<\/b> <\/b>Amb: Mercedes Azpilicueta, Manuel Segade i Susana Gonz\u00e1lez.
\n<\/b>Contes mestissos\u00a0revisa la traject\u00f2ria art\u00edstica de Mercedes Azpilicueta des del 2015 fins a l’actualitat. La seva pr\u00e0ctica se sustenta en processos de recerca que exploren les qualitats afectives i la dimensi\u00f3 pol\u00edtica de la comunicaci\u00f3 a trav\u00e9s del cos, la veu i el llenguatge.<\/p>\n

14:00 CENDEAC
\n<\/b>Presenta: Contra la publicidad. Arte y apropiaci\u00f3n publicitaria en Espa\u00f1a en el siglo XXI <\/i>de Ana Garc\u00eda Alarc\u00f3n.
\n<\/b>Amb: Ana Garc\u00eda Alarc\u00f3n, Rogelio L\u00f3pez Cuenca, Elo Vega, Jaime Brihuega i Noaz.
\n<\/b>El llibre parteix de les relacions existents entre el binomi artpublicitat per analitzar-les en el marc de l’art espanyol actual.<\/p>\n

15:00 EDITORIAL ELVIRA
\n<\/b> <\/b>Presenta: Bueno, Carallo, Bueno<\/i>.
\n<\/b> <\/b>Amb: Jos\u00e9 Freixanes, Javier Romero i Alberto Avenda\u00f1o.
\n<\/b>Les intervencions\/traduccions en japon\u00e8s funcionen com un element m\u00e9s de la comunicaci\u00f3 pl\u00e0stica. La doble versi\u00f3 (gallec\/castell\u00e0) ofereix al lector l’opci\u00f3 d’ampliar l’experi\u00e8ncia est\u00e8tica i textual.<\/p>\n

16:00 BASQUE. ART. <\/b>Ciclo de ponencias
\n<\/b><\/span>Presenta: Presentacions de les publicacions recolzades per l’\u00e0rea d’Arts Pl\u00e0stiques i Visuals del Govern Vasc incloses en el cat\u00e0leg BASQUE.ART.
\n<\/b>Amb: Les artistes responsables de dites publicacions<\/b>.<\/p>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tDiumenge 26 de febrer<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

12:00 FONTANAR EDICIONES
\n<\/b>Presenta: Versos cruzados<\/i> de Luis Moro.
\n<\/b>Amb: Miguel Cereceda, Tom\u00e1s Paredes, Antonio S\u00e1nchez i<\/b> Luis Moro.
\n<\/b>Pont entre art i literatura, encreuament intercontinental que reivindica l’invaluable llegat que constitueixen la paraula al poema i el tra\u00e7 impr\u00e8s al paper.<\/p>\n

13:00 <\/span>EDITORIAL ELVIRA
\n<\/b>Presenta: Centenario de Carlos Oroza.
\n<\/b> <\/b>Amb: Ant\u00f3n Pati\u00f1o, Ant\u00f3n Lamazares, Menchu Lamas i Javier Romero.
\n<\/b>Xerrada-col\u00b7loqui al voltant de la figura del poeta, de la seva obra i de la seva estreta relaci\u00f3 amb l’art.<\/p>\n

14:00 EL DISPARATE
\n<\/b> <\/b>Presenta: El Disparate.
\n<\/b> <\/b>Amb: Ignacio Navas.
\n<\/b>Presentaci\u00f3 dels llibres de l’editorial El Disparate.<\/p>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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ArtsLibrisARCOmadrid – 2023 ArtsLibris a la vuitena edici\u00f3 a ARCOmadrid, presenta 67 expositors nacionals i internacionals, amb una notable pres\u00e8ncia d’editors iberoamericans procedents del Brasil, M\u00e8xic, l’Equador i Portugal, a m\u00e9s d’una extensa programaci\u00f3 cultural protagonitzada pels artistes i editors participants. El nostre espai de presentacions i debats, Speakers’Corner, seguir\u00e0 sumant la programaci\u00f3 de les […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":47,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-21569","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nArtsLibris ARCOmadrid 2023 - ArtsLibris<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/artslibris.cat\/ca\/artslibris-arcomadrid-2023\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"ArtsLibris ARCOmadrid 2023 - ArtsLibris\" \/>\n<meta property=\"og:description\" content=\"ArtsLibrisARCOmadrid – 2023 ArtsLibris a la vuitena edici\u00f3 a ARCOmadrid, presenta 67 expositors nacionals i internacionals, amb una notable pres\u00e8ncia d’editors iberoamericans procedents del Brasil, M\u00e8xic, l’Equador i Portugal, a m\u00e9s d’una extensa programaci\u00f3 cultural protagonitzada pels artistes i editors participants. 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