{"id":15908,"date":"2022-02-02T10:25:31","date_gmt":"2022-02-02T10:25:31","guid":{"rendered":"https:\/\/artslibris.cat\/artslibris-arcomadrid-2022\/"},"modified":"2022-03-31T17:07:37","modified_gmt":"2022-03-31T17:07:37","slug":"artslibris-arcomadrid-2022","status":"publish","type":"page","link":"https:\/\/artslibris.cat\/ca\/artslibris-arcomadrid-2022\/","title":{"rendered":"ARTSLIBRIS ARCOmadrid 2022"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"15908\" class=\"elementor elementor-15908 elementor-15872\" data-elementor-settings=\"[]\">\n\t\t\t\t\t\t<div class=\"elementor-inner\">\n\t\t\t\t\t\t\t<div class=\"elementor-section-wrap\">\n\t\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-4cf2fcc elementor-section-full_width elementor-section-stretched elementor-section-height-default elementor-section-height-default\" data-id=\"4cf2fcc\" data-element_type=\"section\" data-settings=\"{&quot;stretch_section&quot;:&quot;section-stretched&quot;,&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-24bdcd7\" data-id=\"24bdcd7\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-f6d8a93 elementor-aspect-ratio-169 elementor-widget elementor-widget-video\" data-id=\"f6d8a93\" data-element_type=\"widget\" data-settings=\"{&quot;video_type&quot;:&quot;hosted&quot;,&quot;autoplay&quot;:&quot;yes&quot;,&quot;play_on_mobile&quot;:&quot;yes&quot;,&quot;loop&quot;:&quot;yes&quot;,&quot;mute&quot;:&quot;yes&quot;,&quot;aspect_ratio&quot;:&quot;169&quot;}\" data-widget_type=\"video.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"e-hosted-video elementor-wrapper elementor-fit-aspect-ratio elementor-open-inline\">\n\t\t\t\t\t<video class=\"elementor-video\" src=\"https:\/\/artslibris.cat\/wp-content\/uploads\/2022\/01\/AL-ARCOmadrid-horizontal_es.mp4\" autoplay=\"\" loop=\"\" muted=\"muted\" playsinline=\"\" controlsList=\"nodownload\"><\/video>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-4c57e1a elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"4c57e1a\" data-element_type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-906fed0\" data-id=\"906fed0\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-74a41a8 elementor-widget elementor-widget-heading\" data-id=\"74a41a8\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">ArtsLibris en ARCOmadrid 2022<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-203e31f elementor-widget elementor-widget-text-editor\" data-id=\"203e31f\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-text-editor elementor-clearfix\"><p class=\"p1\"><b>ArtsLibris<\/b> <span class=\"VIiyi\" lang=\"ca\"><span class=\"JLqJ4b ChMk0b\" data-language-for-alternatives=\"ca\" data-language-to-translate-into=\"es\" data-phrase-index=\"0\" data-number-of-phrases=\"7\">tornar\u00e0 a estar present aquest any a <strong>ARCOmadrid<\/strong>.<\/span> <span class=\"JLqJ4b ChMk0b\" data-language-for-alternatives=\"ca\" data-language-to-translate-into=\"es\" data-phrase-index=\"1\" data-number-of-phrases=\"7\">En aquesta <strong>setena edici\u00f3<\/strong>, presenta 55 expositors nacionals i internacionals, amb una pres\u00e8ncia notable d&#8217;editors procedents del Brasil, M\u00e8xic i Portugal, a m\u00e9s d&#8217;una extensa programaci\u00f3 cultural protagonitzada pels artistes i editors participants.<\/span> <\/span><\/p>\n<p class=\"p1\"><span class=\"VIiyi\" lang=\"ca\"><span class=\"JLqJ4b ChMk0b\" data-language-for-alternatives=\"ca\" data-language-to-translate-into=\"es\" data-phrase-index=\"3\" data-number-of-phrases=\"7\">Aquest any per primera vegada, al nostre espai de presentacions i debats, <strong>Speakers&#8217; Corner<\/strong>, se suma la programaci\u00f3 de les galeries participants a ARCO.<\/span> <strong><span class=\"JLqJ4b ChMk0b\" data-language-for-alternatives=\"ca\" data-language-to-translate-into=\"es\" data-phrase-index=\"4\" data-number-of-phrases=\"7\">D&#8217;aquesta manera incentivem el col\u00b7leccionisme a trav\u00e9s de les publicacions d&#8217;artista.<\/span><\/strong> <\/span><\/p>\n<p class=\"p1\"><span class=\"VIiyi\" lang=\"ca\"><span class=\"JLqJ4b ChMk0b\" data-language-for-alternatives=\"ca\" data-language-to-translate-into=\"es\" data-phrase-index=\"6\" data-number-of-phrases=\"7\">ArtsLibris s&#8217;ha consolidat com un espai de reflexi\u00f3 i di\u00e0leg al voltant del<strong> lloc que ocupen les publicacions a la producci\u00f3 art\u00edstica<\/strong>.<\/span><\/span><\/p>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-fadbccb elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"fadbccb\" data-element_type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-de0a854\" data-id=\"de0a854\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-26e3ba0 elementor-widget elementor-widget-heading\" data-id=\"26e3ba0\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">PARTICIPANTS ARTSLIBRIS A ARCOmadrid 2022<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-6f584f2 elementor-widget elementor-widget-text-editor\" data-id=\"6f584f2\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-text-editor elementor-clearfix\"><p class=\"p1\"><span class=\"s1\"><b>42 lineas<\/b>, (Oviedo) \u00b7 <b>55SP<\/b>, (S\u00e3o Paulo) \u00b7 <b>Akal<\/b>, (Madrid) \u00b7 <b>Alias<\/b>, (Ciudad de M\u00e9xico) \u00b7 <b>Al-Tiba9 Contemporary Art<\/b>, (Barcelona) \u00b7 <b>\u00c0friques Edicions<\/b>, (Sant Cugat) \u00b7<b> Animales de Lorca<\/b>, (Valencia) \u00b7 <b>Art Architecture Design Research (AADR)<\/b>, (Baunach) \u00b7 <b>Bartlebooth<\/b>, (Lugo \/ Madrid) \u00b7 <b>Blow up Press<\/b>, (Varsovia) \u00b7 <b>CA Franches-Montagnes,<\/b> (St-Brais) \u00b7 <b>Casa de Vel\u00e1zquez<\/b>, (Madrid) \u00b7 <b>Caja Negra<\/b>, (Buenos Aires) \u00b7 <b>CENDEAC<\/b>, (Murcia) \u00b7 <b>Charco<\/b>, (Espa\u00f1a \/ M\u00e9xico) \u00b7 <b>Concreta<\/b>, (Valencia) \u00b7 <b>Consonni<\/b>, (Bilbao) \u00b7 <b>Consorci de Museus Valencians<\/b>, (Valencia) \u00b7 <b>Contemporanea<\/b>, (Lisboa) \u00b7 <b>Dalpine<\/b>, (Madrid) \u00b7 <b>El Disparate<\/b>, (Madrid) \u00b7 <b>estudioAsia<\/b>, (Madrid) \u00b7 <b>Fabra i Coats: Centre d&#8217;Art Contemporani<\/b>, (Barcelona) \u00b7 <b>Familia Editions<\/b>, (R\u00edo de Janeiro) \u00b7 <b>FAW<\/b>, (Vigo) \u00b7 <b>Fundaci\u00f3n Mar\u00eda Jos\u00e9 Jove<\/b>, (A Coru\u00f1a) \u00b7 <b>Hu Editions \/ Carmen Hurtado<\/b>, (Barcelona) \u00b7 <b>Institut de Cultura de Barcelona. Ajuntament de Barcelona<\/b>, (Barcelona) \u00b7 <b>Klosterfelde Edition<\/b>, (Berlin) \u00b7 <b>La Aurora Ediciones<\/b>, (Murcia) \u00b7 <b>La Capella<\/b>, (Barcelona) \u00b7 <b>Laboratorio Creativo Vilaseco<\/b>, (A Coru\u00f1a) \u00b7 <b>La documental Edicions<\/b>, (Valencia) \u00b7 <b>La Virreina Centre de la Imatge<\/b>, (Barcelona) \u00b7 <b>LibrosArte<\/b>, (Madrid) \u00b7 <b>Metales Pesados<\/b>, (Santiago de Chile) \u00b7 <b>Mia Mart\u00ed<\/b>, (Sentmenat) \u00b7 <b>Muga<\/b>, (Gij\u00f3n) \u00b7 <b>Multistudios<\/b>, (Barcelona) \u00b7 <b>Ogami Press<\/b>, (Madrid) \u00b7 <b>PEZPLATA Ediciones<\/b>, (Madrid) \u00b7 <b>Photovision<\/b>, (Sevilla) \u00b7 <b>Puigfaura Edicions<\/b>, (Sabadell) \u00b7 <b>Rai\u00f1a Lupa<\/b>, (Barcelona) \u00b7 <b>RocioSantaCruz<\/b>, (Barcelona) \u00b7 <b>Rub\u00e9n Barroso<\/b>, (Sevilla) \u00b7 <b>RV Cultura e Arte<\/b>, (Brasil) \u00b7 <b>Simetr\u00eda Dom\u00e9stica<\/b>, (Buenos Aires) \u00b7 <b>TBA21 Thyssen-Bornemisza Art Contemporary<\/b>, (Viena\/Madrid) \u00b7 <b>Temblores Publicaciones<\/b>, (Ciudad de M\u00e9xico) \u00b7 <b>The Green Parrot Editions<\/b>, (Barcelona) \u00b7 <b>The Sea Urchins Container Artist Residence<\/b>, (Alicante) \u00b7 <b>Tinta Invisible<\/b>, (Barcelona) \u00b7 <b>Urucum<\/b>, (Lisboa) \u00b7 <b>Ximena P\u00e9rez Grobet<\/b>, (Barcelona \/ M\u00e9xico)<span class=\"Apple-converted-space\">\u00a0<\/span><\/span><\/p>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-9845438 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"9845438\" data-element_type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-48586dc\" data-id=\"48586dc\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-d18f860 elementor-widget elementor-widget-heading\" data-id=\"d18f860\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">PROGRAMACI\u00d3<br>SPEAKERS' CORNER 2022<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-966f241 elementor-widget elementor-widget-accordion\" data-id=\"966f241\" data-element_type=\"widget\" data-widget_type=\"accordion.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-accordion\" role=\"tablist\">\n\t\t\t\t\t\t\t<div class=\"elementor-accordion-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-1571\" class=\"elementor-tab-title\" data-tab=\"1\" role=\"tab\" aria-controls=\"elementor-tab-content-1571\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon elementor-accordion-icon-left\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-closed\"><i class=\"fas fa-chevron-down\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-opened\"><i class=\"fas fa-chevron-up\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-accordion-title\" href=\"\">Dimecres 23 de febrer<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-1571\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"1\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-1571\"><p class=\"p1\"><strong>15:00<br \/>\n<\/strong><b>CONSONNI \/ CENTRO DE ARTE CONTEMPOR\u00c1NEO HUARTE<br \/>\n<\/b>Presenta: <i>No hay solistas. <\/i>Huarte Arte Garaikideko Zentroaren Aldizkaria \/ Revista del Centro de Arte Contempor\u00e1neo Huarte.<br \/>\nAmb: Oskia Ugarte, Nerea de Diego, Maria Ozcoidi, Consonni.<span class=\"Apple-converted-space\"><br \/>\n<\/span><em>No hay solistas<\/em> <span class=\"VIiyi\" lang=\"ca\"><span class=\"JLqJ4b ChMk0b\" data-language-for-alternatives=\"ca\" data-language-to-translate-into=\"es\" data-phrase-index=\"0\" data-number-of-phrases=\"1\">\u00e9s el nou projecte de revista cultural del Centre d&#8217;Art Contemporani Huarte que sorgeix com a extensi\u00f3 de la instituci\u00f3 per compartir i desplegar reflexions, processos de treball i pr\u00e0ctiques de l&#8217;ecosistema plural i divers de qu\u00e8 forma part.<\/span><\/span><\/p>\n<p class=\"p1\"><strong>16:00<\/strong><br \/>\n<b>CASA DE VELAZQUEZ<br \/>\n<\/b>Presenta: <i>Sinik. A Pillow Book (El l\u00edmite de los sue\u00f1os) de Cristina Gam\u00f3n; Homo Indifferens \u00e0 la Casa de Pablo P\u00e9rez Palacio; y Croma, de Mery Sales.<br \/>\n<\/i>Amb:<i> <\/i>els tres artistes i Fabienne Aguado, directora art\u00edstica de la Casa de Vel\u00e1zquez.<br \/>\nCristina Gam\u00f3n presenta un llibre format per dues parts, un relat que reflecteix els conflictes d&#8217;un artista indiferent en un context com la Casa, en gran part, una possibilitat col\u00b7lectiva i tres cartografies a base de transpar\u00e8ncies. El projecte de Pablo P\u00e9rez esdev\u00e9 possible gr\u00e0cies a la interrelaci\u00f3 entre la hyperficci\u00f3 i la hyperrealidad. Croma, de Mery Sales \u00e9s el primer llibre d&#8217;artista realitzat en el marc d&#8217;\u201cUna altra vida en xarxa\u201d, a la resid\u00e8ncia de la Casa de Vel\u00e1zquez 2021\/2022.<\/p>\n<p class=\"p1\"><strong>17:00<\/strong><br \/>\n<b>LA DOCUMENTAL EDICIONS<\/b><span class=\"Apple-converted-space\"><br \/>\n<\/span>Presenta: <i>La Colecci\u00f3n Sr. Velasco como archipi\u00e9lago<span class=\"Apple-converted-space\"><br \/>\n<\/span><\/i>Amb: \u00c1lvaro de los \u00c1ngeles (editor)<br \/>\n<i>La Colecci\u00f3n Sr. Velasco<\/i> \u00e9s una col\u00b7lecci\u00f3 de llibres on tots s\u00f3n diferents. \u00c9s una anticol\u00b7lecci\u00f3 que recorda la manera com actua un arxip\u00e8lag amb les illes que el conformen: una relaci\u00f3 entre els seus llibres o illes a partir del que els separa<\/p>\n<p class=\"p1\"><strong>18:00<\/strong><br \/>\n<b>LA VIRREINA CENTRE DE LA IMATGE<\/b><span class=\"Apple-converted-space\"><br \/>\n<\/span>Presenta: <i>El museo como proyecto editorial<\/i><span class=\"Apple-converted-space\"><br \/>\n<\/span>Amb: Valent\u00edn Roma, director de La Virreina Centre de la Imatge<br \/>\nUn museu es pot transformar en editorial? Des de quins arguments i mitjan\u00e7ant quins continguts? Des del 2016 La Virreina Centre de la Imatge ha intentat sostenir un projecte d&#8217;edici\u00f3 independent al seu programa expositiu, que fos una l\u00ednia de treball en si mateixa, amb les seves pr\u00f2pies l\u00f2giques i tensions, no necess\u00e0riament en l&#8217;\u00e0mbit de l&#8217;art.<\/p>\n<p class=\"p1\"><strong>19:00<\/strong><br \/>\n<b>OGAMI PRESS<span class=\"Apple-converted-space\"><br \/>\n<\/span><\/b>Presenta: <i>Google Pattern -T he Rest is History.\u00a0<\/i>Chroma Art Prints, 2021<br \/>\nAmb: Juan Lara, julio Criado y Ira Lombard\u00eda<br \/>\n<span class=\"VIiyi\" lang=\"ca\"><span class=\"JLqJ4b\" data-language-for-alternatives=\"ca\" data-language-to-translate-into=\"es\" data-phrase-index=\"0\" data-number-of-phrases=\"1\">El projecte\u00a0<em>Chroma Art Prints<\/em>\u00a0d&#8217;Ira Lombard\u00eda suposa la combinaci\u00f3 de t\u00e8cniques tradicionals com el fotogravat \u2013 molt utilitzat durant el segle XIX i XX per a la reproducci\u00f3 de documentaci\u00f3 art\u00edstica en llibres i c\u00f2pies \u2013 amb altres processos de reproducci\u00f3 mec\u00e0nica molt habituals durant el segle XX com la serigrafia i finalment la interacci\u00f3 digital que permet que les peces siguin alterades pels usuaris. Les peces parteixen de l&#8217;apropiaci\u00f3 de fitxers hist\u00f2rics, que s\u00f3n abnegats amb una taca serigr\u00e0fica.<\/span><\/span><\/p>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"elementor-accordion-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-1572\" class=\"elementor-tab-title\" data-tab=\"2\" role=\"tab\" aria-controls=\"elementor-tab-content-1572\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon elementor-accordion-icon-left\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-closed\"><i class=\"fas fa-chevron-down\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-opened\"><i class=\"fas fa-chevron-up\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-accordion-title\" href=\"\">Dijous 24 de febrer<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-1572\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"2\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-1572\"><p class=\"p1\"><strong>15:00<br \/>\n<\/strong><b>FABRA I COATS: CENTRE D\u2019ART CONTEMPORANI<span class=\"Apple-converted-space\"><br \/>\n<\/span><\/b>Presenta: <i>Publicaciones de Fabra i Coats: Centre d\u2019Art Contemporani<br \/>\n<\/i>Amb: Joana Hurtado, directora de Fabra i Coats: Centre d\u2019Art Contemporani, y Bendita Gloria, estudi de disseny.<br \/>\nDes del 2019, la nova direcci\u00f3 de Fabra i Coats planteja una l\u00ednia editorial que sigui tan experimental i porosa com busca ser la instituci\u00f3. Sorgeixen aix\u00ed les publicacions d&#8217;artista Sucede cada dia, de Jordi Mitj\u00e0; Coses que les coses diuen, guarida per Latituds; The Late Estate Broomberg &amp; Chanarin; i Una exposici\u00f3 veritable, de Mart\u00ed Anson.<\/p>\n<p class=\"p5\"><strong>16:00<br \/>\n<\/strong><b>LA CAPELLA<br \/>\n<\/b>Presenta: <i>Makebelieve Neuromancer<span class=\"Apple-converted-space\"><br \/>\n<\/span><\/i>Amb: Luc\u00eda C. Pino, artista, y David Armengol, director de La Capella (Barcelona)<br \/>\nPublicaci\u00f3 sobre la instal\u00b7laci\u00f3 escult\u00f2rica immersiva que Luc\u00eda C. Pino va presentar a La Capella. Des del que \u00e9s mat\u00e8ric, la proposta explora q\u00fcestions de transitorietat i la seva capacitat de formaci\u00f3 d&#8217;altres maneres d&#8217;exist\u00e8ncia i subjectivitat, connectant aix\u00ed escultura i teoria queer.<\/p>\n<p class=\"p7\"><strong>17:00<br \/>\n<\/strong><b>EDITORIAL CONCRETA<\/b><span class=\"Apple-converted-space\"><br \/>\n<\/span>Presenta: <i>CONCRETA 18, El di\u00e1logo como restituci\u00f3n y reparaci\u00f3n. M\u00e1s all\u00e1 de los objetos<\/i>.<br \/>\nAmb: Laura Valles Vilchez, Tania Safura Adam, Hasan G. L\u00f3pez Sanz y Lorenzo Sandoval.<br \/>\n<i>Concreta 18<\/i> (tardor 2021) reflexiona sobre la restituci\u00f3 i la reparaci\u00f3 del patrimoni afric\u00e0 en el context postcolonial. Un assumpte circumscrit al retorn d&#8217;objectes recollits o espoliats que sovint ignora la dimensi\u00f3 immaterial fora dels murs dels museus.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p5\"><strong>18:00<br \/>\n<\/strong><b>TINTA INVISIBLE EDICIONS<br \/>\n<\/b>Presentan: <i>Yuxtaposiciones. Un juego de 576 p\u00e1ginas, 12 figuras, 9 colores<\/i>.<br \/>\nAmb: Carlos Bunga, Manuel Guerrero, Paulo Miyada y Mart\u00ed Guinovart.<br \/>\nCarlos Bunga proposa una juxtaposici\u00f3 de fulles de paper blanques encunyades i enquadernades, amb fulles soltes de diferents colors dins d&#8217;una caixa de fusta. El llibre objecte es converteix en un joc de geometria variable. Alhora en una obra d&#8217;art que \u00e9s transformada cada vegada que l&#8217;espectador, actor o lector, obre i altera el lloc de les 9 fulles de colors.<\/p>\n<p class=\"p9\"><strong>19:00<br \/>\n<\/strong><b>BARTLEBOOTH<br \/>\n<\/b>Presenta: <i>Mutaciones en el espacio p\u00fablico<\/i>, VVAA<span class=\"Apple-converted-space\"><br \/>\n<\/span>Amb: S\u00f6ren Meschede, <span class=\"VIiyi\" lang=\"ca\"><span class=\"JLqJ4b\" data-language-for-alternatives=\"ca\" data-language-to-translate-into=\"es\" data-phrase-index=\"0\" data-number-of-phrases=\"1\">gestor cultural i coeditor de l&#8217;obra, i Fran Quiroga, investigador, comissari i coeditor de l&#8217;obra. La pand\u00e8mia ha constrenyit obligat\u00f2riament a l&#8217;espai p\u00fablic i aquest embat ha posat en evid\u00e8ncia processos pol\u00edtics que ja s&#8217;estaven anunciant a les darreres d\u00e8cades: la normativitzaci\u00f3 creixent de l&#8217;espai, la inequitat social, la desconfian\u00e7a a l&#8217;altre, el desmantellament d&#8217;iniciatives p\u00fabliques o comunit\u00e0ries o l&#8217;\u00e0nsia per la immediatesa s&#8217;han desvetllat amb m\u00e9s cruesa en els darrers anys.<\/span><\/span> <span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"elementor-accordion-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-1573\" class=\"elementor-tab-title\" data-tab=\"3\" role=\"tab\" aria-controls=\"elementor-tab-content-1573\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon elementor-accordion-icon-left\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-closed\"><i class=\"fas fa-chevron-down\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-opened\"><i class=\"fas fa-chevron-up\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-accordion-title\" href=\"\">Divendres 25 de febrer<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-1573\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"3\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-1573\"><p class=\"p1\"><strong>12:00<br \/>\n<\/strong><b>FUNDACI\u00d3N MAR\u00cdA JOS\u00c9 JOVE<br \/>\n<\/b>Presenta: <i>Cami\u00f1o Negro<\/i>. Dami\u00e1n Ucieda.<br \/>\nTextos: Juan de Nieves, Iago Carro, Emilio Santiago Mui\u00f1o y Leticia Guti\u00e9rrez Becker.<br \/>\nAmb: Susana Gonz\u00e1lez amb l&#8217;artista Dami\u00e1n Ucieda i Juan de Nieves, acompanya Laura Estevez, de Turner. Es presenta la l\u00ednia editorial de la Fundaci\u00f3 Mar\u00eda Jos\u00e9 Jove, a m\u00e9s de llibres com Helmets, de June Crespo o els Premis Investigaci\u00f3 i Assaig, aplicacions terap\u00e8utiques de l&#8217;art: Veus d&#8217;un lloc impossible de Diana Rangel i Remirando l&#8217;oblit, de Rebeca Zurru.<\/p>\n<p class=\"p1\"><strong>13:00<\/strong><br \/>\n<b>HU EDITIONS \/ CARMEN HURTADO<br \/>\n<\/b>Presenten: Zenobia, Una habitaci\u00f3 pr\u00f2pia, Nomother, Torreblanca, La muntanya m\u00e0gica, El sacrifici, L&#8217;ombra, El cos, Triada. Amb: Carmen Hurtado P\u00e9rez Inspirada a Ulises Carri\u00f3n a &#8220;L&#8217;art nou de fer llibres\u201d. HU editions permet a l&#8217;artista donar format de publicaci\u00f3 als seus projectes. A partir d&#8217;escrits i imatges crea art experimental dins el cub blanc de l&#8217;espai temps dels llibres. La publicaci\u00f3 pot ser: un viatge, un par\u00e8ntesi, una deriva, una instal\u00b7laci\u00f3, un full de sala, una obra que parteix de l&#8217;altra sense definici\u00f3.<\/p>\n<p class=\"p1\"><strong>14:00<\/strong><br \/>\n<b>MIA MART\u00cd<br \/>\n<\/b>Presenten: Pintura dins dels llibres Imatges i Ciutats. Amb: Mia Mart\u00ed Presentaci\u00f3 dels llibres originals d&#8217;artista i els llibres d&#8217;edicions limitades i intervinguts a m\u00e0 Ciutats i Imatges. El llibre passa de ser suport a ser lobra en si, acull la pintura al seu interior. Les seves p\u00e0gines s\u00f3n el llen\u00e7 on es desplega la imatge, fotografia, dibuix i pintura.<\/p>\n<p class=\"p1\"><strong>15:00<\/strong><br \/>\n<b>PAUL-THOMAS HINKEL<br \/>\n<\/b>Presenta: <i>Watercolours &#8211; Aquarelle &#8211; Aquarelas<span class=\"Apple-converted-space\"><br \/>\n<\/span><\/i>Amb: Klaus HINKEL. L&#8217;artista Klaus HINKEL, resident a Frigiliana, Andalusia, presenta el seu nou llibre Watercolours \u2013 Aquarelle \u2013 Aquarel\u00b7les, amb una selecci\u00f3 d&#8217;obres \u00faniques i la seva manera molt particular de pintar aquarel\u00b7les. Amb una cura, variat i intens colorit a trav\u00e9s de l&#8217;expressiu blau del sud. D&#8217;una manera molt particular i intu\u00eftiva de pintar aquarel\u00b7les \u00e9s com ressalta la peculiaritat d&#8217;aquest llibre ricament il\u00b7lustrat.<\/p>\n<p class=\"p1\"><strong>16:00<br \/>\n<\/strong><b>EDICIONES AKAL<br \/>\n<\/b>Presenta: <i>50 a\u00f1os de arte a trav\u00e9s de los libros. Arte contempor\u00e1neo y Estudios Visuales<\/i>.<br \/>\nAmb: Miguel \u00c1ngel Hern\u00e1ndez, escriptor, cr\u00edtic dart, Professor titular dHist\u00f2ria de lArt i subdirector del Centre dEstudis Visuals de la Universitat de M\u00farcia); i Jes\u00fas Espino, Edicions Akal. Una trobada per con\u00e8ixer l&#8217;evoluci\u00f3 dels estudis art\u00edstics durant els darrers 50 anys a trav\u00e9s del fons d&#8217;Ediciones Akal, des de les noves perspectives d&#8217;an\u00e0lisi de l&#8217;art contemporani i dels estudis visuals.<\/p>\n<p class=\"p1\"><strong>17:00<\/strong><br \/>\n<b>PHOTOVISION<br \/>\n<\/b>Presenta: <i>Luz de obra<\/i>.<br \/>\nAmb: Olvido Mu\u00f1oz Heras, autora.<br \/>\n\u00c9s un llibre sobre la identitat de l?arquitecte espanyol de principis del s. XXI i la llum de la mirada. Cal\u00b7ligrafiat en tres idiomes: espanyol, angl\u00e8s i japon\u00e8s. Impr\u00e8s en paper autocopiatiu bicolor. Enquadernaci\u00f3 manual, s\u00e8rie numerada 250 exemplars. Ha rebut el Premi d&#8217;Edici\u00f3 L\u00e1zaro Galdiano 2021 a la categoria Llibres d&#8217;art.<\/p>\n<p class=\"p1\"><strong>18:00<\/strong><br \/>\n<b>DALPINE<br \/>\n<\/b>Presenta:<i> Terminal<\/i>.<br \/>\nAmb: Enrique Fraga i Elisa Miralles. Terminal indaga en la deshumanitzaci\u00f3 i l&#8217;a\u00efllament que produeix l&#8217;estil de vida dels viatges de treball, protagonitzat per un selecte club de persones orgulloses de pert\u00e0nyer-hi i que transiten constantment per una s\u00e8rie de llocs sense identitat. Les fotografies que componen aquest llibre recreen l&#8217;ambient d&#8217;ombres i llampades de color que il\u00b7luminen aquest tr\u00e0nsit.<\/p>\n<p class=\"p1\"><strong>19:00<\/strong><br \/>\n<b>LABORATORIO CREATIVO VILASECO<br \/>\n<\/b><span class=\"VIiyi\" lang=\"ca\"><span class=\"JLqJ4b\" data-language-for-alternatives=\"ca\" data-language-to-translate-into=\"es\" data-phrase-index=\"0\" data-number-of-phrases=\"1\">Presenta: <em>Antonio Murado<\/em>. Llibre dartista. Amb: Miriam P\u00e9rez, editora; Antonio Murado, artista; Mar\u00eda De la Vega, autora dels textos; i Carolina N\u00fa\u00f1ez, dissenyadora gr\u00e0fica. Presentaci\u00f3 de l&#8217;edici\u00f3 especial del llibre Antonio Murado. Un tiratge de 150 exemplars on les cobertes s\u00f3n llins pintats per l&#8217;artista gallec. Una reflexi\u00f3 a trav\u00e9s d&#8217;un llibre d&#8217;artista, amb textos de la historiadora Maria de la Vega, que ens situa com a \u00e9ssers humans davant d&#8217;un m\u00f3n dominat pels algorismes, tasques estandarditzades i programades alhora que ens apropa a l&#8217;univers de l&#8217;artista i als seus processos creatius.<\/span><\/span><\/p>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"elementor-accordion-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-1574\" class=\"elementor-tab-title\" data-tab=\"4\" role=\"tab\" aria-controls=\"elementor-tab-content-1574\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon elementor-accordion-icon-left\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-closed\"><i class=\"fas fa-chevron-down\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-opened\"><i class=\"fas fa-chevron-up\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-accordion-title\" href=\"\">Dissabte 26 de febrer<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-1574\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"4\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-1574\"><p class=\"p1\"><strong>12:00<\/strong><br \/>\n<b>CENDEAC<br \/>\n<\/b>Presenta: <i>Islarios de contemporaneidad. Anomia digital y cr\u00edtica de perspectivas m\u00faltiples<\/i> (Colecci\u00f3n Ad hoc, 2021).<br \/>\nAmb: Pedro Medina, autor; Miguel Cereceda i Luis Francisco P\u00e9rez. La travessia que proposa aquest llibre busca submergir-se en all\u00f2 digital per explicar la seva ess\u00e8ncia i la desorientaci\u00f3 que ha provocat, amb l&#8217;objectiu de valorar els motius d&#8217;aquest malestar i descobrir costes de bona esperan\u00e7a. Aquest viatge t\u00e9 inici en una concepci\u00f3 del m\u00f3n continua, uniforme i homog\u00e8nia, que es veu fragmentada en un paisatge d&#8217;imatges i simultane\u00eftats accelerat.<\/p>\n<p class=\"p1\"><strong>13:00<\/strong><br \/>\n<b>COMISURA Y MUGA<br \/>\n<\/b>Presenta: <i>Siempre van solos, los bichos<\/i>.<br \/>\nAmb: Laura C. Vela i Suso Mourelo, autors. Sempre van sols, les bestioles \u00e9s un relat h\u00edbrid sobre el que \u00e9s diminut, el que \u00e9s rar i el que est\u00e0 a punt de desapar\u00e8ixer. A trav\u00e9s de les fotografies de Laura C. Vela i les paraules de Suso Mourelo, els insectes parlen de la mateixa manera amb els estrats, les llegendes, els min\u00fasculs \u00e9ssers humans i les seves preocupacions.<\/p>\n<p class=\"p1\"><strong>14:00<\/strong><br \/>\n<b>CENDEAC<br \/>\n<\/b>Presenta: <i>Imposibilidad de la arquitectura. Intervenciones puntuales y lecturas cr\u00edticas<\/i> (Col\u00b7lecci\u00f3 Infraleves, 2021).<br \/>\nAmb: Andr\u00e9s Carretero, autor; Fernando Castro; Fernando Quesada i Marta Ramos-Yzquierdo. (Im)possibilitat de l&#8217;arquitectura recull una selecci\u00f3 de textos, intervencions puntuals i lectures cr\u00edtiques publicades entre el 2016 i el 2020 per Andr\u00e9s Carretero. Testimonis d\u00b4una producci\u00f3 te\u00f2rica que es desplega des de l\u00b4exercici de l\u00b4arquitectura en un per\u00edode de crisi, incert i precari, travessats per l\u00b4experi\u00e8ncia generacional del moment pol\u00edtic viscut, la preocupaci\u00f3 per l\u00b4estat del treball, l\u00b4oblit del passat recent i la mem\u00f2ria anti-nost\u00e0lgica dels futurs perduts.<\/p>\n<p class=\"p1\"><strong>15:00<\/strong><br \/>\n<b>SIMETR\u00cdA DOM\u00c9STICA<br \/>\n<\/b>Presenta: <i>Colecci\u00f3n libros \u00fanicos.<br \/>\n<\/i>Amb: Estefania Papescu La col\u00b7lecci\u00f3 de llibres \u00fanics de l&#8217;editorial apareix com a manera de trencar el silenci. Mostra els primers esbossos, els primers experiments de l?artista. Trenca amb la solemnitat de mantenir-los en una vitrina i comen\u00e7a a fer circular els llibres d&#8217;artista per altres esferes.<\/p>\n<p class=\"p1\"><strong>16:00<\/strong><br \/>\n<b>BARTLEBOOTH<br \/>\n<\/b><span class=\"s2\">Presenta: <\/span>3. Atlas Menor 1: Disidencia Sexual, VVAA \u2192\u00a0<i>Atlas Menor #1 Disidencia Sexual<\/i>, VVAA<br \/>\nAmb: Ana Olmedo i Elena \u00c1guila, VenidaDevenida; Nucbeade, col\u00b7lectiu art\u00edstic; i Yera Moreno, fil\u00f2sofa i investigadora. Mirar la cartografia des de les dissid\u00e8ncies sexuals possibilita un proc\u00e9s de resignificaci\u00f3 que parla en altres termes, tracta altres territoris i trenca amb els ideals hegem\u00f2nics del cartogr\u00e0fic. Busca trobar un potencial que permeti q\u00fcestionar, remoure i imaginar altres viv\u00e8ncies possibles; donar compte del que \u00e9s subjectiu i activar eines que denoten una voluntat pol\u00edtica.<\/p>\n<p class=\"p1\"><strong>17:00<br \/>\n<\/strong><b>EL DISPARATE<br \/>\n<\/b>Presenta: <i>Varias publicaciones independientes<\/i>.<br \/>\nAmb: Erika Achec, Ignacio Navas, Karina Morante, Laura C. Vela i Roc\u00edo Bueno. Una selecci\u00f3 acurada de publicacions independents i autoeditades en el marc de la fotografia contempor\u00e0nia.<\/p>\n<p class=\"p1\"><strong>18:00<\/strong><br \/>\n<b>PEZPLATA Ediciones<br \/>\n<\/b>Presenta: <i>Ch\u00e2teau-d\u2019Eau. Poemas em tema e varia\u00e7\u00f5es<\/i>, de Ema M.<br \/>\nAmb: Ema M., autora i PhD Bellas Artes, Laura Lio, editora i artista pl\u00e0stica Em\u00edlia Ferreira, Directora del Museu d&#8217;Art Contemporani de Lisboa Javier Arnaldo, historiador de l&#8217;art i escriptor. Ch\u00e2teau-d&#8217;eau o Castell d&#8217;aigua \u00e9s un terme franc\u00e8s que designa el mateix que en portugu\u00e8s \u201cm\u00e3e d&#8217;\u00e1gua\u201d o cisterna en espanyol. \u00c9s un lloc contenidor que permet recollir aig\u00fces naturals i conservar-les per a les \u00e8poques de sequera. Aquesta expressi\u00f3 inspira l&#8217;artista en la creaci\u00f3 d&#8217;aquest llibre amb un tiratge curt i una edici\u00f3 especial amb il\u00b7lustracions originals.<\/p>\n<p class=\"p1\"><strong>19:00<\/strong><br \/>\n<b>FAMILIA EDITIONS (Brasil)<br \/>\n<\/b>Presenta: <i>\u2014EIS-ME AQUI. \u2014 HERE I AM.<br \/>\n<\/i><span class=\"VIiyi\" lang=\"ca\"><span class=\"JLqJ4b\" data-language-for-alternatives=\"ca\" data-language-to-translate-into=\"es\" data-phrase-index=\"0\" data-number-of-phrases=\"1\">Amb: Isabella Lenzi, comiss\u00e0ria; Regina Parra, artista autora; i Maria Lago, editora. La idea d\u201faquest llibre d\u201fartista sorgeix de les converses entre l\u201fartista Regina Parra il\u201feditora Maria Lago sobre la possibilitat de retratar la imatge de la dona a trav\u00e9s de l\u201fevoluci\u00f3 de la seva representaci\u00f3 en les arts esc\u00e8niques. El resultat inclou imatges pintades en oli especialment per a la publicaci\u00f3, que intercalen citacions als idiomes originals de les 12 obres seleccionades.<\/span><\/span><\/p>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"elementor-accordion-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-1575\" class=\"elementor-tab-title\" data-tab=\"5\" role=\"tab\" aria-controls=\"elementor-tab-content-1575\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon elementor-accordion-icon-left\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-closed\"><i class=\"fas fa-chevron-down\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-opened\"><i class=\"fas fa-chevron-up\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-accordion-title\" href=\"\">Diumenge 27 de febrer<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-1575\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"5\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-1575\"><p class=\"p1\"><strong>12:00<\/strong><br \/>\n<b>RUB\u00c9N BARROSO \/ LAS CIERVAS<br \/>\n<\/b>Presenta: <i>Vida privada de un artista.<br \/>\n<\/i>Amb: Rub\u00e9n Barroso. Cat\u00e0leg d&#8217;intimitats i privadesa d&#8217;un artista a l&#8217;edat mitjana que no t\u00e9 res a dir per\u00f2 que se li d\u00f3na molt b\u00e9 dir-ho.<\/p>\n<p class=\"p1\"><strong>13:00<\/strong><br \/>\n<b>BARTLEBOOTH<br \/>\n<\/b>Presenta: <i>Dise\u00f1o del medio, de Keller Easterlng.<br \/>\n<\/i>Amb: Luc\u00eda Jal\u00f3n, arquitecta i investigadora, i Andr\u00e9s Jaque, arquitecte, comissari, i autor del pr\u00f2leg. El disseny del medi desplega un possible repertori activista imbricat amb les contradiccions d&#8217;un realisme capitalista dominat per debats polaritzats. Recorre diferents escales de problemes planetaris que han estat la diana de debats ideol\u00f2gics des d&#8217;una banda i l&#8217;altra de l&#8217;espectre pol\u00edtic.<\/p>\n<p class=\"p1\"><strong>14:00<\/strong><br \/>\n<b>BLOW UP PRESS<br \/>\n<\/b>Presenta: <i>Object amnesic: a compost manifesto<\/i>\u00a0by Henrik Str\u00f6mberg &amp; Jens Soneryd<br \/>\nAmb: Grzegorz Kosmala Object amnesic: un manifest que l\u00eddia amb t\u00f2pics com a creixement i decad\u00e8ncia, mem\u00f2ria i oblit, perman\u00e8ncia i canvi. Explora com i quan l&#8217;escriptura i la fotografia es poden aplicar en oposici\u00f3 dels seus usos habituals, si tamb\u00e9 es poden implementar per desaprendre el que n&#8217;hem apr\u00e8s.<\/p>\n<p class=\"p1\"><strong>15:00<\/strong><br \/>\n<b>KLOSTERFELDE EDITION<br \/>\n<\/b>Presenta: Kasia Fudakowski,\u00a0Continuouslessness Travel Edition, 2021<br \/>\n<span class=\"VIiyi\" lang=\"ca\"><span class=\"JLqJ4b\" data-language-for-alternatives=\"ca\" data-language-to-translate-into=\"es\" data-phrase-index=\"0\" data-number-of-phrases=\"1\">Amb: Alfons Klosterfelde Aquesta edici\u00f3 \u00e9s la versi\u00f3 en miniatura de Continuouslessness, que va comen\u00e7ar el 2011, amb tres panells delicadament elaborats que irradien una exuberant alegria a l&#8217;ornamentaci\u00f3. Kasia Fudakowski va trobar la inspiraci\u00f3 per a aquestes obres a Pol\u00f2nia, el pa\u00eds dels seus avis. Tradicionalment, les persones han recol\u00b7lectat deixalles deixades per la ind\u00fastria del metall i, d&#8217;acord amb els seus propis dissenys creatius, les han fet servir per construir les portes de les seves propietats.<\/span><\/span><\/p>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-7d80947 elementor-widget elementor-widget-html\" data-id=\"7d80947\" data-element_type=\"widget\" data-widget_type=\"html.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<script>\r\njQuery(document).ready(function($) { \r\nvar delay = 100; setTimeout(function() { \r\n$('.elementor-tab-title').removeClass('elementor-active');\r\n $('.elementor-tab-content').css('display', 'none'); }, delay); \r\n}); <\/script> \r\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section 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class=\"elementor-gallery-item__overlay\"><\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<a class=\"e-gallery-item elementor-gallery-item elementor-animated-content\" href=\"https:\/\/artslibris.cat\/wp-content\/uploads\/2022\/03\/ArtsLibris-ARCOmadrid-2022-04.jpg\" data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"all-48241ca\">\n\t\t\t\t\t<div class=\"e-gallery-image elementor-gallery-item__image\" data-thumbnail=\"https:\/\/artslibris.cat\/wp-content\/uploads\/2022\/03\/ArtsLibris-ARCOmadrid-2022-04-600x401.jpg\" data-width=\"600\" data-height=\"401\" alt=\"\" ><\/div>\n\t\t\t\t\t\t\t\t\t\t<div class=\"elementor-gallery-item__overlay\"><\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<a class=\"e-gallery-item elementor-gallery-item elementor-animated-content\" href=\"https:\/\/artslibris.cat\/wp-content\/uploads\/2022\/03\/ArtsLibris-ARCOmadrid-2022-10.jpg\" data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"all-48241ca\">\n\t\t\t\t\t<div class=\"e-gallery-image elementor-gallery-item__image\" data-thumbnail=\"https:\/\/artslibris.cat\/wp-content\/uploads\/2022\/03\/ArtsLibris-ARCOmadrid-2022-10-600x338.jpg\" data-width=\"600\" data-height=\"338\" alt=\"\" ><\/div>\n\t\t\t\t\t\t\t\t\t\t<div class=\"elementor-gallery-item__overlay\"><\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-0d0c977 elementor-widget elementor-widget-spacer\" data-id=\"0d0c977\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>https:\/\/artslibris.cat\/wp-content\/uploads\/2022\/01\/AL-ARCOmadrid-horizontal_es.mp4 ArtsLibris en ARCOmadrid 2022 ArtsLibris tornar\u00e0 a estar present aquest any a ARCOmadrid. En aquesta setena edici\u00f3, presenta 55 expositors nacionals i internacionals, amb una pres\u00e8ncia notable d&#8217;editors procedents del Brasil, M\u00e8xic i Portugal, a m\u00e9s d&#8217;una extensa programaci\u00f3 cultural protagonitzada pels artistes i editors participants. Aquest any per primera vegada, al nostre espai &hellip;<\/p>\n<p class=\"read-more\"> <a class=\"\" href=\"https:\/\/artslibris.cat\/ca\/artslibris-arcomadrid-2022\/\"> <span class=\"screen-reader-text\">ARTSLIBRIS ARCOmadrid 2022<\/span> Llegeix m\u00e9s &raquo;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":27,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","_links_to":"","_links_to_target":""},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v16.0.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>ARTSLIBRIS ARCOmadrid 2022 - ArtsLibris<\/title>\n<meta name=\"description\" content=\"Programaci\u00f3 ARTSLIBRIS ARCOmadrid 2022. 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