{"id":1180,"date":"2020-05-20T14:10:54","date_gmt":"2020-05-20T14:10:54","guid":{"rendered":"https:\/\/artslibris.cat\/artslibris-madrid\/"},"modified":"2021-03-09T17:59:19","modified_gmt":"2021-03-09T17:59:19","slug":"artslibris-madrid-2020","status":"publish","type":"page","link":"https:\/\/artslibris.cat\/ca\/artslibris-madrid-2020\/","title":{"rendered":"ArtsLibris Madrid 2020"},"content":{"rendered":"\t\t
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ARTSLIBRIS
ARCOmadrid
2020<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Aquest \u00e9s el cinqu\u00e8 any consecutiu que ArtsLibris forma part d\u2019una de les fires d\u2019Art Contemporani m\u00e9s importants del m\u00f3n com a organitzadora de la secci\u00f3 dedicada al llibre d\u2019artista i el fotollibre.<\/p>

Enguany, ArtsLibris ja s\u2019ha posicionat dins d\u2019ARCO com a part del seu corpus general i no com una activitat paral\u00b7lela. Aix\u00f2 li ha atorgat una major visibilitat que es trasllada de ple als professionals que hi participen i la integren.<\/p>

Aquesta edici\u00f3 de ArtsLibris ARCOmadrid 2020 ha estat un \u00e8xit, comptant amb una major participaci\u00f3 d\u2019expositors nacionals i internacionals i una gran aflu\u00e8ncia de p\u00fablic. Enguany hem aconseguit diversificar m\u00e9s la proposta dels nostres editors i del p\u00fablic assistent, contribuint aix\u00ed a generar un acc\u00e9s m\u00e9s ampli i democr\u00e0tic a l\u2019art contemporani.<\/p>

Amb m\u00e9s de quaranta expositors (amb una destacada representaci\u00f3 internacional), el cicle de confer\u00e8ncies\u00a0Sublevar las formas<\/em>\u00a0i una extensa programaci\u00f3 en el ja conegut Speakers\u2019 Corner, ArtsLibris ha tancat la seva participaci\u00f3 a ARCOmadrid amb un balan\u00e7 molt positiu.<\/p>

L\u2019assist\u00e8ncia del p\u00fablic, comptabilitzada en uns 90.000 assistents, va comptar amb un perfil professional, caracteritzat per un dinamisme en les vendes que es va combinar amb una fluida concurr\u00e8ncia de COLECCIONISTAS , estudiants, p\u00fablic general i altres amants de les publicacions d\u2019artista.<\/p>

A l\u2019 Speakers\u2019 Corner, espai de di\u00e0leg entre el p\u00fablic de la fira i els expositors, s\u2019hi van presentar publicacions com\u00a0La forma del estado l\u00edmite \u00faltimo<\/em>\u00a0de Dalpine o la revista Concreta, aix\u00ed com els di\u00e0legs entorn de la relaci\u00f3 de les tecnologies i inventives que usen els artistes per a crear les seves publicacions va ser un dels punts forts de la fira.\u00a0<\/p>

D\u2019altra banda, aquest ha estat el primer any que ArtsLibris participa en la programaci\u00f3 del F\u00f2rum Professional d\u2019 ARCOmadrid comptant amb la coordinaci\u00f3 d\u2019Andrea Soto Calder\u00f3n, doctora en filosofia especialitzada en est\u00e8tica i teoria de l\u2019art.\u00a0<\/p>

Aquest espai ens ha perm\u00e8s obrir un nou vessant de recerca en la qual hem pogut ampliar i sobretot aprofundir temes referits a l\u2019art contemporani i la seva relaci\u00f3 amb altres \u00e0mbits com la pol\u00edtica, l\u2019economia i la societat. Per a aix\u00f2, hem tingut el plaer de comptar amb duets del nivell de Nuria Enguita i Pedro G. Romero, Emmanuel Alloa i Max de Esteban o Cristina Lucas i Itziar Okariz.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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expositors 2020<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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20th Century Art Archives<\/strong><\/a>, (Cambridge)<\/p>

42 L\u00edneas \u2013 Escuela de Arte de Oviedo<\/strong><\/a> (Oviedo)<\/p>

55SP<\/strong><\/a> (S\u00e3o Paulo)<\/p>

Alias Editorial<\/a><\/strong> (Ciutat de M\u00e8xic)<\/p>

AMENGUAL&Co<\/strong><\/a> (Calvi\u00e0-Mallorca)\u00a0<\/p>

Arquitectura y Fantas\u00eda <\/a><\/strong>(Buenos Aires)<\/p>

ArtsLibris<\/strong><\/a> (Barcelona)<\/p>

Bon-Gah<\/a><\/strong> (Teher\u00e1n)<\/p>

Ca l\u2019Isidret Edicions<\/a><\/strong> (Sant Mart\u00ed Sarroca – Barcelona)<\/p>

Camen Alonso Libros<\/a><\/strong> (Santander)<\/p>

Casa de Vel\u00e1zquez<\/a><\/strong> (Madrid)<\/p>

Consorci de Museus de la Comunitat Valenciana<\/a><\/strong> (Val\u00e8ncia)<\/p>

CENDEAC<\/a><\/strong> (M\u00farcia)<\/p>

consonni<\/a><\/strong> (Bilbao)<\/p>

Dalpine<\/a><\/strong> (Madrid)<\/p>

Danilo Montanari Editore<\/a><\/strong> (Ravenna)`<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Editorial Alpha SL<\/a><\/strong> (Barcelona)<\/p>\n

Ediciones El Instante<\/a><\/strong> (Madrid)<\/p>\n

Estudio Asia<\/a><\/strong> (Madrid)<\/p>\n

Estudio M\u00ednimo<\/a><\/strong> (Madrid)<\/p>\n

Rodrigo G\u00f3mez \u2013 FIFV <\/a><\/strong>(Valpara\u00edso)<\/p>\n

Florence Loewy<\/a><\/strong> (Par\u00eds)<\/p>\n

EL FONDO. <\/a>Colecci\u00f3n Garc\u00eda-Ramos<\/a><\/strong> (Madrid)<\/p>\n

Instantes Gr\u00e1ficos<\/a><\/strong> (Buenos Aires)<\/p>\n

Juan Naranjo Galer\u00eda de Arte & Documentos<\/strong><\/a> (Barcelona)<\/p>\n

L\u2019Arengario Studio Bibliografico<\/strong><\/a> (Gussago-Brescia)<\/p>\n

Kris Graves Projects<\/a><\/strong> (Nova York)<\/p>\n

La Maleta de Portbou<\/a><\/strong> (Barcelona)<\/p>\n

Librer\u00eda El Astillero<\/a><\/strong> (Colindres-Cantabria)<\/p>\n

Livraria Madalena<\/a><\/strong> (S\u00e3o Paulo)<\/p>\n

Meteoro Editions<\/a><\/strong> (\u00c1msterdam)<\/p>\n

No_Libros<\/a><\/strong> (Barcelona)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Per(r)ucho<\/a><\/strong> (Val\u00e8ncia)<\/p>

PezPlata Ediciones<\/a><\/strong> (Madrid)<\/p>

progettoSKIA<\/a><\/strong> (Italia)<\/p>

Proyecto Arte – EDICIONES<\/a><\/strong> (Valladolid)<\/p>

Proyecto Ronda<\/a><\/strong> (Buenos Aires)<\/p>

Ra\u00ed\u00f1a Lupa \/ Roc\u00edoSantaCruz<\/a><\/strong> (Barcelona)<\/p>

Revista CONCRETA<\/a><\/strong> (Val\u00e8ncia)<\/p>

Risotop Verlag<\/a><\/strong> (Leipzig)<\/p>

Samopal<\/a><\/strong> (Mosc\u00fa)<\/p>

Studio Montespecchio<\/strong><\/a> (Montespecchio)<\/p>

Taller del Prado<\/a><\/strong> (Madrid)<\/p>

Temblores Publicaciones<\/a>\u00a0<\/strong>(M\u00e8xic)<\/p>

Tinta Invisible<\/a><\/strong> (Barcelona)<\/p>

Tristan Barbar\u00e0 Editions<\/a><\/strong> (Barcelona)<\/p>

Turner Publicaciones<\/strong>\u00a0<\/a>(Madrid)<\/p>

Value Manifesto<\/a><\/strong>\u00a0(Basilea)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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SPEAKERS' CORNER 2020<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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12h
<\/strong>Mauro Giaconi, Doroth\u00e9e Dupuis, \u00a0Marta Ramos Izquierdo i\u00a0Ana Gallardo
<\/strong>Temporada de plom<\/strong><\/p>

Es presenta el primer cat\u00e0leg monogr\u00e0fic exhaustiu de l’artista argent\u00ed Mauro\u00a0Giaconi. Aquest cat\u00e0leg s’inclou en la nova col\u00b7lecci\u00f3 de monografies de\u00a0Temblores\u00a0Publicaciones, el segell editorial de la revista\u00a0Terremoto, i \u00e9s produ\u00eft amb el suport de la galeria\u00a0Arr\u00f3niz. La meta de la s\u00e8rie biling\u00fce (espanyol-angl\u00e8s) \u00e9s visibilitzar a artistes llatinoamericans de mitjana traject\u00f2ria, aix\u00ed com donar ferramentes cr\u00edtiques sobre la seva obra, a trav\u00e9s del treball amb autors destacats al del m\u00f3n de l’art, que formen part de la xarxa de\u00a0Terremoto.<\/p>

13h
<\/strong>Concreta
<\/strong>Presentaci\u00f3 de la revista Concreta #14. Tardor
<\/strong>Participen: Pedro G. Romero, artista i Laura Vall\u00e9s, editora<\/p>

Presentaci\u00f3 de la publicaci\u00f3 n\u00famero 14 de la Revista Concreta. El n\u00famero planteja un entrella\u00e7ament entre rrom, gitanes i flamencs per definir el camp con construcci\u00f3 real i sensible, plena d’artificis, trap i trampes.\u00a0<\/p>

15h
<\/strong>Amengual&Co\u00a0<\/strong>
Fotollibres: l’art de la fotografia posada en p\u00e0gina
<\/strong>Participen: Toni Amengual, Paula Art\u00e9s i Luc\u00eda Peluffo, fot\u00f2grafs<\/p>

Presentaci\u00f3 de la selecci\u00f3 de fotollibres de l’ estand Amengual&Co. S’analitzar\u00e0 perqu\u00e8 els fotollibres, son obres d’art i dels requisits que han de complir per a ser-ho.\u00a0<\/p>

16h
<\/strong>Dalpine
<\/strong>La forma del Estado L\u00edmite \u00daltimo
<\/em><\/strong>Presenten: M\u00edriam Fern\u00e1ndez Lara, autora, i Jaime Narv\u00e1ez, dissenyador<\/p>

La forma del Estado L\u00edmite \u00daltimo<\/em>\u00a0\u00e9s una publicaci\u00f3 en la que el dibuix de formes creades a partir de les lleis d’esfor\u00e7os se superposa a les imatges de ponts col\u00b7lapsats. Aix\u00ed, podem visualitzar l’instant previ a la cat\u00e0strofe. Es tracta de gestos de rehabilitaci\u00f3 d’aquests ponts, m\u00e9s ideals que f\u00edsics, que ens permeten mirar d’una altra manera el frac\u00e0s. \u00a0<\/p>

17h
<\/strong>Instantes Gr\u00e1ficos
<\/strong>La paraula en moviment… El cos present, l’instant en acci\u00f3\u00a0
<\/strong>Participen: Carla Rey, editora, Adriana Cora i Ver\u00f3nica Bonta, artistes<\/p>

Xerrada sobre la col\u00b7lecci\u00f3\u00a0Basta la palabra<\/em>, que visualitza el poder de la paraula com a gest i com a marca de poder, i\u00a0Abracadabra<\/em>, una publicaci\u00f3 conformada per frases de diferents artistes, que promouen la fortalesa femenina, la sororitat i la llibertat. \u00a0<\/p>

18h
<\/strong>20th Century Art Archives
<\/strong>Tauba Auerbach al voltant de Diagonal Press
<\/strong>Participa: Louisa Riley-Smith, editora<\/p>

Considerada una de las preeminents creadores de llibres d’artista de la seva generaci\u00f3, Tauba Auerbach ha realitzat varis llibres d’artista amb altres editorials abans de decidir fer art en forma de llibre amb el seu propi segell, Diagonal Press. 20th Century Art Archives presentar\u00e0 aquesta producci\u00f3 i donar\u00e0 una xerrada il\u00b7lustrada a trav\u00e9s de les publicacions, explicant les formes inventives en qu\u00e8 l’artista ha utilitzat diferents tecnologies per a cada llibre. \u00a0<\/p>

19h
<\/strong>No_Libros
<\/strong>Karma Girls
<\/strong>Participen: Edu Forte, fot\u00f3graf i Carla Cascales, model<\/p>

Edu Forte ens proposa un exercici que for\u00e7a els l\u00edmits entre la sempre ambigua relaci\u00f3 fot\u00f2graf\/model, aventurant-se a fer les fotografies que altres nom\u00e9s imaginen, donant-nos pistes sobre les claus que donen acc\u00e9s al\u00a0karma<\/em>\u00a0d’algunes noies.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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13h
<\/strong>Turner
<\/strong>Matisos de l\u2019art en Am\u00e9rica Llatina
<\/strong>Participen: Andrea Hinteregger De Mayo (curadora d\u2019exposicions i autora del llibre), Stefan Benchoam, artista de Guatemala, del col\u00b7lectiu Proyecto Ultravioleta i Santiago Fern\u00e1ndez de Caleya, director de TURNER<\/p>

\u00bfExisteix alguna cosa que pugui cridar-se art llatinoameric\u00e0? \u00bfEs necessita aquesta etiqueta en un m\u00f3n de l\u2019art globalitzat? Andrea Hinteregger De Mayo i Stefan Benchoam debatran entorn d\u2019aquestes preguntes i sobre els punts culturals que es construeixen en unir els interessos universals que impulsen la pr\u00e0ctica art\u00edstica.<\/p>

15h
<\/strong>Meteoro Editions
<\/strong>Publicacions des de l’arxiu
<\/strong>Participation: Pablo Lerma, editor, Mart\u00ednez Bellido, autor, Jes\u00fas Alcaide, curador i Jon Snyder, estudiant.<\/p>

Les publicacions Ira Lombard\u00eda i Mart\u00ednez Bellido s’articulen al voltant d’imatges trobades i\/o arxius fotogr\u00e0fics vernaculars amb especial inter\u00e8s en la relectura i la categoritzaci\u00f3 de la imatge des de la pr\u00e0ctica contempor\u00e0nia. \u00a0<\/p>

16h
<\/strong>consonni
<\/strong>Cr\u00edtica visual del saber solitari
<\/strong>Participen: Aurora Fern\u00e1ndez Polanco, autora, i Ana Longoni\u00a0, investigadora<\/p>

El llibre\u00a0Cr\u00edtica visual del saber solitario<\/em>\u00a0reivindica tant l’est\u00e8tica com la saviesa d’un cos cada vegada m\u00e9s malm\u00e8s per les l\u00f2giques del capital. La intenci\u00f3 marcadament pol\u00edtica d’aquest assaig ens convida a decidir qu\u00e8 salvar i qu\u00e8 condemnar del m\u00f3n que ha orientat els nostres coneixements.\u00a0<\/p>

17h
<\/strong>Consorci de Museus de la Comunitat Valenciana
<\/strong>Presentaci\u00f3 de publicacions del Programa \u00abTraject\u00f2ries\u00bb
<\/strong>Participen: Jos\u00e9 Luis P\u00e9rez Pont, director del Consorci de Museus de la Comunitat Valenciana<\/p>

Es presentaran les publicacions de les mostres dedicades a Xisco Mensua, 15.600 d\u00edas<\/em>, Teresa Cebri\u00e1n,\u00a0El largo viaje<\/em>, Ana Teresa Ortega,\u00a0Pasado y presente, la memoria y su construcci\u00f3n<\/em>\u00a0y Fuencisla Franc\u00e9s,\u00a0Punto de fuga<\/em>.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tDissabte 29 de febrer<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

13h\u00a0
<\/strong>Centro P\u00e1rraga i CENDEAC

<\/strong>Presentaci\u00f3 del llibre-cat\u00e0leg de l\u2019artista Bene Bergado editat amb motiu de l\u2019exposici\u00f3 \u00abPersona\u00bb, comissariada per Manuel Oliveira en MUSAC, Museo de Arte Contempor\u00e1neo de Castilla y Le\u00f3n i el Centro P\u00e1rraga, Centro de Cultura Contempor\u00e1neas de la Regi\u00f3n de Murcia. Participen: Bene Bergado, artista, Manuel Olveira, comissari de l\u2019exposici\u00f3 i director de MUSAC i Sergio Porl\u00e1n, coordinador de Centro P\u00e1rraga i CENDEAC.<\/p>

14h
<\/strong>Taller del Prado
<\/strong>Revista\u00a0Enigma
<\/em><\/strong>Presenten: Enrique Gonz\u00e1lez Flores i Francisco Molina Montero, editors<\/p>

Fundada l’any 2014, la revista\u00a0Enigma<\/em>, inspirada en la revista francesa\u00a0Derri\u00e8re le miroir<\/em>, publicada durant diverses d\u00e8cades per la Fundaci\u00f3 Maeght, s’articula com un espai on els artistes deixen volar la seva creativitat.<\/p>

15h
<\/strong>Instantes Gr\u00e1ficos
<\/strong>Artista en acci\u00f3<\/em>\u00a0de Juan Carlos Romero
<\/strong>Participen: Hugo F. Romero, editor, Marcela Romer i Ana Longoni, investigadores<\/p>

Presentaci\u00f3 del llibre que reuneix les obres en paper pertinents a la col\u00b7lecci\u00f3 arte-blogarte, i que abarca totes les \u00e8poques de l’artista conceptual argent\u00ed Juan Carlos Romero.<\/p>

16h
<\/strong>Casa Vel\u00e1zquez y BonGah\u00a0
<\/strong>The Invisible Monument<\/em>\u00a0de Sara Kamalvand – Una colaboraci\u00f3 entre Espa\u00f1a i Ir\u00e1n\u00a0
<\/strong>Participen: Sara Kamalvand, artista i arquitecta (artista en resid\u00e8ncia Casa de Vel\u00e1zquez 2019-2020), Mahmoud Bakhshi i Sonia Berger, editors\u00a0<\/p>

The Invisible Monument<\/em>\u00a0de Sara Kamalvand, mostra com el proc\u00e9s d’una lectura anacr\u00f2nica de Teheran a partir de les capes subterr\u00e0nies d’una xarxa de rec abandonada. D’aquesta manera, es rebel\u00b7len la naturalesa i necessitats contempor\u00e0nies d’aquest territori. De la mateixa manera i durant el seu any de resid\u00e8ncia a Madrid, l’artista est\u00e0 desenvolupant un projecte de canals subterranis de Madrid, que encara irriguen passivament la ciutat.\u00a0<\/p>

17h
<\/strong>Ra\u00ed\u00f1a Lupa y Galer\u00eda Rocio Santa Cruz
<\/strong>Guillotina<\/em>\u00a0de Llu\u00eds Hortal\u00e0
<\/strong>Participen: Pablo Juncadella, dissenyador i cofundador de Mucho, Llu\u00eds Hortal\u00e0, artista, i Oriol Fontdevila, comissari de l’exposici\u00f3 i autor del text del cat\u00e0leg<\/p>

Xerrada sobre\u00a0Guillotina,\u00a0<\/em>el cat\u00e0leg de l’artista Lluis Hortal\u00e0. Com en la seva obra, la pres\u00e8ncia de t\u00e8cniques d’enquadernaci\u00f3 cl\u00e0ssiques i modernes coexisteix en un intent d’explicar millor les peces en un entorn editorial.<\/p>

18h\u00a0
<\/strong>Estudio Asia
<\/strong>Centellejos de Paisatge. Relaci\u00f3 entre el real i l’irreal, a trav\u00e8s del paisatge: una visi\u00f3 xinesa.
<\/strong>Participen: Ren Bo, autora del fotolibro\u00a0Nomadic Sight<\/em>, i Jose Reinoso, editor.<\/p>

A la presentaci\u00f3, l’autora discutir\u00e0 sobre l’influ\u00e8ncia de les formes tradicionals de l’art xin\u00e8s, com el paisatge amb tinta xinesa o la cal\u00b7ligrafia, a la fotografia contempor\u00e0nia. Ren Bo intentar\u00e0 explicar com utilitza la fotografia i dos dels seus principals ingredients, el temps i l’espai, per llen\u00e7ar una mica de llum sobre aquesta q\u00fcesti\u00f3.\u00a0<\/p>

19h
<\/strong>No_Libros
<\/strong>Louise Bourgeois i maneres feministes de crear<\/em>\u00a0de\u00a0<\/strong>Gabriela Barzaghi De Laurentiis
<\/strong>Presenta: Patricia Mayayo, investigadora<\/p>

Quan pareixia dif\u00edcil dir alguna cosa distinta sobre\u00a0Bourgeois, Gabriela\u00a0Barzaghi\u00a0De\u00a0Lautentiis\u00a0ens sorpr\u00e8n amb un llibre fora dels l\u00edmits establerts. Com les gates de\u00a0Baurgeois, s’aventura en un salt interpretatiu: davant la mirada despolititzada que tanca l’obra de sentits possibles, confiant-la a l’estret marc hermen\u00e8utic de la psicobiografia, l’autora ens proposa un apropament feminista i radicalment pol\u00edtic a l’artista.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Sublevar les formes | <\/strong><\/em>coordinat i moderat per Andrea Soto Calder\u00f3n.
<\/strong>Organitzades per Andrea Soto Calder\u00f3n, doctora en Filosofia, profesora d’Est\u00e8tica i Teoria de l’Art<\/p>

SESSI\u00d3 1
26 Febrer, 18.30-19.30hrs
Actes d’ edici\u00f3n
<\/strong>Pedro G. Romero i Nuria Enguita<\/p>

SESSI\u00d3 2
27 Febrer, 18.30-19.30hrs
Els llenguatges de la performance
<\/strong>Joan Morey i Manuel Olveira Paz<\/p>

SESSI\u00d3 3
28 Febrer, 18.30-19.30hrs
Economies del visible
<\/strong>Emmanuel Alloa i Max de Esteban<\/p>

SESSI\u00d3 4
29 Febrer, 18.30-19.30hrs
Err\u00e0ncies del cos
<\/strong>Cristina Lucas i Itziar Okariz

<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

ARTSLIBRISARCOmadrid2020 Aquest \u00e9s el cinqu\u00e8 any consecutiu que ArtsLibris forma part d\u2019una de les fires d\u2019Art Contemporani m\u00e9s importants del m\u00f3n com a organitzadora de la secci\u00f3 dedicada al llibre d\u2019artista i el fotollibre. Enguany, ArtsLibris ja s\u2019ha posicionat dins d\u2019ARCO com a part del seu corpus general i no com una activitat paral\u00b7lela. Aix\u00f2 […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":88,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-1180","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nArtsLibris Madrid 2020 - ArtsLibris<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/artslibris.cat\/ca\/artslibris-madrid-2020\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"ArtsLibris Madrid 2020 - ArtsLibris\" \/>\n<meta property=\"og:description\" content=\"ARTSLIBRISARCOmadrid2020 Aquest \u00e9s el cinqu\u00e8 any consecutiu que ArtsLibris forma part d\u2019una de les fires d\u2019Art Contemporani m\u00e9s importants del m\u00f3n com a organitzadora de la secci\u00f3 dedicada al llibre d\u2019artista i el fotollibre. 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