{"id":1178,"date":"2020-05-20T14:11:23","date_gmt":"2020-05-20T14:11:23","guid":{"rendered":"https:\/\/artslibris.cat\/artslibris-lisboa\/"},"modified":"2021-03-09T17:46:39","modified_gmt":"2021-03-09T17:46:39","slug":"artslibris-lisboa-2020","status":"publish","type":"page","link":"https:\/\/artslibris.cat\/ca\/artslibris-lisboa-2020\/","title":{"rendered":"ArtsLibris Lisboa 2020"},"content":{"rendered":"\t\t
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ArtsLibris, Fira Internacional del Llibre d’Artista, participa per segon any consecutiu a\u00a0ARCOlisboa<\/a>\u00a02020\u00a0per a difondre projectes d’edici\u00f3 contempor\u00e0nia.<\/p>

ArtsLibris\u00a0en XARXA\u00a0ARCOlisboa\u00a0se suma a la iniciativa online d’ARCOlisboa\u00a0i enviar\u00e0 una\u00a0newsletter\u00a0setmanal, presentant les novetats dels seus editors i v\u00eddeos amb reflexions entorn del llibre i les publicacions d’artista, tots els dimecres a partir d’avui 20 maig fins el 10 de juny.\u00a0<\/p>

Agra\u00efm a Andrea Soto Calder\u00f3n, 42 L\u00ednies. Escola d’Art Oviedo i 55SP els v\u00eddeos que ens han enviat per a aquesta primera\u00a0newsletter.<\/p>

El dia 11 de juny\u00a0ArtsLibris\u00a0en XARXA\u00a0ARCOlisboa\u00a0participar\u00e0 en el F\u00f2rum\u00a0Streaming\u00a0organitzat per\u00a0ARCOlisboa, amb una conversa en directe entre Susana\u00a0Louren\u00e7o\u00a0i\u00a0Jo\u00e3o\u00a0Figueira, coordinada per Andrea Soto Calder\u00f3n.<\/p>

Benvinguts i benvingudes a la nostra segona edici\u00f3 virtual!<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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PROGRAMACI\u00d3 2020<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Foro Streaming ARCOlisboa Online Edition<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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En aquest v\u00eddeo Andrea Soto Calder\u00f3n, encarregada de coordinar els seminaris de\u00a0ArtsLibris\u00a02020, ens avan\u00e7a els continguts de la nostra participaci\u00f3 en el\u00a0F\u00f2rum\u00a0Streaming\u00a0de\u00a0ARCOlisboa\u00a0Online\u00a0Edition<\/a>\u00a0que tindr\u00e0 lloc el dia 11 de juny a les\u00a018h\u00a0(hora portuguesa). La tem\u00e0tica de la conversa que proposar\u00e0\u00a0ArtsLibris\u00a0girar\u00e0 entorn a:\u00a0Com podem pensar avui dia les publicacions d’artista?<\/strong><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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La repetici\u00f3 com a concepte de llibre<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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En aquest v\u00eddeo Moritz K\u00fcng reflexiona sobre el concepte de repetici\u00f3 en el llibre d’artista. Per a aix\u00f2, ha seleccionat 5 llibres de la seva biblioteca personal que treballen, cadascun de manera diferent, les nocions d’alternan\u00e7a, repetici\u00f3 i reproducci\u00f3. Els llibres d’aquest recorregut s\u00f3n: Circles<\/em>\u00a0de\u00a0Kristj\u00e1n\u00a0Gudmundsson;\u00a0Profilo\u00a0Continu<\/em> de Sophie Nys;\u00a0360\u00ba<\/em> de Mart\u00edn Vitaliti;Mart\u00edn Vitaliti; Is there something should know?<\/em> de Stefanie Leinhos i Raw Materials<\/em> de Bruce Nauman.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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El mitj\u00e0 impr\u00e8s com espai discursiu<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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En aquest v\u00eddeo Juan\u00a0Naranjo, col\u00b7leccionista i galerista de Juan\u00a0Naranjo\u00a0Galeria d’Art & Documentos ens fa un recorregut hist\u00f2ric sobre el mitj\u00e0 impr\u00e8s com a espai discursiu dels artistes. Amb exemples que formen part de la seva pr\u00f2pia col\u00b7lecci\u00f3 ens mostra un espectre de publicacions que van des del segle XIX fins als nostres dies, i que podem llegir com a veritables representacions\u00a0d’\u00e8poca\u00a0dels estils, est\u00e8tiques i valors de cada moment hist\u00f2ric.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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ListaT d'expositors d'Artslibris en XARXA arco lisboa 2020<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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13L<\/a><\/strong>\u00a0(Barcelona)<\/p>

42 LINEAS \/ ESCUELA DE ARTE DE OVIEDO<\/strong><\/a>\u00a0(Oviedo)<\/p>

55SP<\/a><\/strong>\u00a0(S\u00e3o Paulo)<\/p>

Ad Hoc<\/a><\/strong>\u00a0(Bilbao)<\/p>

Afrique in Visu<\/a><\/strong>\u00a0(Paris)<\/p>

Alias Editorial<\/a>\u00a0<\/strong>(Ciutat de M\u00e8xic)<\/p>

And the editions<\/a><\/strong>\u00a0(Viena)<\/p>

ARTE ESTAMPA<\/a><\/strong>\u00a0(Madrid)<\/p>

Artphilein Editions<\/a>\u00a0<\/strong>(Lugano)<\/p>

Atelier Concorde<\/strong><\/a>\u00a0(Lisboa)<\/p>

Bonito Editorial<\/a><\/strong>\u00a0(Bilbao)<\/p>

Canadian Centre for Architecture<\/strong><\/a>\u00a0(Montreal)<\/p>

Carmen Alonso Libros<\/a><\/strong>\u00a0(Santander)<\/p>

Carmen Hurtado<\/a>\u00a0<\/strong>(Barcelona)<\/p>

CENDEAC<\/a><\/strong>\u00a0(M\u00farcia)<\/p>

Chucher\u00edas de Arte<\/strong><\/a>\u00a0(Madrid)<\/p>

Coral Books<\/a>\u00a0<\/strong>(Matosinhos) \u00a0<\/p>

Danilo Montanari<\/a>\u00a0<\/strong>(Ravena)<\/p>

Editorial Gustavo Gili<\/a>\u00a0<\/strong>(Barcelona)<\/p>

Editorial Vortex<\/a><\/strong>\u00a0(Vi\u00f1a del Mar)<\/p><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Edizioni Corraini<\/a>\u00a0<\/strong>(Mantua)<\/p>

ESAD\u2014idea Investiga\u00e7\u00e3o em Design e Arte<\/a><\/strong>\u00a0(Matosinhos)<\/p>

Eul\u00e0lia Espasa<\/a><\/strong>\u00a0(Barcelona)\u00a0<\/p>

Gabinete Editions<\/a><\/strong>\u00a0(Lisboa)<\/p>

GHOST Editions<\/a><\/strong>\u00a0\u00a0(Lisboa)<\/p>

Gli Ori srl<\/a>\u00a0<\/strong>(Pistoia)<\/p>

Gravuras no Brasil<\/a>\u00a0<\/strong>(S\u00e3o Paulo)<\/p>

Hangar Books<\/a>\u00a0<\/strong>(Lisboa)<\/p>

Holobionte Ediciones<\/a><\/strong>\u00a0(Barcelona)<\/p>

Imago\/Ymago<\/a><\/strong>\u00a0(Lisboa)<\/p>

Instantes Gr\u00e1ficos<\/a><\/strong>\u00a0(Buenos Aires)<\/p>

Juan Naranjo Galer\u00eda de Arte & Documentos<\/a><\/strong>\u00a0(Barcelona)<\/p>

L\u2019Arengario Studio Bibliogr\u00e1fico<\/strong> <\/a>(Brescia)<\/p>

Librer\u00eda El Astillero<\/a>\u00a0<\/strong>(Cantabria)<\/p>

Loreley Books<\/a><\/strong>\u00a0(S\u00e3o Paulo)<\/p>

Louise Charles Tiar<\/a><\/strong>\u00a0(Madrid)<\/p>

Meel Press<\/a>\u00a0<\/strong>(Lisboa)<\/p>

Metales Pesados<\/a><\/strong>\u00a0(Santiago de Chile)<\/p><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Naranja Publicaciones<\/a><\/strong>\u00a0(Santiago de Chile)<\/p>

No_Libros<\/a>\u00a0<\/strong>(Barcelona – S\u00e3o Paulo)<\/p>

Per(r)ucho<\/strong><\/a>\u00a0(Val\u00e8ncia)<\/p>

PEZPLATA EDICIONES<\/a>\u00a0<\/strong>(Madrid)<\/p>

Pierre Von Kleist<\/a><\/strong>\u00a0(Lisboa)<\/p>

Pierrot Le Fou<\/a>\u00a0<\/strong>(Oporto)<\/p>

Ra\u00ed\u00f1a Lupa\/Roc\u00edoSantaCruz<\/a><\/strong>\u00a0(Barcleona)<\/p>

Red Fox Press<\/a><\/strong>\u00a0(Ilha de Achill \u2013 Irlanda)<\/p>

Roser Sales Noguera<\/strong><\/a>\u00a0(Barcelona)<\/p>

Rub\u00e9n Barroso<\/strong><\/a>\u00a0(Barcelona)<\/p>

RV Cultura e Arte<\/strong><\/a>\u00a0(Salvador da Bahia)<\/p>

STET – livros & fotografias<\/a><\/strong>\u00a0(Lisboa)<\/p>

Textem Verlag<\/a><\/strong>\u00a0(Hamburgo)<\/p>

Tinta Invisible edicions<\/a><\/strong>\u00a0(Barcelona)<\/p>

Tristan Barbar\u00e1<\/a><\/strong>\u00a0(Barcelona)<\/p>

Urucum<\/a><\/strong>\u00a0(Lisboa)<\/p>

Value Manifesto GmbH<\/a><\/strong>\u00a0(Basilea)<\/p><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

ArtsLibris, Fira Internacional del Llibre d’Artista, participa per segon any consecutiu a\u00a0ARCOlisboa\u00a02020\u00a0per a difondre projectes d’edici\u00f3 contempor\u00e0nia. ArtsLibris\u00a0en XARXA\u00a0ARCOlisboa\u00a0se suma a la iniciativa online d’ARCOlisboa\u00a0i enviar\u00e0 una\u00a0newsletter\u00a0setmanal, presentant les novetats dels seus editors i v\u00eddeos amb reflexions entorn del llibre i les publicacions d’artista, tots els dimecres a partir d’avui 20 maig fins el 10 […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":85,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-1178","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nArtsLibris Lisboa 2020 - ArtsLibris<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/artslibris.cat\/ca\/artslibris-lisboa-2020\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"ArtsLibris Lisboa 2020 - ArtsLibris\" \/>\n<meta property=\"og:description\" content=\"ArtsLibris, Fira Internacional del Llibre d’Artista, participa per segon any consecutiu a\u00a0ARCOlisboa\u00a02020\u00a0per a difondre projectes d’edici\u00f3 contempor\u00e0nia. 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